This article was previously published in Watch The Skies
There has been a lot of binge watching out there since folks have gone into isolation. The global pandemic has put a whole new focus on finding something to watch that doesn’t exacerbate the anxiety of the real world. A number of shows have leaped in popularity that might never have gotten the chance in the past simply for the lack of other entertainment. Many of those shows likely won’t last, but parts of them might endure. It’s difficult to predict. The same has always been the case with the big screen. Movies that “flop” in the theater become cult classics. Movies that people had modest hope for endure for generations. These movies can have an impact that lasts long after their run in the theater is done.
That lasting impact, in the form of physical objects, is the focus of the show Prop Culture now streaming on Disney+. The show hosted by Dan Lanigan digs into the physical props that remain from some Disney films that have had a significant impact on pop culture. The first season includes: Pirates of the Caribbean: Curse of the Black Pearl, Mary Poppins, Tron, Nightmare Before Christmas, The Muppet Movie, Who Framed Roger Rabbit, Chronicles of Narnia, and Honey, I Shrunk the Kids.
Dan digs in behind the scenes and hunts down various creators and actors to reconnect them with the objects that helped make these films great. Hats, swords, puppets, matte paintings and all manner of samples. Not all props are small either. Ten foot tall models, cars and tall ships are part of this as well. Seeing these real world things give both the creators and the viewer a very strong sense of nostalgia.
At a half hour in length these episodes are just the right length. They don’t drag and they don’t hold back for the sake of false anticipation. There are expected pieces along with little things that evoke strong emotions for all. Along with strong emotion there is a fun sense of humor. You get quotes like, “There’s a lot of bald yaks out there…” from a effects studio head. It hits all the right notes to help the viewer feel good after each episode.
If you have the opportunity and love to know more about the movies this show is definitely worth a look.
I didn’t know what to expect heading into this book. I don’t know if I would have picked it up if not for it being a selection of Watch The Skies. I’m glad it was picked, and I’m glad I took that chance to read it.
I enjoyed this book. I fear that my total enjoyment was hindered by the simple fact that I read it during a global pandemic – and there are apocalyptic things happening in the book. It’s a challenging juxtaposition. There were any number of parts to the story that I found completely plausible and that made the rest easy to go with.
I enjoyed the characters. They are certainly not ‘traditional’ in any sense, but they were true I think. They were exactly the sort of people that would be involved in things just the way they were. I was also a little surprised by the peculiar way the romance worked out in the story. Very well done.
I look forward to talking about all the various parts of this book with our group. Like all good science fiction there are a number of ideas worth exploring in here.
I’m still forging ahead with my own Dresden files re-read. I’m going to start with what I’ve got posted over at Goodreads and tack on a little more at the end.
I very much enjoyed this story. I’m not sure when it was written vs. when it was supposed to fit into the overall Dresden time line, but this was excellent work.
Yes, it was still Harry being Harry, but the characters around him all seemed very solid to me. The most powerful, the ones with the most influence and best story were all the women. I won’t spoil it for you but I can say that it’s almost as if Harry is just a catalyst in this one. Heroes, bad guys, powerful influencers… all women. There’s a love story wedged in there too. I wish that were expanded a little more, but there was an awful lot going on in this relatively short book.
Well done and I can’t wait to keep forging ahead with my personal Dresden files re-read.
So along with the graphic novel I also read the short story “B is for Bigfoot” as this is supposed to be where it fits in the timeline. I don’t know where the story was originally published, but I read it from the collection of stories in “Working for Bigfoot“.
I liked this story for two main reasons.
The first reason is simplicity. This short story delivers an expansion to the world of Harry but doesn’t become a maze of politics and over arcing story. Yes, there are creatures of unearthly origin but they do not become the political mesh that so many others do.
The second, and main reason is that it gives a very clear view of an important part of Harry’s world view / philosophy. Harry has a mission that involves a kid. Harry has to explain, at least in part, why he does what he does. He has to make a clear and cogent argument for using power for protection.
This story is well worth the effort. I like it a lot.
Normally I’d write up a media post about “what to watch” for the fanzine, but I really don’t know if I can recommend watching Ghost in the Shell: SAC_2045.
I am not an anime purist. I suspect most anime lovers would suggest that I’m barely a fan. Yes, I’ve been hanging around the fringes for a very long time (yes, I still call it Starblazers, thank you) but I’m not super invested. When GITS popped up on Netflix I didn’t rush to it. I was interested enough to start, and finish the series so far.
IF you’d like a review filled with fans and spoilers – head over to Gizmodo and check them out.
I’ll stay away from the spoilers (I think). I’m not sure if Patrick Huge is a spoiler or not… but it was a ridiculous character name in this show. I find little things like that distracting.
Anyway, the story itself is set in the future of the GITS characters, beyond a lot of the other material I’m familiar with. It presents some very interesting world building. There’s a lot of room for action and the creators do not shy away from that. There’s a lot of clunky action.
Why clunky? Because this is all done as 3D render, not traditional anime style. It’s downright distracting and tough to watch. It’s twitchy and looks cheap. I know it can’t be cheap, but I’ve been spoiled. IF you haven’t seen the animation from the Netflix series Love Death + Robots you should definitely go watch that. That stuff is amazing work. This variation of GITS was a struggle.
So, getting past the animation style itself – the story could have continued with the starting point, but then it felt like it changed half way through the episodes. We switched focus from this giant, world building economy based story to this other post human thing and it’s just messy. I’ll probably take a look at the next season to see if they tie all this stuff together, but I’m not in a rush.
IF you’re desperate for some new GITS then you can give these a look, otherwise I’d wait and see what so called season 2 will be… and hopefully we’ll avoid naked back flipping things…
In my continuing re-read of the Dresden
Files novels I have just finished reading Fool Moon.
Spoilers if you haven’t read it ~
I had forgotten just how beat up and
broken Harry gets. He gets shot. I forgot that Murph breaks an arm. I
knew that her partner died in the series, but I didn’t realize that
Carmichael bought it so soon. I think this is a bit of the television
show creeping into the memory of the book. Carmichael in the books
looks nothing like the television show version and it far less
annoying… and far more dead.
I’m glad I’m going back through these
books. It’s tough to recall all the little details (and not so little
details apparently). I’m tempted to make a series of notes about
injuries sustained by Dresden, but I’d have to go back through the
first book looking for them and I’d rather forge ahead.
I do still like this book. It was tight
and quick and showed a lot of expansion to the world building that
the series would continue to expand on. I admire the world building.
As for my new view on things, looking
for the misogynistic? That’s harder in this book.
Harry continues to state that he’s from
a different school of thought. He claims to understand that he’s a
bit of a chauvinist, but doesn’t do anything about changing that
attitude. I actually went and looked up the definition of chauvinist
– and the word itself is actually defined as aggressive or
exaggerated patriotism. Only when combined with ‘male’ does it take
on a different meaning… and it’s a large collection of ugly words.
Not as ugly as misogynistic, but still ugly. I suspect either the
author or the character really wanted it to be chivalrous. Chivalrous
I think is more fitting. Harry doesn’t think women less capable,
doesn’t believe that women owe anything to me and in fact depends on
women in his life in many ways. Those are not the characteristics of
a misogynist, and not really of a chauvinist either. To be fair – a
lot of Harry’s problems go away if he quits with the “I think women
are delicate flowers that must be protected” attitude, but then it
makes him less of who he is. I look forward to seeing if this goes
away or increases in the upcoming books. It has certainly made for an
interesting viewpoint for me, and good discussion with others who
don’t like the series.
I started my own re-read of all the published works in the Dresden Files series in anticipation of the new book being released this summer. Part of the re-read was also looking at them from a new perspective. I have heard from some people that the works are misogynistic. I have never felt that way about them. In fact, I empathize with the main character more than I do with many other works. It’s part of my attraction to the series. That’s the part that worried me ~ I never want to be that guy.
I read the short story at the start of it all and the comic book that is supposed to land in the timeline before Storm Front, even though Storm Front was the first published.
Time to move on to case book one.
I read the whole thing in a morning. It’s a fast moving book. I had forgotten how short the time frame of the book itself is. It feels longer in my mind just based on how long I’ve been reading the series. The actual timeline in the book is less than a whole week – it’s only a few days total (like Thursday to Monday). I didn’t remember that.
I also didn’t remember just how many of the fantastic lines / quotes from the series came from this first book. Many I remembered and many that I didn’t.
I also came to realize just how much that dismal television show has crept into my mind. I am a visual person by nature and things like television and media tend to stick and stay with me. When I read about Bob the skull, I pictured Terrence Mann. Bob never takes on a form anything like that in the book, but that picture has stayed with me. The picture of Joanne Kelly as Bianca stuck with me as well. The problem is other details stuck too – and they’re flat out wrong. The TV series messed with so much of this work that it has become difficult to pry the two apart.
I’m glad I read the book again. I’m really glad I went back and could recognize the changes in details based on the words, not on my shaky memory.
As to the thought that the book is misogynistic? I have a really hard time calling it that. I think that’s using a club when a scalpel is called for. I try to temper my words and say things as accurately and succinctly as possible. I try to say what I mean. I think that I understand what those people are saying, even if they’re using very charged and inelegant methods to make their point. They would call my attempt to defend it a lot of inelegant things I’m sure. So – to that point:
The book is not written or intended to be hateful or hurtful to women and that is the definition of misogynistic. I do however see that people could view the main character as a sexist and somebody that works within a system that has always favored men. He has good intentions and clearly states that he understands there are women that don’t like it on page 11. Right up front.
“Maybe my values are outdated, but I come from an old school of thought. I think that men ought to treat women like something other than just shorter, weaker men with breasts. Try and convict me if I’m a bad person for thinking so. I enjoy treating a woman like a lady, opening doors for her, paying for shared meals, giving flowers–all that sort of thing. It irritates the hell out of Murphy, who had to fight and claw and play dirty with the hairiest men in Chicago to get as far as she has.”
I’m glad I’m going back through all the stories again. I’m glad I have a fresh perspective on them. I’m going to continue and see if the pattern I missed before shows up now with a new point of view…
I’m glad I went back and read this one again in the spot where it’s supposed to land in the series. It was good to see a case that was less complex than a lot of the things that have been created later in the series.
That being said – this particular case was quite short. If I had to guess, I’d say it was because it was part of a comic series / graphic novel.
I’ve never been a huge fan of comics themselves, but I have always loved the art. This particular story is really well done and I very much enjoy the art that goes with it. There was one thing that stuck out to me ~ and it’s part of the reason I’m going back and doing the re-read.
I’ve heard / read some folks that call Harry (the main character in all this) misogynistic. I don’t see it that way, but I’m a guy so my opinion might be biased. Since I’ve heard this complaint in more than one place I’ve tried to take note of various bits that might highlight that for others. This particular case has one thing that struck me as something a person could point their finger at and say “that ~ that’s what I mean”.
Murphy is there. She’s a strong and independent female character, even if she’s conflicted about how she feels about Harry. The villain of the piece is also a woman. There are in fact as more noteworthy strong female characters in here than there are males.
However.
Then there’s Willamena aka ‘Will’ – the assistant to Dr. Reese. She is 110% the damsel in distress. She does nothing but deliver information and need to be rescued. She cowers behind Harry more than once. I hadn’t particularly noticed it before, but I could totally see where people might find this character problematic. I found her a bit annoying, but genuinely realistic. There are some people out there that just can’t “do” the violence / scary situation thing. They freak out. They cower. They fail. It just so happens that this cowering person in need of rescue is a woman. Except… why is it always that way? I didn’t see it before, now I’m questioning it.
I would suggest digging up a copy of the graphic novel and taking a peek for yourself. I think it could be an interesting conversation. On to Storm Front!
I’ve been a fantasy fan for a long
time, but I haven’t played video games since the days of Atari. When
the Netflix series “The Witcher” was announced I had no
idea what was headed to the screen. While a long time fan of fantasy
I’ve drifted away recently and read in many other genres. I still
love it, but missed anything related to this series. I started
watching the show with a blank slate, just really hoping for some
excellent, accessible fantasy.
Before I get to the spoilers I will say that I did in fact like the series. I can’t say that I loved it, but it is swords and sorcery and that usually works out well for me. If you’re a fan of swords and sorcery it’s worth watching. There is a book series. I thought I would go and grab up the books, then I read this review. Perhaps I’ll hold off. Maybe it’s better to let the show stand on its own.
SPOILERS BEYOND THIS POINT
Yes, it’s swords and sorcery. It’s got
a ton of standard fantasy tropes in there. Eleves, dwarves, wizards,
and even dragons. There are castles and wizard battles and swamp
monsters and ghouls and…
and all those things are rammed in and
around the plot in just 8 episodes.
The problem with epic fantasy is rarely
the fantasy part. The problem is the epic part. There
is SO much world building and background that it’s almost impossible
to cram it all in to anything less than a massive series. The writers
tend to do exactly what I said ~ they cram. The push and mash and
squeeze as many of the eye catching ‘cool’ fantasy things into as
short a span as they can in a desperate grab for eyeball time. The
Witcher suffers from this. There is so much there and very, very
little of it is actually the main character doing his job. Geralt is
a magically created warrior designed to hunt and destroy monsters.
The series opens with him battling a swamp dwelling giant spider with
human features, then shows his fighting powers against people, then
that fades away in order to start stacking in story.
As I wrote that I had to stop and
really think about it. How could I complain about building in story?
It’s exactly what I always say that I want. That is the part about
cramming in the ‘epic’ part. The story is named for Geralt’s job, but
then we spend huge amounts of time on Ciri, Yennifer, Jasker the
bard, The Brotherhood (that is mostly women?) and a jumble of other
bits. We see Geralt’s part in things, but only just.
Witchers are supposed to be constructed
to have no human emotions. I suspect this is not the truth and much
like the manner in which Spock is portrayed in the modern updates of
the Star Trek series the character is deeply emotional, simply
repressed to the point of psychological damage. I believe the
emotions will burst forth in the form of rage at some point. A truly
emotionless character would be far less interesting. What this
emotionless warrior does is drift through the story. I want to like
Geralt, but he’s flat. On purpose? Maybe.
So a flat character and a jumble of
story. At least the whole thing will make sense when it’s fully
rendered on screen, right? Wrong.
The time line jumps all over the place.
I could never tell when in the story we were supposed to be. Were we
in the past, the distant past, the present? It was almost impossible
to tell for sure. Flashbacks to dead characters that have been
replaced by magic shape shifters only made this worse. Apparently
both the sorceress Yennifer and Geralt are supposed to be
significantly older? Sorcerers are supposed to have greatly expanded
life spans, but we’re only getting vague references to that? It was
very frustrating.
The other part I found frustrating was
the indecision of what the nature of the show wanted to be. Getting
past organizational aspects of how the story was made, what were they
trying to portray? There were tons of gratuitous nudity scenes.
Generally speaking I am in favor of that sort of thing – if it
advances the story in some way. These scenes all gave me the feeling
that what they were aiming for was trying to take over the space
vacated by Game of Thrones. The show wanted to be dark, and
mysterious, violent and sexy… and then they added in Jasker the
bard. Jasker should have been Joxer from Xena: Warrior Princess.
They could have gone for a much lighter, entertaining version of the
entire series. There were still monsters and fighting and love
stories just with added camp.
I don’t know if I would stay on board
for campy epic fantasy and that’s the show’s biggest issue. It can’t
decide what it wants to be or where it wants to go. It’s a retro feel
stuffed in a modern package that doesn’t quite fit.
There are other issues associated with
the show as well. Yennifer as hunchback and deformed never sat quite
right with me. Something was off about that portrayal. When she was
transformed it confirmed my fear. This was actually a gorgeous
Hollyweird actress that they’d made up to look that particular way,
then magically transformed. I do not fall into any category other
than ‘able’ so it’s not for me to discuss the depth of this, but
despite truly excellent make-up and special effects it just didn’t
sit right.
For more depth on this you should check out this article.
I’ve spent quite a few words picking
this show apart. These issues are what distract me from flat out
loving a successful fantasy series. There are really excellent parts
to this show and good stories within the larger story. The series has
been announced as having a second season already. My hope is that the
story lines get sorted in better order, the actual power of Geralt
comes forward (there was a lot of hype around the black eyes in the
promo stuff and we almost never see that in the series) and the
writers decide to make this story it’s own, not just a GOT
replacement.
I do recommend watching the series. As
always, supporting something new is vital to showing that we, the
consumer, are actually interested in new and exciting shows and that
we want something more than another remake.
I’m cross posting this one over from Failbook. I am very excited to have found out about this.
While I was busy partying the new year in, others have been working. Hat tip to Jeff Young for pointing this one out to me.
“Sympathetic” from “In Harm’s Way” was one of the noted stories (no stars, but my name was on the list!) in Tangent Online’s 2019 Recommended Reading List!
I am a long time fan of the fantasy
genre. Yes, I was first hooked by The Hobbit a long time ago,
but since then the heroic sword and sorcery story has always had a
place in my heart. I love it.
I admit, for a while I wandered away.
I’d seen plots that looked, felt and moved the same way for a long
time. Before I began writing and learning what a trope was I began to
see and understand the commonality among my favorite stories. I still
like them.
Since then I have always hunted for
fantasy stories that could give me the heroic journey without making
me bored while doing it. Subtlety, nuance, shifts in the way things
are presented or the way worlds are constructed are all things that
catch my attention. I am a particular fan of changes to world
building.
IF you’re of a similar mindset, I
humbly suggest you find a way onto Netflix and watch The Dragon
Prince. It is excellent fantasy – the best I’ve seen in a long
time. You might look at it and think it is a show aimed at children.
That is and is not true. This show takes on a number of very deep
themes and issues. These affect people no matter how old they are and
we all still need to deal with those things.
The characters are strong and complex.
There are good examples of behavior and bad examples of behavior.
Both examples show the consequences of those actions, and it’s not
always black and white. Clear cut answers are few and far between in
this show.
The story is stronger because it can’t
take short cuts. There’s something to be said for avoiding the cheap
method of getting a point across. The romance isn’t punctuated with
explicit sex – that’s not an option. There is no violence simply
because an ‘action scene was needed’. The story needs to carry the
day.
Things that are considered divergent to
many people are shown in this show without needing to sledge hammer
the point home. Nobody bats an eye at the fact that one of the best
generals for the humans is deaf. I don’t know ASL, but I’m betting
those lines are actually animated with real words. There is a
creature missing a leg (trying not to be spoilery) that has been made
to look ‘normal’ because of preconceived viewpoints. It’s there, but
it’s not the point and that’s what I really like about it. You can’t
use your standard assumptions because they might not be the case. I
think that’s a very strong argument for world building and quality
story telling.
IF you’re not worried about spoilers,
check out those articles. Either way, do yourself a favor and go
check this show out. Totally worth your time.