Tag Archives: Netflix

All The Discs

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There’s a meme out there with a picture of Alec Guinness as Obi-Wan saying, “why of course, it’s me…”

I know that’s a hash of a misquote, but you get the idea.

Found it~

Using a physical DVD to watch a film. Yep, I know that guy, because it’s me. I’ve been one of the red envelope people subscribed to the Netflix DVD service for the past 12 years. It was an easy choice for me. Advertising and unreliable connection speeds meant I could watch what I had on hand without any fear of it failing to work or having the feel of a film wrecked by mid scene advertising… almost all the time. Yes, physical media does have issues. Yes, from time to time there would be a problem, but for the most part it was a fantastic albeit slow system. In all those years I can only think of a handful of times when either the disc was broken or didn’t work, and only once in all that time when I got frustrated enough to just digitally rent a movie when the disc failed – and that was because it failed about 60% of the way through a really good movie.

Now that system is gone.

Yesterday, Netflix DVD made their last shipment. After 25 years (for them) they’re done, and I am feeling a bit nostalgic about the whole thing. The discs have been one of a very few constant things over the years. I was able to pull down a PDF file, created by the Netflix folks, that has my history all packaged up and presented in a report. I haven’t crunched numbers for averages or anything like that, but I have looked at the list of more than 250 rentals I’ve had over that time (quick math, 250/12 = about 20 discs a year or just under 2 per month). I looked at the stats they’ve stacked up for me and wandered down the list of discs we’ve watched, remembering the stories and characters from all those movies.

It’s going to be a minute for me to process the whole thing, but I will miss it. That probably sounds weird, but it has been part of my life for more than a decade. It became something that was just there when I needed it. Recently the streaming services available to us, combined with a more stable internet experience and less available time, in general, have made streaming services far more convenient and my rental rate has fallen off. Sometimes it would be weeks before I could put together the time to sit with a friend or a family member to watch whatever it was we ordered up. Sometimes the streaming service would add the movie before we got to the disc. I’d package up the disc and send it back, eagerly waiting for the next one to arrive. It was there, and it happened when I wanted it to. My viewing experience was not subject to some vague streaming contract a studio made, nor allowed to change based on some other, unknown reason.

The best example I can think of to illustrate that off hand is Monsters, Inc. and how it’s shown on Disney+. My daughter and I sat to re-watch it the other day because it had been a very long time since we watched it originally and we were in just the right mood. We pulled it up on Disney+ and let it roll. When we got to the end we wanted to see the extra bit at the end where the company is putting on the play Mike and Sully improvised during the movie… and it wasn’t there. It was just gone. I was a bit sad, but she was downright outraged. “How dare they? This is unacceptable and look it up on YouTube right now so we can watch it!”. I think that encapsulates the whole thing. The nutshell version – streaming decided to revise history a la 1984 and the modern viewer simply slid over to another streaming service and looked up the part they knew should be there (legality of it all be damned).

So the service is gone, but physical media still exist. I’ll still be watching those, and definitely picking up my favorites in physical form so I don’t need to depend on some company deciding if Ponyo should be available or not. Yes, it takes up space on the shelf. Yes, it’s an outdated method for watching things, but it’s mine and I’ll do with it as I please.

Apparently the folks at Netflix were feeling a bit nostalgic as well. They captured the whole feeling in a quick video… now available from a streaming service.

You Should Be Watching

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This post was originally published in Watch The Skies November 2021 edition.

Maya and the Three

Cabra Kan

From the Netflix description: A spirited princess with the heart of a warrior embarks on a mission to fulfill an ancient prophecy and save humanity from the wrath of vengeful gods.

I have always enjoyed stories of the magical and fantastic. Swords, sorcery, prophecies and epic battles get my attention every time. This new cartoon series Maya and the Three checks all those boxes. The art is beautiful. The story has excellent pace even with short episodes. There are deep emotions, epic battles and moments of true humor. I had no intention of doing the classic Netflix binge, and then sat there and devoured the whole series.

One of the best parts of this show is the reality of the characters. There are indiscretions (read – cheating on your spouse), emotional confrontations, and genuine repercussions from all the fighting and battles. Nobody comes out of this story unscathed. Without giving away specifics, not everyone makes it to the end of the series.

To paraphrase one particular character, “There’s a word for folks that always do heroic things…”

“Heroes?”

“Dead.”

Netflix lists this show as a children’s cartoon, but I believe this is definitely aimed at a middle year student level. That is not to say this traditional coming of age story can’t be watched by adults. It indeed should be watched by adults. In fact, my hope is that enough people watch it to keep the studio in a mindset where they will produce more and more stories like this. You should be watching Maya and the Three.

Check out the trailer:

Out Of Genre Experience

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Given the amount I focus on table top gaming, book reviews, writing and art here on The Pretend Blog you might believe that I don’t stray outside my chosen genre. While it’s true that I tend to spend my available time on the things I enjoy the most, I do in fact stretch and get outside the genre from time to time. This particular out of genre experience was brought on when my wife… emphasized to me a non-zero amount of times… that I, in fact, needed to see a movie called Moxie.

For those interested in the visual rather than having me stumble over trying to describe the film in short hand without giving anything away, check out the trailer.

Last night I plopped myself onto the couch with my wife and we flipped the movie on. She had seen it before and insisted that it was worthy of a second viewing. I shrugged and we got on with it.

I didn’t have high expectations going into the film. I had not seen the trailer before the movie. I knew that Clark Gregg was in the movie as he’s a favorite of my wife’s, but beyond that I was unaware of any other things about this movie. I tend not to like ‘slice of life’ films and I didn’t really believe I was somehow going to connect with a teenage girl as a protagonist. I’m also not a fan of punk rock and the movie leans into that musical style. It didn’t add up to a warm, fuzzy feeling for me.

As is often the case, going in not expecting a lot seems to have worked to this films advantage. It had sharp dialog, characters that were real and felt like high school kids that my daughter would hang around with, and moved at a pace that didn’t ever lag. Vivian gets fed up with the toxic nature of things in her school. She digs up a bunch of things from her mother’s box of memories that inspire her to push for changes… and she does. She pushes and spurs others to do the same.

We watched it. No, I still don’t relate to a teenage girl… but my daughter IS one and she really enjoyed this movie too. There was good stuff in there. The circle of friends around Vivian is a diverse bunch. They relate the problems in the system and lay out so many of the reasons that change is needed. The supporting cast is really excellent. Clark Gregg plays a smaller role than I initially thought he might. The shining light deserving of attention is the boyfriend, Seth, played by Nico Hiraga (nope, I never heard of him before this). He digs into the role of ally and makes it work. He’s supportive without being dramatic about anything. He’s sensitive, but not overly so. He’s also not a pushover, standing up for himself when he feels he needs to. One of the best examples of an ally I’ve seen portrayed.

I really enjoyed this movie. Normally I would take something like this and write it up for the “you should be watching” column over at Watch The Skies, but as the subject of this post might have given away, it’s not even distantly related to science fiction. It’s still a great film. If you get the chance, you should check it out too.

Ghost?

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Ghost of a story?

Shell of an anime?

Looks a lot like Laura Croft to me…

Normally I’d write up a media post about “what to watch” for the fanzine, but I really don’t know if I can recommend watching Ghost in the Shell: SAC_2045.

I am not an anime purist. I suspect most anime lovers would suggest that I’m barely a fan. Yes, I’ve been hanging around the fringes for a very long time (yes, I still call it Starblazers, thank you) but I’m not super invested. When GITS popped up on Netflix I didn’t rush to it. I was interested enough to start, and finish the series so far.

IF you’d like a review filled with fans and spoilers – head over to Gizmodo and check them out.

I’ll stay away from the spoilers (I think). I’m not sure if Patrick Huge is a spoiler or not… but it was a ridiculous character name in this show. I find little things like that distracting.

Anyway, the story itself is set in the future of the GITS characters, beyond a lot of the other material I’m familiar with. It presents some very interesting world building. There’s a lot of room for action and the creators do not shy away from that. There’s a lot of clunky action.

Why clunky? Because this is all done as 3D render, not traditional anime style. It’s downright distracting and tough to watch. It’s twitchy and looks cheap. I know it can’t be cheap, but I’ve been spoiled. IF you haven’t seen the animation from the Netflix series Love Death + Robots you should definitely go watch that. That stuff is amazing work. This variation of GITS was a struggle.

So, getting past the animation style itself – the story could have continued with the starting point, but then it felt like it changed half way through the episodes. We switched focus from this giant, world building economy based story to this other post human thing and it’s just messy. I’ll probably take a look at the next season to see if they tie all this stuff together, but I’m not in a rush.

IF you’re desperate for some new GITS then you can give these a look, otherwise I’d wait and see what so called season 2 will be… and hopefully we’ll avoid naked back flipping things…

The Witcher – A Review

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I’ve been a fantasy fan for a long time, but I haven’t played video games since the days of Atari. When the Netflix series “The Witcher” was announced I had no idea what was headed to the screen. While a long time fan of fantasy I’ve drifted away recently and read in many other genres. I still love it, but missed anything related to this series. I started watching the show with a blank slate, just really hoping for some excellent, accessible fantasy.

Before I get to the spoilers I will say that I did in fact like the series. I can’t say that I loved it, but it is swords and sorcery and that usually works out well for me. If you’re a fan of swords and sorcery it’s worth watching. There is a book series. I thought I would go and grab up the books, then I read this review. Perhaps I’ll hold off. Maybe it’s better to let the show stand on its own.

SPOILERS BEYOND THIS POINT

Why didn’t we get more of *this* Witcher?

Yes, it’s swords and sorcery. It’s got a ton of standard fantasy tropes in there. Eleves, dwarves, wizards, and even dragons. There are castles and wizard battles and swamp monsters and ghouls and…

and all those things are rammed in and around the plot in just 8 episodes.

The problem with epic fantasy is rarely the fantasy part. The problem is the epic part. There is SO much world building and background that it’s almost impossible to cram it all in to anything less than a massive series. The writers tend to do exactly what I said ~ they cram. The push and mash and squeeze as many of the eye catching ‘cool’ fantasy things into as short a span as they can in a desperate grab for eyeball time. The Witcher suffers from this. There is so much there and very, very little of it is actually the main character doing his job. Geralt is a magically created warrior designed to hunt and destroy monsters. The series opens with him battling a swamp dwelling giant spider with human features, then shows his fighting powers against people, then that fades away in order to start stacking in story.

As I wrote that I had to stop and really think about it. How could I complain about building in story? It’s exactly what I always say that I want. That is the part about cramming in the ‘epic’ part. The story is named for Geralt’s job, but then we spend huge amounts of time on Ciri, Yennifer, Jasker the bard, The Brotherhood (that is mostly women?) and a jumble of other bits. We see Geralt’s part in things, but only just.

Witchers are supposed to be constructed to have no human emotions. I suspect this is not the truth and much like the manner in which Spock is portrayed in the modern updates of the Star Trek series the character is deeply emotional, simply repressed to the point of psychological damage. I believe the emotions will burst forth in the form of rage at some point. A truly emotionless character would be far less interesting. What this emotionless warrior does is drift through the story. I want to like Geralt, but he’s flat. On purpose? Maybe.

So a flat character and a jumble of story. At least the whole thing will make sense when it’s fully rendered on screen, right? Wrong.

The time line jumps all over the place. I could never tell when in the story we were supposed to be. Were we in the past, the distant past, the present? It was almost impossible to tell for sure. Flashbacks to dead characters that have been replaced by magic shape shifters only made this worse. Apparently both the sorceress Yennifer and Geralt are supposed to be significantly older? Sorcerers are supposed to have greatly expanded life spans, but we’re only getting vague references to that? It was very frustrating.

The other part I found frustrating was the indecision of what the nature of the show wanted to be. Getting past organizational aspects of how the story was made, what were they trying to portray? There were tons of gratuitous nudity scenes. Generally speaking I am in favor of that sort of thing – if it advances the story in some way. These scenes all gave me the feeling that what they were aiming for was trying to take over the space vacated by Game of Thrones. The show wanted to be dark, and mysterious, violent and sexy… and then they added in Jasker the bard. Jasker should have been Joxer from Xena: Warrior Princess. They could have gone for a much lighter, entertaining version of the entire series. There were still monsters and fighting and love stories just with added camp.

I don’t know if I would stay on board for campy epic fantasy and that’s the show’s biggest issue. It can’t decide what it wants to be or where it wants to go. It’s a retro feel stuffed in a modern package that doesn’t quite fit.

There are other issues associated with the show as well. Yennifer as hunchback and deformed never sat quite right with me. Something was off about that portrayal. When she was transformed it confirmed my fear. This was actually a gorgeous Hollyweird actress that they’d made up to look that particular way, then magically transformed. I do not fall into any category other than ‘able’ so it’s not for me to discuss the depth of this, but despite truly excellent make-up and special effects it just didn’t sit right.

For more depth on this you should check out this article.

I’ve spent quite a few words picking this show apart. These issues are what distract me from flat out loving a successful fantasy series. There are really excellent parts to this show and good stories within the larger story. The series has been announced as having a second season already. My hope is that the story lines get sorted in better order, the actual power of Geralt comes forward (there was a lot of hype around the black eyes in the promo stuff and we almost never see that in the series) and the writers decide to make this story it’s own, not just a GOT replacement.

I do recommend watching the series. As always, supporting something new is vital to showing that we, the consumer, are actually interested in new and exciting shows and that we want something more than another remake.

The Dragon Prince

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The Dragon Prince main characters

I am a long time fan of the fantasy genre. Yes, I was first hooked by The Hobbit a long time ago, but since then the heroic sword and sorcery story has always had a place in my heart. I love it.

I admit, for a while I wandered away. I’d seen plots that looked, felt and moved the same way for a long time. Before I began writing and learning what a trope was I began to see and understand the commonality among my favorite stories. I still like them.

Since then I have always hunted for fantasy stories that could give me the heroic journey without making me bored while doing it. Subtlety, nuance, shifts in the way things are presented or the way worlds are constructed are all things that catch my attention. I am a particular fan of changes to world building.

IF you’re of a similar mindset, I humbly suggest you find a way onto Netflix and watch The Dragon Prince. It is excellent fantasy – the best I’ve seen in a long time. You might look at it and think it is a show aimed at children. That is and is not true. This show takes on a number of very deep themes and issues. These affect people no matter how old they are and we all still need to deal with those things.

This article: How The Dragon Prince Became the Best Fantasy Show on Television, Animated or Not has a number of very good things to say.

This article:
The Dragon Prince Ended Season 3 With a Battle That Could Rival Any Lord of the Rings Movie is full of spoilers but also covers a lot of excellent points about the show.

My quick hits from the show?

The characters are strong and complex. There are good examples of behavior and bad examples of behavior. Both examples show the consequences of those actions, and it’s not always black and white. Clear cut answers are few and far between in this show.

The story is stronger because it can’t take short cuts. There’s something to be said for avoiding the cheap method of getting a point across. The romance isn’t punctuated with explicit sex – that’s not an option. There is no violence simply because an ‘action scene was needed’. The story needs to carry the day.

Things that are considered divergent to many people are shown in this show without needing to sledge hammer the point home. Nobody bats an eye at the fact that one of the best generals for the humans is deaf. I don’t know ASL, but I’m betting those lines are actually animated with real words. There is a creature missing a leg (trying not to be spoilery) that has been made to look ‘normal’ because of preconceived viewpoints. It’s there, but it’s not the point and that’s what I really like about it. You can’t use your standard assumptions because they might not be the case. I think that’s a very strong argument for world building and quality story telling.

IF you’re not worried about spoilers, check out those articles. Either way, do yourself a favor and go check this show out. Totally worth your time.

Nerd Pub and Robots

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Last week I had the opportunity to sit and chat with fellow fans on a YouTube show called Nerd Pub. Being on the show was a very interesting experience. I don’t think I’m cut out for video. As slow as I am with writing, I still think it’s a better place for me to express opinions. If you have some time on your hands you should head over to their channel and subscribe (click here).

Let’s drop fuel into a vat of acid and chat…

One of the things we chatted about was the Netflix show “Love Death + Robots”. This is a series of animated stories based around that theme. I recommend this, there are some good stories and amazing artwork. I was blown away by the art of these shows. There was more than one time while watching that I forgot I was watching animation. It’s that good. Be prepared – these are violent, sexual and graphic. They do not shy away from any of it.

The stories you say? Sort of an ‘oh by the way…’ moment on that one. One of my favorite stories was ‘Lucky 13’ by Marko Kloos. It’s edge of your seat military science fiction action combined with love and superstition. Great stuff.

I’ve read may of the other authors work as well. You’ll find Ken Liu, Joe Landsale, John Scalzi, Peter F. Hamilton, Alastair Reynolds and others. For anyone that hasn’t read their longer fiction – you should. Go find them. A number of these short stories are also available on line for free.

We talked some on the video about this being the next ‘Heavy Metal’. I understand why people would want to give this new series that title, but this is an anthology. There is no Loc-nar to follow through each story. There is no connective tissue between the stories. It is easily on the same graphic / sexual level but it’s just not quite the same. I’m willing to call it ‘inspired by’ or ‘in the tradition of’, but I am not ready to give it the crown yet. Give it longer than a month before we declare it the next coming.

While we’re giving things, let’s hope that Netflix digs up another set of stories and gives us another series of animated stories like this. I’d watch every single one.