You need to know right up front that there is cartoon violence involved in what I’m recommending this month. IF that’s not your thing… definitely skip it. IF you’re not put off by the old school Loony Tunes style bashing and blowing up, then this show is for you.
The main characters in this short are /Rowdy (rotten criminal) and Peanut (guard dog). Rowdy is after the most valuable painting in the world and Peanut is trying to keep that painting right where it is in the museum. The catch here is that YOU help decide how it all works out. This animated feature is interactive. There will be a series of questions at various points in the show that require your input via the remote control. Get all the questions right, get one result. Get a question wrong, get something totally different. Run out of chances and you can go back and try again, giving you a completely different result. The run time was listed at something like 12 minutes, but be warned! I ended up going through multiple times to see various options and endings and was watching for far longer than the listed run time.
Pre-pandemic, if you’d asked me about the Legend of Vox Machina I would have stared at you blankly. I had heard, vaguely, of Critical Role but that would be about it. The team producing the web hit Critical Role has certainly made a massive impact on media and the route things have to production.
I’ve talked in other places about something people are labeling “the Mercer effect” as it relates to the expectations of people when they play Dungeons and Dragons. The team at CR (and it IS a team, including a lot of production) create a drama that people can follow along with BUT it doesn’t meet the expectations of players when said players get to their own game tables. Most people don’t have a production team to help run their game, nor do they do it as part of their job so even regular old game / planning time is limited. A new players view of the game can be warped by production quality.
Now, take that same story with all the warping. Get professionals to set the script, trim the action, do the voices and then have crazy good animation and you get Vox Machina’s first season on Amazon video.
I have watched the whole season. I can say that I enjoyed it. It is a very well done animated series.
The criticism(s) I have for it revolve around that warping.
I don’t watch CR when they role play their campaign on YouTube. IF I have that many hours, I’m playing or I’m designing my own game for when I’m playing. It’s not a polished show and you’ve got to wade through it all to get to the good stuff. That’s the whole point I hear you saying, but really – I don’t have that kind of time. Am I maybe missing some Easter eggs or not understanding the ‘in’ jokes? Absolutely. Do I care? No. No I do not.
Having watched the show I get what people mean about expectations. They fight and kill a dragon in the first or second episode. I have NO idea what the actual level of the characters are in the CR game, but in MY world dragons are epic, boss level fights that don’t get resolved that quickly. Dragons are part of the name of the game and defeating them like some kind of minor winged reptile without the kind gravitas they deserve just doesn’t seem right to me. It set me off for the whole series. This is made worse by the fact that one of the main bad guys is (or appears to be) a vampire. That in NO WAY works out that way in my world. Are vampires exceptional and challenging monsters? You bet. Do they have more power than dragons? Never. So – my hang up on that one, but I think it ties in with expectations.
Percy has a gun. Yes, it’s demon related and possibly magical in nature, but it’s still a gun. This is not a chocolate in my peanut butter kind of situation. I don’t want guns in my swords and sorcery game. I play fantasy for a reason. IF I want guns I’ll play a role playing game with guns. This was an aspect of the show that clearly worked, but just took me out of the right head space.
Editing the story down to basically half hour episodes is both good and bad. It’s good, because the writers got to the meat of what’s going on without requiring me to wade through all the dice rolling and background decision making that goes with any good role playing game. I really appreciated being able to get through the shows in a timely manner. What they did while doing that is skipped past longer story arc development. I know – can’t have it both ways, but this is the expectation thing again. Part of the joy of the game is working up all those deep character backgrounds and having all the other players know and use that info. It’s that shared aspect that makes the game great. The animated show didn’t give the feeling of weight that all that stuff was in there. It’s not easy to describe that feeling when you don’t know all the backstory, but you KNOW all that backstory is there. You can feel it with little details.
In the end, it was a fun ride. I found myself pointing and laughing on more than one occasion, remarking that actions / choices reminded me of our own game or that we’d had remarkably similar actions in our game. It’s relatable, but it’s just one version of how the game goes. It’s not MY version and maybe it’s not YOUR version either. It’s worth checking out. It’s fun. I look forward to the next season – just don’t expect to see a dragon defeated that easily in any game I run.
This was originally published in the Watch The Skies fanzine, September 2021 issue.
What If…
When I’ve worked on my recommendations for this little column each month I’ve tried to find things that are bent toward the (potential) interests of this group, but also slightly off the beaten path. These things might not be your preference, but should certainly be worthy of consideration. I’ve tried not to go for the obvious, splashy things out there.
This month is a break in that trend. The Marvel Cinematic Universe is pervasive in pop culture. The series of movies and shows that have the common, unifying thread of a group of comic book super heroes has been with us for a solid decade now. The story lines, the characters, the massive tent pole films that seep into all the nooks and crannies of the genre are familiar. Perhaps they are familiar to the point of apathy. The MCU could be running the very serious risk of over saturation with the sheer number of films and shows it’s dumping forth for mass consumption. The omnipresent super hero genre has kept me away, until now.
The house of mouse has an animated show based around the stories of these well known super heroes called “What If…” that gets directly to the heart of the science fiction and fantasy genre. The title of the show is the very essence of what makes SF/F great. The best stories always ask that question. What if? Can we go back and change things? How would that have worked out if one tiny thing changed (butterfly effect anyone)? It’s a terrific mental exercise. The MCU has now combined that concept with stunning artwork to make a series of short animations. These stories give us the characters we’ve come to know viewed in very different lights. Asking the simple question “What if…” and following through with things like having the Ravagers pick up T’Challa rather than Peter Quill or having a serial killer remove Avengers before they start their journey to being a hero.
Yes, viewing these episodes does actually work out better if you’ve seen and / or are familiar with the films that have been put out in the long series from Marvel. The stories are short (averaging about a half hour each) and only give us glimpses of what might have been. It’s those glimpses that make it work. The animation is at exactly the level you’d expect from a world leader. There’s a lot of great stuff in there. This series is definitely one you should be watching.
Normally I’d put this sort of thing under the “You Should Be Watching” section of Watch The Skies, but I feel that a lot of members of the group would find the fact that I keep going back to animated television shows aimed at kids to be problematic. Since I am a dad, I find myself leaning toward these shows more and more, even when my own kid isn’t completely interested. I say “isn’t completely interested” because often times she will jump in halfway through something I’m watching. It’s not cool when I suggest it (because what kid wants to think their parents are cool or know anything, right?) but then gets caught by the actual show.
This is the case with Kid Cosmic. I can’t call it a subversion of the super hero genre, but it is certainly an interesting look at that genre and what sort of effect that genre has on kids. This hits close to home for me because I remember all the times when I was a kid that I watched Spiderman (as part of the Electric Company show I believe) and then went directly out to play and imitate that hero.
~ Side note ~ Yes, kids have always done this. Imitating what they see is part of developing who they will become. Yes, it can be dangerous. It was then and it is now. Teaching kids safety will ever only go so far. Pushing boundaries is part of being a kid. One of my earliest memories of being a super hero ended with a trip to the hospital for stitches. It’s going to continue to happen. If you’re a parent too, be prepared.
Kid Cosmic actually takes this whole concept head on. The star of the show is steeped in the heroic stories of comic books. He’s got energy and enthusiasm to spare. He finds cosmic stones in a crashed space ship and just knows to his core that he’s supposed to become a hero and save the planet. He scoops up the stones and does his level best to prepare to be a hero. The problem with this prep is that he really sucks at it. Constantly.
In an interview about the project, the creator (Craig McCracken) states that was at least part of his point, “It’s just part of being a kid, and I like the idea of exploring that fantasy, but also this blind confidence that they’re going to be immediately great at it.”
It’s a dose of realism in a genre that is packed with over the top expectations. A short, ten episode season is available on Netflix right now. My daughter and I have watched them all. There’s a good, solid message in the show along with some very entertaining moments. Definitely worth checking out if you’re into the super hero genre, kids fantasy shows, or just good writing.
I’ve railed against the stagnation of ideas (based on bankroll rather than creative capitol) in the past. I don’t need another version of Dune, King Arthur, or Lord forbid Robin Hood. Seriously… move on. Find one of the hundreds of fantasy books out there to work from. I mean it. I am really not looking forward to a LOTR series, no matter who’s making it. I saw the abomination that was what they did to the Hobbit. I am really uncertain about the series they’re planning based in the world of Willow. There’s just a lot of stuff out there that strikes me as a particularly bad idea.
Having said all of that, there was one mentioned that I might be able to get behind.
There’s a report out that says George Clooney may be attached to a remake of Buck Rogers. A couple of parts to unpack there.
Loved the ships. Smitten with Col. Deering.
First, while I don’t always like the work that Clooney does, I respect that it’s generally fresh and worthy. There are a number of things he’s been part of that are quite good. I enjoyed his part in O Brother Where Art Thou and thought that was a fantastic remake of the Odyssey. This is one of the things that gives me hope for this remake or restart or whatever name they put on it these days. IF you’re going to re-imagine a story, get clever. Change the time frame, update the language, make it accessible to a more modern audience.
Second, while I was a fan of the television show when it aired back in 79/80 that wasn’t the original series. Buck has been around since the 1920s. He had a couple of big radio show runs and was a staple in the comics industry for a lot of years. I also wanted to say I was a “big fan” but I was far more interested in / taken with Battlestar Galactica. That show was easily a bigger hit with me. Gil Gerard and Erin Gray did a fantastic job making a disjointed show work… but even as a kid I saw that it was just that – disjointed.
So, I’m going to hold out hope for this one. I think an excellent space show would do really well right now. We haven’t aged ourselves up to the date when the title character is supposed to “wake up” in the future, so there’s still a ton of room to work with. Hopeful.
Are there any other “remake” candidates you think might actually work?
I had commented recently on the sinking feeling I had when it was announced that a Dungeons & Dragons movie was in the works. It makes sense as the traditional swords and sorcery genre seems to be on the rise, but is filled with potential pitfalls.
Recently I read reports (here and here) that a Dungeons & Dragons television series is in development.
Spell effects will be a challenge
I had a moment when I thought, “Lord, here we go. The market is going to get a glut of embarrassing fantasy stuff…”. Then that moment passed. The longer I thought about it, the more I believe that a television series could be the best possible answer for Dungeons & Dragons. If it’s done well it can have significant staying power and inspire a whole new set of folks. This might work…
Pro-
Fantasy television has had success. I will point to what seem like disparate shows but I think both Xena and Game Of Thrones show that serialized fantasy can work and have staying power. GOT is clearly the more up to date example here, but it had certain advantages that Xena didn’t get – and Xena got SIX season. Yes, that’s enough to go into syndication. It was also contemporary with Hercules. That was the 90s. In the 2000s we got two seasons of Legend of the Seeker. Fantasy as TV can work.
The upside arguments here are many. A series gives characters time to develop and plots time to unwind. You can have individual episodes along with longer, over arching stories. The episodic nature lends itself entirely to the D&D format. Each season could be considered a campaign. Actors, settings and even entire worlds could change between seasons. There are absolutely VAST options here. YouTube has shown that there is a sustainable audience for this too.
Con-
The downside or potential negatives are equal in number and variation. Going “cheap” on this will not help. Cardboard swords and rubber monster masks slapped on extras are going to be a tough sell in the land of 4K sets. Locations will shine through. Movies can spend more on this and have a limited time they will be in place, so picking the right place matters. The wilds of New Zeland or a city in Spain that’s hundreds of years old are clear and obvious ‘characters’ in the movies they’re in as much as any on screen actor. Locations like that cost $ and a new series might not have that kind of backing. Special effects is going to be another hazard. Go cheap there and you will fail. Get too deep and your budget and schedule will fail. Spells are a major part of D&D and must be part of the show. If they are done poorly it will hurt any chance of the show living on.
Landing Spot-
This will also be a major factor in how this potential show comes off. Will it be network or streaming? IF it’s streaming, will it be a major player or “off brand” looking for success to build on? Network shows will have a different, broader audience potential but will be strictly limited by what can and cannot be shown on said networks. They will be cut down and sliced up in a different way to allow for commercials. This changes how the story is told. A streaming service will hit a more niche audience directly, but it’s just that – niche. You’ve intentionally capped your number by subscriber base. You’ve given a lot of options for what the story can do that can’t be shown on a network though, and that might help draw people that might not otherwise “tune in”.
The story itself ~
The most important success factor for any movie or show is the story and the people that populate it. IF you have a story about people you don’t care for or about, the show will die. IF you have a set of people you care about and they don’t DO anything but sit around and have anxiety and bad relationships with each other, you’ll have an art house film and that will die too.
A lot of this comes down to expectations. The writer they have talked about gives me some hope. A good writer matters. A film or television series needs to set a reasonable bar to attempt to hurdle. IF the show comes off the starting line thinking it’s going to become GOT and doesn’t immediately reach that kind of “buzz” or viewership, it’s likely to get dumped. If it doesn’t aim for that level of quality, it will never garner any attention (other than perhaps from places like RiffTraxx). It’s an incredibly challenging mark to hit.
My suggestions ~
First, having a writer doesn’t say if it’s an original script or if it’s an adaptation of something. I’d say an original script could give the best chance at success here. Something that people can create a new fandom of their own with. Original might just be the best chance.
Second, IF the stories will be adaptations, there are some specifics to stay away from. Despite the immense popularity among players, stay away from Drizzt and the Underdark. It would make gamers happy but anyone unfamiliar with the background or game at all will instantly file this under “Witcher knock-off”. Stay away from Dragonlance. I know, longest running, super popular, etc. BUT the dragons would feel like they were reaching for GOT territory, the special effects would be a major hurdle AND they’re in a lawsuit right now. Not a great combo. I would also stay away from anything related to Conan. It’s a favorite, but the pulpy nature of it combined with it’s age doesn’t feel like the right fit for the modern political era.
Lastly, stay away from using DUNGEONS & DRAGONS as the sole title. Give it a different title first and let D&D be in the second line or description or tags or something. Calling it just or only “Dungeons & Dragons” implies that this will cover any and all adaptations that go with the game. It’s one aspect (of the many) that I really hated about the movie they did all those years ago. One title and they killed it for how long? Follow the pattern that adventure series inside the game follow and give it an interesting hook followed by “A Dungeons & Dragons Series” or something like that.
There is a much greater chance of upside with a television show. I still have that anxious feeling, but it is moderated. I am eager for some quality sword and sorcery that I can watch. I really hope they manage to pull off something wonderful.
This was previously published in Watch The Skies fanzine – January 2021
The lost Star Wars film.
A very Star Wars look, right?
Diving into 2021 does not mean we’re charging forward and looking at something new. In fact, this is a retro view that I had somehow missed along the way. Like 40 years missed along the way. I admit I’m not a super fan when it comes to all things Star Wars. Yes, I saw the original films when they came out. Yes, I had a ton of the toys. No, I’m not a member of the Jedi church. I love them and they hold a place within me even if I don’t keep up with every single release. It’s a film (and TV show and book and toy…) franchise like no other and it turns out that something really interesting was tacked onto it. Fantasy.
That’s right, fantasy. George Lucas commissioned a fantasy film. He wanted this fantasy film to be shown before or in association with Empire Strikes Back. You read that right. Empire Strikes Back – tied directly to a swords and horses fantasy film. It was made, it was shown, then it was lost.
Recently, during the preparation for a discussion about the influence of films on fantasy gaming I was digging for clips and information about various movies I’ve watched or heard about over the years. There are a lot of excellent films out there is you love fantasy. Then I stumbled onto a thread about fantasy and Empire. That’s how I came to know about Black Angel.
The age of Black Angel is part of why I wanted to put it here, along with the story of how it was made, lost and subsequently recovered. It is a very moody piece. The scenery is amazing. The background music is haunting. There is a look and feel to this film that is undeniable. In the notes about the film it was revealed that parts of the crew for the movie Excalibur watched this and took copious notes. The look and feel of Excalibur and Black Angel are quite similar. Some of the techniques used in Black Angel were picked up and used in Empire as well.
As a fan of the history of science fiction and fantasy it’s a neat treasure that’s available for free. The mood, the look, the sound all make Black Angel worth the short run time.
I had every intention of being very busy and productive over this past weekend. Some of what I planned on doing was being on here and getting more posts lined up. Clearly I failed at that. I was thinking about it and I genuinely believe it had everything to do with a level of addictive behavior from me.
I know there are folks out there that will think this is a pile of nonsense. I half agree honestly, but I want to put it out there because edging toward understanding is important.
I really think that I have addictive behavior and tendency when it comes to watching television. It’s a feeling I have. Don’t know how to explain it. I’m not generally an addictive personality but I AM a complete child of media. When you see those memes about GenX being that “lost” generation that were the first of the latch key kids? That’s me. Come home, let yourself in, lock the door and entertain yourself until we get home from work. It’s not good or bad – not trying to judge here, just giving context. It’s also when MTV started (among many other networks you may feel have “always” existed). I watched a lot of television, saw a lot of movies and this learned behavior has stuck with me ever since.
So what I’m saying is that, as stupid as it sounds, I really can’t break away from TV. I find myself floating back to it even when I *know* there’s not a damn thing worth watching. Then I get all depressed and disappointed when the stuff I watch is total shit. I know this probably sounds even sillier when you couple it with the facts that I was a Nielssen household member at one point AND I write a monthly piece for Watch The Skies called “You Should Be Watching” where I suggest fandom related content to go and check out.
This past weekend I estimate that I watched somewhere between 16 and 20 hours of TV. Maybe more. I lost track of all the stuff I streamed across YouTube. That’s way, way too much. I know this. I couldn’t help myself. I lost all productivity as I jumped from movies to football games to binge watching a cartoon series on Netflix (yes, both seasons of it). Football is really tough to sit through these days, but I did it. All four playoff games. Yes, some of it was likely to become history as very famous players end their careers, but it’s just a mess to watch. The ad time alone has stupid marketing stuff swirling in my head (OK – I’ll give the Tag Team ad props – it makes me laugh more than it should). I saw the new film “Outside the Wire” and it wasn’t bad… it wasn’t great, but it wasn’t bad. I watched Bill and Ted Face the Music. I had really high hopes for it… and those really high hopes weren’t matched.
In the end I just came away sort of sad and numb with nothing to show for my time.
I am thankfully not addicted to other things in that way, but this is a small step toward understanding what folks struggling with addiction deal with. It’s not easy to deal with. It changes how I feel physically and emotionally. I’m going to work hard at shrugging this episode off and try to limit how much time I spend with the TV. Yes, I’m going to keep working the Should Be Watching stuff. No, I won’t take the TV out of the house (the only way I know to stop an addiction – take away the thing you’re addicted to and don’t have access). I am not the only person living here with a desire to be passively entertained from time to time… I just can’t let it be ALL the time. Thankfully this IS something that can be controlled.
IF you’re struggling with something, stick with the plan you have to be better. Keep working at staying away. There will be tough days, but don’t let those days beat you. Be strong.
This was previously published in Watch The Skies fanzine – November 2020
As we wrap up our final fanzine of 2020 I wanted to move away from some of the things I have been recommending lately that definitely skew younger and generally more positive. Saying you ‘should’ be watching this one will be considered a stretch by more than a few folks.
The Titan is a cerebral science fiction film that appeared under the radar back in 2018. Starring Sam Worthington, Taylor Schilling and Tom Wilkinson. The film, set in the relatively near future of 2048, is the story of scientific research to save the human race by expanding into space. Normally when you see this theme it involves either finding a Goldilocks planet (and getting there) or going to a distant planet and changing it to meet our physical needs. This film does neither of those things, but rather comes at the problem of adaptability by attempting to change the biological function of the people going to the planet.
The characters in the film are all forced to look at and deal with what physical adaptation means, how that effects many of the aspects of life and how to change their lives here before departing the planet. There are a number of times where one could draw comparisons to somebody like Frankenstein attempting to manipulate the core of what makes us live. There are also a number of questions about what actually makes us human. Do humans have to breath oxygen? Are you still human if you can’t speak? If you can’t see the way others do? If you can’t remember the people you love?
The movie is not action based. The characters are diverse. The special effects and body prosthetics toward the end of the film are very well done. Yes, there are a number of plot holes and unanswered questions when we get to the end of the film. I can’t say that this was one of the best films I’ve seen, but it certainly meets the criteria of giving a lot of things to talk about. If you have access to Netflix, you should be watching The Titan.
It’s been almost a decade since I moved off strictly paper and onto an e-reader platform. I’ve been writing about it for just as long – back when the Pretend Blog was a Live Journal page and not my own site (check it out if you’re into old news). I’ve long been considering what I want to have as part of a physical collection of things in my home and what I don’t have a desire to physically handle. There are some things that are inherently tactile, and those that are not. There are some that you’ll want to have a copy of, just to be sure you’ve always got access to that copy of it.
Books, and many other forms of entertainment media fall into this category. I’m going to tie books and movies and television together on this one as electronic media actually makes the same argument for a physical copy of something in each case. The most recent thing that has come up for debate is animation or films. Here in the digital age we (nominally) have access to all the media that has gone before. Remember a show from your childhood? Look it up and check it out. Want to watch an entire ‘season’ of a show without waiting? Binge it on Netflix. Have a tradition of watching something every year? Just flip on the TV and go! Right?
Well ~ that’s what’s gotten everyone’s attention right now. “It’s the Great Pumpkin, Charlie Brown” will NOT be shown on network TV this year for the first time since 1966. That’s right – 54 years in a row and not this year. Television has been part of the American household for so many decades at this point that there are generations of people that have watched the same shows as part of their favorite holiday season. It is something they never miss.
They never miss until some massive corporation decides they want you to pay for it again and again rather than allowing the ‘payment’ to be in the form of watching advertising. Apple has decided they’re going to miss it this year. Sure, there’s some Byzantine way to give up some of your personal information and sign up for a “free” version of a service and watch the show on your computer – IF you can get the app to load right, if your internet is strong enough for streaming like that, if you have a device that allows more than one person at a time to watch comfortably, if you really feel like going through all that…
Not so much…
There’s this assumption that everyone is on board with paying for all these services and bending technology to their will in order to enjoy the chosen form of media. Then there’s the assumption that people will only want to see that when the company that has purchased the rights says it’s acceptable to see it. Then you will be able to see it, but only in the way or format that the company that purchased the rights deems acceptable. There are now content warnings in front of old movies. Smoking is listed under movie ratings now in case you don’t want your child to see that. They control and edit what version of the media you get to see.
It’s the way things are moving. I’m not entirely opposed to the way things are moving. I think there are a few things that border on the ludicrous, but the truly ridiculous generally resolves itself over time. What worries me is that people consider this loss of continuity in media to be the loss of their personal tradition. Wrapping up your tradition (happiness?) in something that belongs to others is dangerous.
It was Halloween season and we were down for good old scary movies. I wanted to show my daughter a great older movie the other day and was disappointed to discover that I didn’t actually own a copy. Fine, we’ll pull it up on a streaming service and watch it there. Only it’s now behind a pay wall. I can subscribe for an additional $5 per month OR I can buy a DVD copy off Amazon and have it shipped to me for about the same cost. There are times when owning a personal copy of something really matters. I don’t want to wait until some corporation decides it’s time to watch a movie. I want to allow our family traditions to grow and develop and continue without the influence of whatever is going on in the general media.
So I’ll be ordering a copy of ‘great pumpkin’ on DVD to be sure we can watch it when we want. I’ll get a copy of the movie that’s good enough to stick in my memory for 15+ years. I’ll be sure that when I want to watch something, read something, listen to something that I’ve got a copy here. Most of these things will still be digital, but they’ll be here when the time is right.
