Can there be only one?

Just because it’s old doesn’t mean it’s good. I’ve had that thought rolling around among the remaining marbles in my head lately. Doesn’t help that I had another birthday, pushing ME into the “just because he’s old…” category.

I see this in my day job. In architectural design we are frequently called on to save work that is 50 or more years old. It’s important to retain a sense of history, but often times there simply isn’t anything worth saving. I have seen entire walls on the verge of collapse due to shoddy workmanship from the past that has finally pushed that final limit and begun the process of failing. Blocks crack, steel rusts away, bricks bulge, forming something that looks more like a wave than a wall. We can’t ‘save’ it. Maybe we can remake it and allow it to blend in with the other remaining parts. It takes study and careful consideration.

Nostalgia can dominate rational thought in this process. If the building in question has “always been there” from your point of view, there is an attachment formed by familiarity. The same is true of the written word. There have been some older genre books I’ve gone back to. I devoured them when I was a kid. I have these hazy visions and half baked plot memories that fill me with feelings of adventure and inspiration. Then I go back, dig out the old paperbacks and start to read. Nostalgia is often best if allowed to remain as that fuzzy picture. Most of the stories I’ve gone back to based strictly on warm feelings from my youth have been… less than the memory that brought me back to them. A couple of books have been absolute stinkers that lead me to wonder what I was thinking. Of course I was probably a preteen when reading them for the first time and had a… less discriminating palette. I think that’s a good way to phrase it (as opposed to, it didn’t matter if it was shitty, I grabbed every one I could get my grubby little hands on). Sometimes context of when books were written matters, sometimes it doesn’t. I found there are some who agree with the assessment that old isn’t necessarily good as well. I have a copy of this book, and based on this review I won’t be picking it up again soon. I love the cover art… I’ll let that story fade away on the back of the shelf.

Movies fit this category more than anything else. I’ve been trying to formulate a way to describe the feeling of not seeing new things in movies in such a way to still allow space for various media pieces to become my “new favorite”. It’s easy to throw haymakers at Hollywierd for never making anything new. We’re scheduled to get a 5th Indiana Jones movie! Indiana Jones and the quest for prune juice? We’re getting another Dune movie… that looks exactly the same as the last one with updated special effects. We’re getting sequels and “movie universe continuations” and all sorts of things that just don’t excite me. Theaters have lots of issues, but I think the single biggest one is making people excited enough about an actual film (without giving the entire thing away in the trailer ~ but that’s another rant) to balance against the terribleness of actually going and being forced to deal with an increasingly rotten set of theater goers. Another remake? Unlikely.

That brings me to the movie remake – or reboot? – that I really want to talk about. Highlander. The original movie from 1986 evokes that sense of nostalgia. There are so many aspects of this movie worthy of discussion. The concept is fascinating, but limited. An unknown number of immortal men that can only die if they are decapitated. These men battle through time attempting to become the final, remaining immortal that will claim some ultimate prize. I suspect the part film makers hate is that has a built in end point. Eventually, “there can be only one”, and that’s the best place for the film to stop. It didn’t stop them before of course. They welded on or cobbled together an additional four sequels and two television series. I will carry forth the belief that as far as Highlander films, there can be only one and not discuss the others.

The concept works. There are also the characters. Over the top, wildly costumed and speaking forth with accents that absolutely do NOT match anything of where they’re supposed to be from. These men know the goal, learn ways to survive and form bonds that pass beyond normal human life spans. Those who are prone to evil deeds do not hold back – in particular the Kurgan is a monster (and one of my favorite villains). The action works. Sword fights, car chases (sort of) and training montages. The score of the film by Queen has become legendary. It is this mashed together thing that somehow becomes more than any single part of it described on its own. Some minor aspects are showing their age, but given that the movie is 35 years old now that’s to be expected.

Do I want to see another version of this film?

It’s a difficult question. I love the original. I remember (and can quote) almost all of the main characters clearly. I’d hate if they did to this movie what they did to that movie series they called “The Hobbit”. Hate. Lots of hate for that hobbit mess.

I’d be willing to watch the movie. I’m not saying I’m enthusiastic about the idea, but I’d be willing to watch the movie. There are some important things that need to be addressed if this new version is going to happen.

The concept has a limit in terms of film. Unless it’s going to attempt to become something like the MCU (and everyone seems to want to cash in on the Marvel concept). Winning the main goal at the end of the first film is NOT the way to build a franchise. Does the film need to be a franchise? Is there any such thing as a stand alone film anymore? I don’t see many stand alone films in the land of genre these days. If it’s going to be more than one, give us enough of an ending that it can be thought of as a film, but don’t give us the ultimate prize only to try to backpedal on that later.

Don’t try to copy the musical score. Queen was a magical choice that somehow worked. Trying to capture that same spirit and falling short (and you will fall short against the Queen soundtrack) will detract from the movie. Make the music different and unique to this story.

Keep the villain a villain. There are bad guys trying to win the prize. They can’t die. They will think long term and they will be completely willing to do awful things to people who aren’t immortal. They would have died soon anyway, right? Keep that. It’s not going to be easy to equal what has gone before. Please, for the love of all that is holy to anyone, DO NOT turn this into one of those weak ‘but they were just misunderstood’ lame ass bad guy bits. Those are the worst. I’ll walk out.

Update the action and the special effects – but don’t rely on the special effects. Computers can do amazing things, but aging well is not one of them ~ particularly in the realm of visual effects. It’s easy to see the old effects with a modern eye. Do as much of this in a practical way as possible. Don’t go over the top. Over the top doesn’t blend well with a good story.

In the end – keep a good story as the main goal. What would I love to see in a remake? Show me an immortal warrior who is able to fight, but also understands that the world continues to move and evolve. A man who is so alone, but remembers so deeply and so clearly that he drags us with him, willing or not. There’s a moment in the original that shows this off amazingly well. IF they can give me this feeling along with effective action, a believable villain and amazing sound and visuals I’ll love it. See if you agree here:

A man out of time

Do I think they’ll get there? I don’t know. Cautiously hopeful is all we get for right now. There’s only one way to find out. Let’s hope for the best on this one.

The Bad Guy

“I’m the bad guy… Duh” Billie Eilish

Grab your top hat and twirl your mustache!

Whenever I’m writing I try to give some focus to creating an antagonist that is particularly good at thwarting whatever it is the main character wants or needs to accomplish. Creating the best possible villain for any piece serves to make your hero that much better. I also love to study other bad guys to inform choices I make when creating my own. Movies tend to be an excellent place to find these examples. There are all sorts of villains out there trying to bring the plans of the hero to a grinding halt. The very best villain is a fantastic subject for debate.

Some time ago I saw this article claiming the top spot for cinematic villainy. It’s a difficult position to refute. I absolutely love the movie Highlander (for those of you that make claims that further movies existed I will simply say, ‘there can be only one’). The premise is great. One of the clearest examples of a man out of time happens in this movie when Connor talks about the year 1783 while opening brandy for his date. It’s a fantastic piece snuggled between sword fights. I’m not going to put the Kurgan at the top of my list though. There are better (or is it badder?) villains out there.

~Quick side note: I am sticking to fictional characters. There are far too many real world evil doers out there, and that’s just depressing. I prefer to stay with made up people.~

This list is my top five bad guys in cinema from five to one.

I’ll admit that the top 4 were easy for me. The real challenge was filling the last spot in my top five. Should it be Keyser Soze from The Usual Suspects? A man so scary that even other criminals fear him? Should it be Thanos or the Alien or the Terminator? What about Annie Wilkes from Misery. The hobbling scene haunts my nightmares still. None of those folks have the impact the ones that make my list do. It’s a flat out debate in my head between the two in spot five, so I’m going to call it a tie.

#5. The fifth spot is a split between Captain from Cool Hand Luke and Dolores Umbridge from Harry Potter and the Order of the Phoenix. “What we’ve got here is a failure to communicate…” that captain. If you haven’t seen the film, go look it up. It’s an excellent film. I suspect that anyone who’s been around in the 2000s will recognize Delores (and likely have a seething reaction to her – sign of a great villain). These two are remarkably similar. They are mean; just downright nasty with people around them. They do what they do because they think they’re helping the people around them to fit in better and not make waves. They are desperately cruel while attempting to force conformity. That desperation pushed them toward making terrible choices and inflicting physical harm on others in the name of ‘betterment’. Punishment at the highest level without death. Torment, agony and trauma in the name of getting better definitely put these two on the list together.

#4. The Joker ~ The Dark Knight (2008) I put this one on here specifically for Heath Ledger’s masterful performance. There are a number of issues one could take with this film, but his performance in this part is an all time cinematic standout. The type of man that will do anything to get what he wants. Anything, including setting up various people to die just to see what choices they, or those who love them will make in order to save lives. What rules are you unwilling to break? What does it take to make you break them? Does he want the death of the hero? Absolutely not. Who would be his opposition without the hero? He lies, he intimidates, he kills… and he does completely terrifying magic with pencils.

#3. The Kurgan ~ Highlander (1986) We meet him with a glorious intro of the immortal wearing a bear skull. This wonderful portrayal of a madman shows what happens when the consequences are removed and the dark desires remain. Yes, there’s the sword fighting, the killing by beheading, and the blasphemy. The true nature of this guy’s evil shows forth when he steals a car. He has no fear of injury or death and he takes that with him as he screams along with his kidnap victim and runs over people on the sidewalk. It’s precisely what a remorseless killer would do.

#2. Thulsa Doom ~ Conan The Barbarian (1984) A warlord who gains power and becomes the head of a cult that challenges the authority of kings. A sorcerer. A cannibal. This is a man of power who make suggestions that become the orders that kill or enslave many. He has no qualms or hesitations about killing others. He calls a woman to her death just to demonstrate his power. He has one of the best quotes ever, “Now they will learn why they fear the night…”. That is a villain.

#1. The Operative ~ Serenity (2005) This guy tops the list based, at least partially, on his stoicism. The difference between his stoic nature and the nature of Doom in the second spot is the lack of ego. He has no name of his own. He has no rank, just authority. He will do anything to complete his work, without hesitation. He expects others to see, feel and understand his position. Violence is simply a tool among many. Death is useful. A good thing, without shame. His ruthless devotion, his absolute belief is the perfect foil to the hero of the film. IF by chance you’ve not seen the film, you should. It’s not terribly spoilerific if you go and check out his introduction here.

That’s my list. Who are your favorites? Do you have anyone that didn’t make it onto my list?