Tag Archives: Opinion

Philcon 2023

Posted on by

This is one of those posts where I put it here, on my site so that when anyone questions it I can say definitively that I own it.

The weekend before Thanksgiving I headed to Cherry Hill (yes, the Philadelphia con is in NJ) for the annual science fiction convention put on by the Philadelphia Science Fiction Society. I’ve gone to Philcon for many years, and have been invited to be on panels for many years as well. This convention is the home of a couple of the most legendary convention stories, including defend the pizza, and Yes – I realize that was 9 years ago.

Blame to me. I glanced at the convention requirements, but I did NOT read them as thoroughly as I should have. I see this now, I saw it then. It still didn’t make me at all happy. You see, the convention, as a private organization, can make any requirements it sees fit for entry into their event. They did. They required a Covid vaccination update that fell within certain parameters. IF you were just vaccinated back in ’22, that wasn’t good enough. You’d need a PCR negative test if you didn’t have a booster dated this year (basically).

They’re not wrong. *I* am the danger vector. Since the CDC declared an end to the public health emergency back in May, and even before then, I have been traveling for work. I’ve been from Georgia to Oregon. In 0 of the places I’ve been since May has anyone asked for proof of vaccination, let alone very specific versions of the vaccine. I haven’t even seen a mask in months. Don’t get me wrong, I’m not out there trying to catch anything, I just haven’t given things much more thought than basic precautions. I even still keep my CDC card with me. Proof of vax, even if I don’t really need it anymore. Except now I did, and it wasn’t good enough.

Imagine my shock when the convention staff told me I wasn’t allowed in.

I’d booked a hotel, I’d made the drive, I’d set up things for the panels I was going to speak on and even ordered (and pre-paid for) a t-shirt for the first time in years. Nope, you’ll have to go away.

Once I got past my initial shock, I was actually angry at this rule. Again, not their fault I didn’t know, and I know that. I was as much stunned they made the rule more than anything. It was excessive, at least to my way of thinking. I shared my opinion with a friend and he suggested I just go to the local pharmacy and get tested. Excellent plan.

I drove to a local Walgreens and headed to the pharmacy counter. The worker there kindly explained that a PCR test required lab work and there was no way I was getting that at this hour on a Friday night. I looked around, trying to figure out what to do with my rapidly building level of frustration. As I looked around, I realized there was almost nobody in the store. I looked back at the girl behind the desk and said, “What are you doing right now?” She was taken aback so I added, “You’ve got boosters, right? I want one.”

So, 15 minutes later I had a shot in the arm and a newly signed and dated entry on my CDC vaccination card. I drove back to the hotel, parked the car and headed back to the check in desk. I plunked the card down on the desk and asked for my entry badge. The very same person who refused me before glanced at the card, saw the date that ended with ’23, smiled and welcomed me.

That’s the part that really bothered me later. It was the same person that felt it was so important to turn me away previously. It looked like I met their rules, so they were happy and welcoming. The part I’m glad she missed was that I had literally been gone for about a half an hour and still didn’t meet the requirements for entry. You see, those shots technically require a 2 week time period to become effective… and the rules said that too. A shot in the arm that day didn’t actually help anyone in the immediate time frame. They could have just as easily turned me away again…

I’m glad they didn’t. Laying out the money for the trip was a doable thing, but not for absolutely no return and no access to what I came there for. What it did was cement in my mind that this convention wants to never change, and if that means dying then so be it. In my personal experience over the past decade the attendance, the panel variety, the guest list and many other aspects have been dwindling. This year I was shocked at the lack of people. I’ve said the crowd was thinning before, but I saw so few people there I didn’t believe the attendance was more than about 200. It was dismal. The panel list was smaller, the guest list was smaller and the principle speaker wasn’t able to attend (last minute illness). Part of me can’t help but wonder if the policy had a bigger hand in that dip in attendees than just the rumors I heard. Yes, I know of at least 2 guests that said they weren’t coming back based on the rule. If I know of two, how many more were there? How many attendees just didn’t bother? What was there to draw them in?

The hotel hasn’t changed in all that time either. Admittedly, they’re working on remodeling the place, but I think this photo was symbolic of my weekend.

Worn, broken and barely hanging on. That’s it. That’s what I got from the weekend and even after waiting a week to get past the immediacy of my feelings, the impression has not improved. If anything, it’s gotten worse.

My panels, and my fellow panelists, were good. There were never more than ten people in any panel I was on (or that I attended), but the people that were there still held some enthusiasm. I was able to connect with a couple of con attendees, so that was great. I got to see my friends and may have even weaseled my way into a couple of short story anthologies for next year.

Still owning the fact that it was my screw up in not practicing what I preach and failing to read the fine print, this year just left a bad aftertaste. This wasn’t a good con. I had witnessed struggles in an indirect way with this con before, but I went with the benefit of the doubt. I wasn’t there in person to witness the challenges, so I could just try to keep things going. Not so much anymore. I’m glad I made the connections I did. I’m glad I saw my friends again, but I’m going to have to wait until next year rolls around to decide if I’m actually going to attend Philcon again. Ever.

Unexpected Pairing

Posted on by

I realized this morning when asked about how my Friday night went that there was an unexpected (possible) connection to the whole evening.

In the next town over there was a really fantastic Chinese restaurant. We ordered food from them for years and years. We would go and pick up food in person. We presumed the kids that were always at the restaurant, and eventually running the front counter interfacing with the public were the children of the owners. They had the best General Tso’s in the area and were frequently voted to the top of local ‘best of’ lists.

One day, they closed. Zero public explanation, just gone. A sign hanging on the door ~ “CLOSED”. A lot of people I know felt we were owed some kind of reason after years of dedication to the business. (We’re not, but you can’t tell people how to feel.)

Last night my wife and I went to the new diner that opened using the same building the Chinese place used for so many years. It’s new, so it was going to draw attention. A friend went and recommended the burgers. I’m not sure what I was expecting, but when we got there I was surprised at how… not busy it was. Friday evening at 6 a new place around here tends to have lines and waiting. We walked in and were seated immediately.

The place was clean and refreshed. The interior layout was slightly modified (not a lot of space for change really) and it was brighter than I recall it ever being.

The staff was new and it was clear there were one or two little things still being figured out. The food was… good, but not so amazing that I’m rushing to tell everyone I know. I will say, the onion rings were amazingly light and wonderful. I’m going to have to go back and try them with a burger. All in all, a solid “good” for going out to eat.

When we got home we sat down and dialed up the latest Pixar release streaming at home. The movie “Elemental“. As with so many films like this – anthropomorphic – it’s a land where the elements (air, water, earth and fire) all live in a city together. Without spoilers, at the core, this is a love story. The love story is set in / wrapped around an immigration story. An immigration story of a kid that may or may not actually want to take over the family business…

Once it clicked, it made me both content to not know the disposition of the former take-out restaurant and hopeful that the family involved got to a place equal to the happy ending of the movie.

The OGL Mess

Posted on by

I’ve been loosely tracking the mess that has become the open gaming license (OGL) that has been cascading across nerdland over the past 3 weeks. It’s been an emotional ride, and a painful one for many creators out there. I’m going to transfer a part of a social media conversation over here – because I want what I said to live here, where I can get it when I want it. Social media platforms come and go.

My original post:

There’s a lot to keep up with in this ongoing saga, but I think this quote, and the headline says a lot,

“This is a community that literally invented the term “rules lawyer.” WotC simply didn’t realize how literally that would be taken.”

https://gizmodo.com/dungeons-and-dragons-dnd-ogl-goodwill-1-2-feedback-1850036746

The response:

Even this is a bit complicit and extremely naïve, given the repeated attempts a corporate gaslighting. It is also hilariously behind the times, as it has not incorporated their latest retraction and attempted capitulation (which is -still- a half measure, for those who are savvy to the issues).

With each compromise “attempt,” WotC have left something out, and it’s been pretty obvious to those of us invested in this fight. That’s what the author is hilariously and flagrantly blind to, which showcases them as a Corpo stooge, and thus part of the problem.

The notion of these companies (outside of WotC) working together, despite being “market competitors” with differing systems, and ORC being a system agnostic license seems to escape them.

The part I wanted to have here:

Couple of thoughts here –

“behind the times” could be me. I have posted this later than the instant gratification time table. While I am a creator, I am not constantly on here. While it’s important to stay up to date on things, immediate response is not for all. Thoughtful consideration matters, and that can take time.

The various stages of WotC’s flailing response were not the intent of this article (as I see it). The author is attempting to express something ingrained in my own point of view ~ corporations are not your friend, and they never will be. You are a resource to them and given the chance they will strip mine everything they can from you. The fact that the author works for a large corporation making them part of the problem is one opinion… but I think name calling is counterproductive.

One thing I take from this whole, ugly slap of pit fighting for cash is that there is a much, much larger community out there than ever before. Having lost friends as part of the satanic panic (being directly told this is why we can’t be friends – go away) it’s more important to me that we recognize the golden age we live in and work harder to be inclusive. We have more now than ever before – revel in it.

Systems will come and go. Companies will come and go. Communicating and finding new (and profitable) ways to do things will be the constant. Be aware of what corporations are up to, pay attention. Be thoughtful and considerate – and support the creators you know. The best thing we have is each other.

MORE TO FOLLOW

Social media is a tricky thing to manage. I’m sure this conversation will continue, but as I time shift a significant amount of my work, it will take time. Stick with the things you love. Find something that will last a lifetime and create! I look forward to seeing what we all make.

Hidden Drama

Posted on by

A friend forwarded this editorial/opinion article to me. I read it and had more of a reaction to it than I thought I might have, so I wanted to put this out here for further discussion.

The article

The answer:

Thanks for sending this one along. It was an interesting read, but I think it highlights a couple of things that I have changed my mind about over the years.

The author talks about all the things to hide from your children. This is untrue, and in fact can lead to sincerely dangerous consequences for your kids. Do you want to have a raging argument in front of your kids? No. Do you want them to understand it’s OK to disagree so long as you work something out to mutual agreement? You bet. You can’t have the mutual agreement without seeing / understanding the differences and disagreements. This I think is one of the core issues with so many children that come up not understanding the privilege they have. They fail to understand how the world works and they are crushed when somebody denies them anything – even if that thing is of no consequence in the greater picture. It’s why so many are deemed to be “Karens” who demand to see the manager about how much milk is in a coffee.

People are chaotic, messy and individualistic in the extreme… but they need to see others and understand the shared environment we live in. Hiding the swirling chaos of the world from a kid doesn’t help them. Protect them from it? Of course. Just be certain they understand and can see what’s going on out there. It’s how they go about making the world a better place as society moves forward. They need to know the history or root of why things are happening, so they can (hopefully) do better than we did.

Children also need to understand that the emotions they’re having are real and can’t be dictated by others. “Putting on a brave face” only becomes a saying if you allow them to see that you are scared too. Show them you have feelings and allow them to understand how you process these complex things in life. I have told the younger couples I know with kids – you will never have a mirror that will reflect YOU as clearly as your kids do. They dominate your time. They are with you almost constantly for years, and so they see far more than you think they do. Don’t lie to them. It’s a bad road to travel. Don’t hurt them purposefully, but allow them to fail and recover on their own when they’re young and the consequences are limited (or can be so long as you’re paying attention). It’s one in a long list of very important lessons.

I understand what the author is saying. It was extremely stressful to have (my daughter) get on a plane and fly away for a year. It’s not even like the author’s situation where we could soothe our emotions by knowing she’d be home for the next holiday. She wasn’t. Not for the one after that nor the one after that either. It was a long and stressful year – and we all shared that with each other. We are better and stronger for it. Now we’re trying to do the same thing for a wonderful young lady here from France. It’s going to be a wild ride, and one that we share all our emotions with them for.

I am going to add here that this is a learning process and there is no substitute for experience. There’s only one way to get experience and that’s to do a thing. Sometimes you fail… and that makes all the difference in the world. It’s how you learn and a way for you to discover new things. A partial quote from an old movie I enjoy, “…think what you’ll know tomorrow”.

Toxic Fandom

Posted on by

Is terrible.

That’s a simple view, I know. It’s one of those easy to say, difficult to quantify kind of things – to some degree. There are clear examples of what is wrong. Those are the easy ones. It exists in more than one form, and it relates to so many levels of what we do in the science fiction and fantasy fan communities.

I’ve been sitting on this one for a while. It’s a tough topic. I expect somebody will dig this up and that it will cause me problems in the future. This is why it’s on MY site. I own it. It’s mine. I have taken some time and given this much thought and I think it’s important to continue this conversation. That’s the key to all of this. It’s a conversation. It’s something we need to address now and as we move forward. There is no simple solution and there is no easy way to make this go. We need to keep communicating with each other.

Let’s start with the easy stuff. There are some people out there who think, for some unknown reason, that they should be the ‘real’ fans of Star Wars. They’ve declared some nonsense about how people who are not white Americans can’t and shouldn’t ever be in the movies that have been loved since 1977. They’re easy to spot. They’re terrible. There’s simply no place in fandom for people that can’t accept that people who make up less than 12% of the entire world population don’t rule everything and can’t exclude everyone else. Above and beyond a basic level of stupidity, there is no place in civil society for those who make death threats against actors for portraying a character in a movie. That’s a kind of crazy that slides into another topic entirely (we’ve created our own hell-scape of cults of personality) and isn’t what I want to get at here. If you want to read more, check this article out as a starting point. There are lots of conversations going on out there about it.

The part that’s much more difficult to deal with is at a very personal level. It happens far too often these days and it worries me for the future of fandom for a whole different reason. Toxicity is eating away at the core of fandom – from both sides. The grievance crowd is going to destroy fandom.

Being the vocal minority doesn’t make you right no matter how right you believe you are. When somebody says something you don’t agree with, it doesn’t mean you are allowed to have them thrown out of the building. If your feelings get hurt it doesn’t mean the other person is automatically a bigot, problematic or any other sort of label YOU believe they should carry. When you think you want to lash out at others, you need to ask why you feel this way and maybe… just maybe… take a step back and allow some time to think about things.

We are all guilty of this to some degree at some point in our lives. We are emotional creatures. We react. We want to defend ourselves and those we care for. It’s natural. IF you’ve been the person that has been slighted, ignored, insulted and treated badly all of your life this is something that builds. This feeling turns into something ugly and dangerous. How we conduct ourselves when these sort of things come up matters.

What am I trying to say? Let me start with my own example. I have worked on convention staffs for many years. I love helping make something for so many people to enjoy. There are challenges, but anything worth doing has those. I have worked with all sorts of people from all over. Fans are great folks and have made some of the most wonderful memories for me. I volunteered to help with the previous world con, a staff team I hadn’t worked with before. I was trying to find my way and see where I could fit in and help. Then the GOH mess went down and I withdrew my help. Did you catch the part about it being volunteers? Yeah, even if you pay me I’m not hanging around for that. The most worrisome part was this was accepted. Not questioned, just accepted.

I wrote about it in a previous post here. Back in February of 2021 in fact. So here we are a year and a half later and I think the issue has only gotten worse. I don’t want people to think this is some kind of ‘crying out’ because I feel like I’m being repressed or something. I’m clearly not repressed or disadvantaged. I know there is privilege living here and I try to be mindful of it. I’m also don’t want this to be a ‘virtue signal’ kind of bullshit. I can’t stand that. “Look at how wonderful and accepting I am! I’m clearly not the problem you’re talking about…” Ugh!

Maybe I am the problem. I don’t know that without talking to others and having them talk to me.

Here’s where the real challenges start. Yeah, I’m a middle aged white guy. I know a lot of other people who look just like me. That’s who I have always associated with. It’s culturally my background and that has a huge influence on my opinions and bias. I have been told more than once that my opinion doesn’t matter simply because I’m a white male. I’ve been told to get over being told that. I’ve been given the ‘so how does it feel’ bit. I’ve been excluded from conversations and told that project submissions were only open to ‘others who need a chance’. While it wasn’t me, but a friend – there was even something in writing, “Well, you’re an old white guy so you must have done something wrong…”. In writing. From a supposedly professional group.

Really? We can’t find it now, but give us time? You’re a white guy so all the problems are your fault? This is all the wrongs of history that (may or may not have) happened to me so now I’m giving those to you! Take that medicine you horrifying bigot!

So, back to the maybe I’m the problem part. OK. Fine. Maybe I am. I can accept that I need to be more mindful than I am and work harder to be better. I certainly try, but success is relative to viewpoint. There are lots of places looking to get more diverse work out there and I don’t qualify for that in this field. OK. I’ll take it.

This didn’t just happen to me. It’s happening over and over again with people taking advantage of the simple fact that people have started to pay attention to what’s being said and taking action on it. Grievance culture. It’s insidious because how do you argue against things like, “you can’t call that person a freak just because they don’t look like you”? You don’t. You can’t. Even when the definition of the word freak is, “A person, animal or plant with an unusual physical abnormality”. Webster be damned! You can’t point that sort of thing out! How dare you?

Where’s the line? When can you tell anyone else what to say, how to think about something or how to address a situation? We’re all products of our own cultural backgrounds. What if I make a mistake? Am I to be punished and then banished forever? Who is the arbitrator of that judgment? Public opinion is fickle and dangerous. Swaying with and allowing the grievance crowd to simply take over is going to destroy volunteer run conventions… faster and more certainly than aging out or poor attendance ever had a chance to.

Don’t believe me?

At this past Balticon (#56) a woman of color living with a debilitating physical condition, parent of a trans person, and long time panelist and guest was summarily chucked out due to a complaint. A single complaint.

I was there when they came to get her. It was the panel I was moderating. I was standing there. I can’t speak for how others feel, but the lone staffer seemed quite respectful when asking her to gather up her things and accompany him to con-ops. He wasn’t loud and he did not make any accusations while there. He didn’t express anything other than, “please come with me, we’ll talk elsewhere”. It was a very simple and quiet thing that most had no concept about anything happening at all. I feel that the characterization of being treated ‘criminally’ is inaccurate, but again – that’s from the outsider point of view. In the end, that little bit that I witnessed isn’t important but it gives context for the rest of my message. They weren’t coming for me… this time.

I regret not digging into things more while I was there. I attempted (successfully) to steer clear of personal drama. I attend and work cons as a matter of enjoyment, and I find that type of drama stressful rather than enjoyable. Maybe I needed to do or say more… but there’s a problem with that. The grievance crowd. How can I help when my opinion doesn’t matter or is discounted or ignored out of hand?

This isn’t about me, but this whole post is to explain where I’m coming from. The only thing any intervention by me would have done is muddy the waters (at best) or cause a significantly bigger issue (at worst). I have been seeing a distressing trend in fandom – pushing people away rather than working with them and trying to relate to them. I have been called a racist, accepting of racists, problematic and told flat out to my face that I’m a white, straight (assumed), middle aged man and therefore part of the problem and that it’s not possible for me to be part of the solution. I have been marginalized by my appearance and had power taken from me on that basis. What it looks like to me, in a deeply oversimplified way, is that those who have suffered that treatment before are now taking any and every opportunity to do that to others rather than working to make things better for everyone. Sort of a ‘how do you like it’ approach to being in power.

Conventions are not my direct livelihood, nor to they help or hinder my day job. My reputation in the convention circuit doesn’t stop me from putting food on the table for my family. Conventions are some people’s livings or a significant portion of them. Their standing and reputation there matters. If somebody came at my job in that way I’d be more than angry – and rightfully so. The person in question is a pro and while I have found her point of view odd at times, I have never felt that it wasn’t important. I love the stuff she brings to panels. Having diverse opinions matters. Having authors like her, and so many others is vital. I’m sorry that she won’t be back (and if I were her, I wouldn’t be either).

The culture of con running is in trouble. This is not the first time I’ve encountered a mess like this. It’s the reason I won’t work on con staff for other cons anymore. There’s part of me that’s very sad about this. I do love doing all these wonderful, creative things.

So long as I’m unfailingly polite and professional there’s nothing to latch onto as a complaint. Maybe I need to say more. I deeply believe that the science fiction and fantasy community needs to be more accepting and welcoming. I said, specifically at the panel I moderated, “If you can’t find that person, be that person…” and gave some examples. I will continue to go to Balticon (and others) if they’ll have me (I understand that I’m a ‘D’-lister that just fills space). I think there’s a dangerous culture growing around the idea of ‘you didn’t say exactly the right thing’, and I fear for the future of convention staffs across the board. I hope by continuing to attend that I can in some way be part of the solution. I told people I wasn’t going to virtue signal and I don’t want this to sound like that. I am, however, going to reach out to people about this when I have the chance. I want to stand up for others. I want the toxicity to go away. I’m sick to death of the grievance crowd. I want fans to be able to keep doing the things they love. I hope to be able to continue to have important and meaningful conversations about making cons a safe and accepting place for everyone. I hope you’ll join the conversation too.

BALTICON – Convention Report

Posted on by
Cool new logo!

This past Memorial Day weekend I was lucky enough to go back to being a panelist at a live, in person science fiction convention. I was and am very happy to be able to get back to that sort of thing. I’ve missed it. At this point, with so much time passing between the event and the actual writing of my post(s) I suspect there will be details that are hazy and that will make the summaries shorter than they may have once been.

The con took place May 27 – 30, 2022 at the Renaissance Baltimore Harborplace hotel. Right in the middle of Inner Harbor. The location was (and continues to be) something of a sore spot for many people. The hotel itself is expensive. Parking is generally expensive as well, but the con made arrangements for a deal with the parking company and that worked out really well. I was able to save a fair amount of money compared to past years by setting up my parking in advance. The area itself, the places around the con seem to be struggling. All but a very few businesses in the area are gone. The restaurant choices were thin and did not lend themselves to quick con based meals. All the other shops, including the shopping mall previously below the convention are are simply closed and gone. The absolute lack of options was one of the most challenging aspects of attending. The room, the amenities and the rest of the hotel related things were pretty standard.

Checking in this year was the smoothest it’s been in a long time. There was one minor blip, but in general worked and I was in and out of the registration area very quickly. The set up / arrangement of the convention spaces was very similar to years past, with the notable exception of splitting the dealer’s room into two different spaces. This worked for me, though it’s questionable what the vendors themselves thought of the arrangement.

One of the bigger changes as an ‘in person’ panelist was the addition / continuation of virtual panels. I’d brought my own laptop along and set it up in my hotel room. This turned out to be a good thing. There was mention of a space being available on site for folks to participate in the virtual panels, but from what I witnessed of that it was less than successful. Running all the tech for all the panels AND having a place for a panelist to just drop in and use ‘extra’ equipment didn’t seem to go well at all. I don’t think any mention of availability should have been made for the panelists and I think the panelists should have been far more prepared than the ones I witnessed were. Thankfully, my connection went off without a hitch and I got to participate in a virtual panel to go along with my in person sessions.

The pandemic made a lot of other things feel slightly different or out of sync with what I have become used to over the years. Attendees were there, and wearing masks as was the rule. They were generally friendly and happy to see others in person, but the numbers seemed down. I understand the hesitation of many, so this wasn’t entirely unexpected but I hope it’s not a sign of the death of in person cons (and that death has been rumored for many, many years of course). The other aspect of this con for me was a profound shift in who of my friend group were there. My family didn’t attend. People I always went to dinner with didn’t attend. People I’d sit and share a drink with or bump into between panels weren’t there. Even things I did get to do with friends seemed muted and worn. Yes, I went to dinner. Yes, there were games and chatting and all of it seemed… slightly surreal. I was adrift and on my own and that is certainly not my convention experience in the past.

It was a good con for me. I did a bunch of panels, ran a workshop and bought a handful of things from wonderful creators. I also managed to (mostly) avoid con drama. I say mostly, and that deserves an explanation, but also that deserves its own post. All in all, it was good to be back. I hope and look forward to doing it all again next year.

Legend of Who?

Posted on by

Pre-pandemic, if you’d asked me about the Legend of Vox Machina I would have stared at you blankly. I had heard, vaguely, of Critical Role but that would be about it. The team producing the web hit Critical Role has certainly made a massive impact on media and the route things have to production.

I’ve talked in other places about something people are labeling “the Mercer effect” as it relates to the expectations of people when they play Dungeons and Dragons. The team at CR (and it IS a team, including a lot of production) create a drama that people can follow along with BUT it doesn’t meet the expectations of players when said players get to their own game tables. Most people don’t have a production team to help run their game, nor do they do it as part of their job so even regular old game / planning time is limited. A new players view of the game can be warped by production quality.

Now, take that same story with all the warping. Get professionals to set the script, trim the action, do the voices and then have crazy good animation and you get Vox Machina’s first season on Amazon video.

I have watched the whole season. I can say that I enjoyed it. It is a very well done animated series.

The criticism(s) I have for it revolve around that warping.

I don’t watch CR when they role play their campaign on YouTube. IF I have that many hours, I’m playing or I’m designing my own game for when I’m playing. It’s not a polished show and you’ve got to wade through it all to get to the good stuff. That’s the whole point I hear you saying, but really – I don’t have that kind of time. Am I maybe missing some Easter eggs or not understanding the ‘in’ jokes? Absolutely. Do I care? No. No I do not.

Having watched the show I get what people mean about expectations. They fight and kill a dragon in the first or second episode. I have NO idea what the actual level of the characters are in the CR game, but in MY world dragons are epic, boss level fights that don’t get resolved that quickly. Dragons are part of the name of the game and defeating them like some kind of minor winged reptile without the kind gravitas they deserve just doesn’t seem right to me. It set me off for the whole series. This is made worse by the fact that one of the main bad guys is (or appears to be) a vampire. That in NO WAY works out that way in my world. Are vampires exceptional and challenging monsters? You bet. Do they have more power than dragons? Never. So – my hang up on that one, but I think it ties in with expectations.

Percy has a gun. Yes, it’s demon related and possibly magical in nature, but it’s still a gun. This is not a chocolate in my peanut butter kind of situation. I don’t want guns in my swords and sorcery game. I play fantasy for a reason. IF I want guns I’ll play a role playing game with guns. This was an aspect of the show that clearly worked, but just took me out of the right head space.

Editing the story down to basically half hour episodes is both good and bad. It’s good, because the writers got to the meat of what’s going on without requiring me to wade through all the dice rolling and background decision making that goes with any good role playing game. I really appreciated being able to get through the shows in a timely manner. What they did while doing that is skipped past longer story arc development. I know – can’t have it both ways, but this is the expectation thing again. Part of the joy of the game is working up all those deep character backgrounds and having all the other players know and use that info. It’s that shared aspect that makes the game great. The animated show didn’t give the feeling of weight that all that stuff was in there. It’s not easy to describe that feeling when you don’t know all the backstory, but you KNOW all that backstory is there. You can feel it with little details.

In the end, it was a fun ride. I found myself pointing and laughing on more than one occasion, remarking that actions / choices reminded me of our own game or that we’d had remarkably similar actions in our game. It’s relatable, but it’s just one version of how the game goes. It’s not MY version and maybe it’s not YOUR version either. It’s worth checking out. It’s fun. I look forward to the next season – just don’t expect to see a dragon defeated that easily in any game I run.

Expensive Art

Posted on by

Many years ago I wrote up a post here about this bonkers concept for creating a Dune movie that I’d caught wind of on the net. I went and found the documentary and consumed it. I was enthusiastic about the concept at the time.

In the intervening time it has been pointed out that the creator of this concept brought out some very problematic things about how he created his art. Creating art using rape is NOT acceptable. It is probably a very good thing that his vision never actually made it all the way to the point of filming.

All that being said, I would still love to see the mythical book that was created to showcase the concept for this film adaptation. With all the attention being given to Dune again, one of the ultra rare books has popped up and will be sold at auction.

IF I had the money, I suspect I would have gotten in on the bidding, just for the chance to check out some of the artwork inhabiting that book. Maybe someday they’ll market a digital version and we’ll get a chance to peek at the art from some masterful creators.

Check out the article about the auction here.

Dune – the meme

Dunes

Posted on by

No, I’m not going to the beach. No, I’m not going to the desert either. I really don’t like that kind of heat and I definitely don’t like that much sand. I’ve been to the desert before. I don’t like it. “It’s a dry heat…” is the common refrain. Yes, so is my oven. I don’t want to climb in there either.

This is about the latest film adaptation of Dune for the big screen.

I know that many folks won’t remember so I’m going to start off with pair of links. Around five years ago I found this film that was all about the version of Dune that never got made. I wrote up a bit about it, but have since reconsidered certain aspects of my stance on that film. It is worth knowing the story of the first attempt to get this movie made because a lot of other films rose from the ashes of that attempt. I posted it here.

Second, I wrote about how loaded 1984 was in terms of movies. I was fourteen that year and it was absolutely the sweet spot for movies for me. There were easily a dozen movies that have had a lasting cultural impact. We’ve got access to a huge number of these films still and a number of the franchises are still going. I wrote it up here, and on that list was a little film called Dune. And they’re making it again.

So, here we are in 2020 (the year of suck) and there’s another version of the movie being made. I get it, Dune is a huge, sweeping story with lots of space (see what I did there, space… ok, I’ll stop) for story telling and interpretation. There is at least one, perhaps two generations of people that have not seen the 1984 adaptation and that’s a lot of money to leave out there. Computer graphics have rocketed forward (… I… I clearly can’t help myself) and give a huge number of options that were certainly not available when the earlier film was made. There are reasons why somebody would want to make another version of Dune.

This relates to another conversation that I’ve had off and on with other fans as well. When you come to something, either film or book, in your life’s journey really matters. I’m not going to attempt to argue for never recreating a film nor will I argue against mining the same thing over again. There are a handful of instances where the version of something I really like is actually a remake of something much older that I didn’t know existed. I don’t like the original as much as the remake version that was the first one I saw, “my” version. It happens.

I wish they’d spend the money on something new. Yes, I know there are all those fans that haven’t seen the old one in a theater. I’m not sure banking on those fans to go to the theater is such safe money these days. It seems like those days of red carpet premieres might be gone for good. Who knows?

I showed the trailer for the new movie to my daughter and one of her friends. I wanted the opinion of young fans. My daughter was aware of the older version (though she told me that she definitely didn’t ‘hang around’ while I was watching it) and her friend had never seen nor heard of the story at all. My wife watched along with us, then I asked for opinions.

“Well, they’ve got money. They’ve got some very famous actors in there.”

“It’s so dark. Why can’t we see any of what’s going on. It needs to be brighter.”

and lastly, from my wife, “I’ll have to see what they do with it. I like the old one, but it wasn’t nearly what the book was. I should pick that one up again and see what in my memory is the book and what has crept in there from the movie”.

I explained to the kids that they’d had money for the old one too. They seemed impressed that that “old guy” from that super old band The Police had been in the movie too. They didn’t really recognize any of the other folks, but they got the idea. Then I ran the video that I’m going to link below. The reactions amounted to, “OK, we see what you’re saying”.

My biggest issue with a remake is just that – it’s going back and using the same recipe. It’s going to have to work extra hard to be fresh and worthy. Things like how horribly dark all the movies are these days (a fad I hope) aren’t substantial changes and are decidedly not good. It’s not just my ‘old eyes’ either. One of the kids asked why she couldn’t see anything on the screen. that kind of dark just doesn’t help the aesthetic at all. It’s a desert planet – the sunlight might make it, I don’t know, super bright? Just a thought.

I was happy to find that somebody had made a video cut using bits of the old movie version and putting them up side by side with the new version. This film person has a host of side by side cuts like that posted to his channel. I think looking at the side by side will show in terms far better than I am able to string together by way of text what bothers me about remakes. Not only have I seen it, but there are in fact parts of the “update” that are not necessarily better. Check it out for yourself and see what I mean:

What do you think? See the new one? Stick with the old one? Watch them both and compare them at length?

Political

Posted on by
I know this makes some of my friend ’employable’

I don’t post about politics. I don’t feel like anyone wants my opinion, and I generally don’t like asking for a wave of stupid to come crashing down on me when a troll decides that my opinion needs to be trashed. I avoid it.

This political post is just to say that I’m happy to be past another election cycle. I know the presidential race is underway for next year and that there will be a lot to pay attention to, but I’m hoping for a small reprieve from all the political nonsense out there.

I will absolutely recommend going over to check out Girl Genius if you don’t happen to know about it. It’s absolutely wonderful art and story telling. The author and artists don’t really need me to tout their work, but I have been a fan since the days of “What’s New with Phil & Dixie“. Great stuff. Go check it out!