This was originally published in Watch The Skies March 2023 edition.
The main character
I didn’t go looking for this show, but then when I found it I was in. I don’t find shows about deadly plagues nearly as interesting these days, but this show managed to bring me in.
Hot Skull is a dystopian story involving a new, terrifying pandemic called ‘Jabber’. It’s called this because the first symptom is the victim speaking gibberish. This pandemic has caused panic and an authoritarian agency has taken control, herding people into various locked communities and using armed troops to enforce curfews and quarantines. The antagonist is a man named Murat who struggles against this agency, as he seems to be immune to the effects of the disease. Everyone wears noise canceling headphones and eye each other with suspicion while out in public.
The story is dark. The characters are very real. There aren’t Hollywood stereotypes at play here… this is a Turkish language series. Yes, subtitles but worth it. Looking at a pandemic from a non-American point of view is just one aspect of this show that makes it worth the effort.
This was originally published in Watch The Skies February 2023 edition.
The main characters
Lockwood & Co. was a complete surprise. It was not a show that was on my radar, and I knew nothing about it when I started watching. I sat down with the family and we watched almost the whole season in a single sitting. Yes – the show caught us and we binged it.
Lockwood & Co. is a supernatural detective thriller story set in an alternate world where ghosts have come back to this world and can kill those still living. The only ones able to detect the ghosts are the youthful members of society who have some kind of psychic abilities. These kids are lined up at various agencies that investigate and remove ghosts. Lockwood & Co. are one of the newest of these agencies, and we follow psychic Lucy Carlyle as she joins up with this company.
The show has a great, quick pace. The characters are fun and believable as people. The chemistry among the lead actors is fantastic. You like them and you’re rooting for them right away. Through various ups and downs the first season is tight and clean. Be warned – the end of many episodes are the sort of cliff hangers that demand you watch the next episode right away. This is definitely one you should be watching.
I’ve been loosely tracking the mess that has become the open gaming license (OGL) that has been cascading across nerdland over the past 3 weeks. It’s been an emotional ride, and a painful one for many creators out there. I’m going to transfer a part of a social media conversation over here – because I want what I said to live here, where I can get it when I want it. Social media platforms come and go.
My original post:
There’s a lot to keep up with in this ongoing saga, but I think this quote, and the headline says a lot,
“This is a community that literally invented the term “rules lawyer.” WotC simply didn’t realize how literally that would be taken.”
Even this is a bit complicit and extremely naïve, given the repeated attempts a corporate gaslighting. It is also hilariously behind the times, as it has not incorporated their latest retraction and attempted capitulation (which is -still- a half measure, for those who are savvy to the issues).
With each compromise “attempt,” WotC have left something out, and it’s been pretty obvious to those of us invested in this fight. That’s what the author is hilariously and flagrantly blind to, which showcases them as a Corpo stooge, and thus part of the problem.
The notion of these companies (outside of WotC) working together, despite being “market competitors” with differing systems, and ORC being a system agnostic license seems to escape them.
The part I wanted to have here:
Couple of thoughts here –
“behind the times” could be me. I have posted this later than the instant gratification time table. While I am a creator, I am not constantly on here. While it’s important to stay up to date on things, immediate response is not for all. Thoughtful consideration matters, and that can take time.
The various stages of WotC’s flailing response were not the intent of this article (as I see it). The author is attempting to express something ingrained in my own point of view ~ corporations are not your friend, and they never will be. You are a resource to them and given the chance they will strip mine everything they can from you. The fact that the author works for a large corporation making them part of the problem is one opinion… but I think name calling is counterproductive.
One thing I take from this whole, ugly slap of pit fighting for cash is that there is a much, much larger community out there than ever before. Having lost friends as part of the satanic panic (being directly told this is why we can’t be friends – go away) it’s more important to me that we recognize the golden age we live in and work harder to be inclusive. We have more now than ever before – revel in it.
Systems will come and go. Companies will come and go. Communicating and finding new (and profitable) ways to do things will be the constant. Be aware of what corporations are up to, pay attention. Be thoughtful and considerate – and support the creators you know. The best thing we have is each other.
MORE TO FOLLOW
Social media is a tricky thing to manage. I’m sure this conversation will continue, but as I time shift a significant amount of my work, it will take time. Stick with the things you love. Find something that will last a lifetime and create! I look forward to seeing what we all make.
This was originally published in Watch The Skies January 2023 edition.
The film makers captured ‘bleak’ very, very well.
This month is much more in line with what many people traditionally think of as science fiction. The movie The Colony on Netflix is a far future dystopian film. It’s grey and gritty. The action starts right away.
In the distant future, the elite of earth flee a dying planet, making a new home on a distant planet. This new home proves to have road blocks to humans continuing to create more humans, so a mission is sent back to earth to determine if having the colonists return is viable or not. The previous mission has not communicated back. This is the second mission, and it struggles right from the start.
The movie has a little bit of the Mad Max feeling with marauders and technology scrapped together from the past. It also has a little bit of Water World with everything being effected by a sea level that has risen enough to make everything wet and endangered by the tide. The futuristic space technology gives our hero a little bit of an edge, but she is outnumbered and spends a significant part of the movie struggling just to survive.
I think that struggle is the part that wins me over. This is not a macho, blow things up kind of survival. It’s a thought provoking, yet action packed movie with diverse concepts and problems that require the characters thought and reason, rather than simple actions. This is definitely one you should be watching.
This was originally published in the Watch The Skies November issue.
I’m doing two things with this recommendation that I wouldn’t normally do. First, I’ve not finished all of the episodes of the show in question. Second, it’s a little bit of genre mixing but there’s enough quasi Lovecraft in what I’ve seen to make me thing readers here might be interested. What am I talking about? Guillermo Del Toro’s Cabinet of Curiosities on Netflix.
To the first point, having watched the first two of the eight episodes, I feel confident in my recommendation. There is a bit of a Twilight Zone vibe as each story has an introduction at the physical representation of the cabinet. The stories have been well written and paced for a shorter time frame, with episodes averaging around an hour (the shortest being 38 minutes, the longest at 1 hour and 3 minutes). The special effects are well done, in that they don’t detract from the story. I think that says a lot in the day and age where the computer is leaned on so heavily for effects that it can have a negative impact on the story telling. Beyond the actual effects is the aesthetic of it all. This show is appealing on the strictly visual level. The details are not lost in this show.
To the second point, it’s the little details. Giant rats, summoned demons, and statues of great Cthulhu (in a blink and you miss it moment) are among the things that lead me to genre mix here. There is nothing expressly or specifically “science fiction” in this show, but there is a lot of the fantastic and I think that’s worth taking a look at.
I intend to follow through and finish all the episodes. I think you should be watching it too!
This was originally published in the Watch The Skies July issue.
The multiverse. A certain MCU character has brought this theory to the attention of the public in recent months. Multiple universe theories, quantum physics, philosophy and all the other Schrodinger equations are generally WAY past my understanding. A version of this theory that I understand is that each choice we make during our lives causes some sort of branch to happen. The alternate choice sort of spins off and becomes another world where our other self continues on that other path. It’s more complicated than that, but that basic thought is the core of this film. What if we made that other choice? Where would that other path have taken us? It’s a thought that runs through most peoples’ heads at some point. I recommend this movie to a science fiction / fantasy based group purely on the strength of using this multiverse theory in an absolutely bonkers way.
What if you could access the knowledge, emotions, life experience of those other lives you might have had? In this movie, a middle aged woman who is struggling with many of the same sort of things any of us struggle with is suddenly confronted with this access… and is told she needs to use this knowledge to save the world. She needs to reach out and draw from those lives and the knowledge those other versions of her have gained.
Michelle Yeoh, Stephanie Hsu and Ke Huy Quan are absolutely fantastic in their roles. They are all believable, earnest and relatable, even when the entire world around them seems to be going mad. There is a randomness to this film that would be hard to ride if they weren’t just so good. There is action, humor and romance. I don’t know that any single genre or category would do this movie justice. Absurdist fits, but isn’t fair to the beauty of the performances and the depth of the feelings that show through. There is another big name movie star in the film. This big name star is so deeply into the role that I didn’t realize that’s who it was while I was watching.
Do yourself a favor, stay away from spoilers – even the trailer honestly – and just check this movie out. It’s only just leaving theaters and headed to DVD or home streaming, but it’s worth the effort. You should be watching this movie.
That’s a simple view, I know. It’s one of those easy to say, difficult to quantify kind of things – to some degree. There are clear examples of what is wrong. Those are the easy ones. It exists in more than one form, and it relates to so many levels of what we do in the science fiction and fantasy fan communities.
I’ve been sitting on this one for a while. It’s a tough topic. I expect somebody will dig this up and that it will cause me problems in the future. This is why it’s on MY site. I own it. It’s mine. I have taken some time and given this much thought and I think it’s important to continue this conversation. That’s the key to all of this. It’s a conversation. It’s something we need to address now and as we move forward. There is no simple solution and there is no easy way to make this go. We need to keep communicating with each other.
Let’s start with the easy stuff. There are some people out there who think, for some unknown reason, that they should be the ‘real’ fans of Star Wars. They’ve declared some nonsense about how people who are not white Americans can’t and shouldn’t ever be in the movies that have been loved since 1977. They’re easy to spot. They’re terrible. There’s simply no place in fandom for people that can’t accept that people who make up less than 12% of the entire world population don’t rule everything and can’t exclude everyone else. Above and beyond a basic level of stupidity, there is no place in civil society for those who make death threats against actors for portraying a character in a movie. That’s a kind of crazy that slides into another topic entirely (we’ve created our own hell-scape of cults of personality) and isn’t what I want to get at here. If you want to read more, check this article out as a starting point. There are lots of conversations going on out there about it.
The part that’s much more difficult to deal with is at a very personal level. It happens far too often these days and it worries me for the future of fandom for a whole different reason. Toxicity is eating away at the core of fandom – from both sides. The grievance crowd is going to destroy fandom.
Being the vocal minority doesn’t make you right no matter how right you believe you are. When somebody says something you don’t agree with, it doesn’t mean you are allowed to have them thrown out of the building. If your feelings get hurt it doesn’t mean the other person is automatically a bigot, problematic or any other sort of label YOU believe they should carry. When you think you want to lash out at others, you need to ask why you feel this way and maybe… just maybe… take a step back and allow some time to think about things.
We are all guilty of this to some degree at some point in our lives. We are emotional creatures. We react. We want to defend ourselves and those we care for. It’s natural. IF you’ve been the person that has been slighted, ignored, insulted and treated badly all of your life this is something that builds. This feeling turns into something ugly and dangerous. How we conduct ourselves when these sort of things come up matters.
What am I trying to say? Let me start with my own example. I have worked on convention staffs for many years. I love helping make something for so many people to enjoy. There are challenges, but anything worth doing has those. I have worked with all sorts of people from all over. Fans are great folks and have made some of the most wonderful memories for me. I volunteered to help with the previous world con, a staff team I hadn’t worked with before. I was trying to find my way and see where I could fit in and help. Then the GOH mess went down and I withdrew my help. Did you catch the part about it being volunteers? Yeah, even if you pay me I’m not hanging around for that. The most worrisome part was this was accepted. Not questioned, just accepted.
I wrote about it in a previous post here. Back in February of 2021 in fact. So here we are a year and a half later and I think the issue has only gotten worse. I don’t want people to think this is some kind of ‘crying out’ because I feel like I’m being repressed or something. I’m clearly not repressed or disadvantaged. I know there is privilege living here and I try to be mindful of it. I’m also don’t want this to be a ‘virtue signal’ kind of bullshit. I can’t stand that. “Look at how wonderful and accepting I am! I’m clearly not the problem you’re talking about…” Ugh!
Maybe I am the problem. I don’t know that without talking to others and having them talk to me.
Here’s where the real challenges start. Yeah, I’m a middle aged white guy. I know a lot of other people who look just like me. That’s who I have always associated with. It’s culturally my background and that has a huge influence on my opinions and bias. I have been told more than once that my opinion doesn’t matter simply because I’m a white male. I’ve been told to get over being told that. I’ve been given the ‘so how does it feel’ bit. I’ve been excluded from conversations and told that project submissions were only open to ‘others who need a chance’. While it wasn’t me, but a friend – there was even something in writing, “Well, you’re an old white guy so you must have done something wrong…”. In writing. From a supposedly professional group.
Really? We can’t find it now, but give us time? You’re a white guy so all the problems are your fault? This is all the wrongs of history that (may or may not have) happened to me so now I’m giving those to you! Take that medicine you horrifying bigot!
So, back to the maybe I’m the problem part. OK. Fine. Maybe I am. I can accept that I need to be more mindful than I am and work harder to be better. I certainly try, but success is relative to viewpoint. There are lots of places looking to get more diverse work out there and I don’t qualify for that in this field. OK. I’ll take it.
This didn’t just happen to me. It’s happening over and over again with people taking advantage of the simple fact that people have started to pay attention to what’s being said and taking action on it. Grievance culture. It’s insidious because how do you argue against things like, “you can’t call that person a freak just because they don’t look like you”? You don’t. You can’t. Even when the definition of the word freak is, “A person, animal or plant with an unusual physical abnormality”. Webster be damned! You can’t point that sort of thing out! How dare you?
Where’s the line? When can you tell anyone else what to say, how to think about something or how to address a situation? We’re all products of our own cultural backgrounds. What if I make a mistake? Am I to be punished and then banished forever? Who is the arbitrator of that judgment? Public opinion is fickle and dangerous. Swaying with and allowing the grievance crowd to simply take over is going to destroy volunteer run conventions… faster and more certainly than aging out or poor attendance ever had a chance to.
Don’t believe me?
At this past Balticon (#56) a woman of color living with a debilitating physical condition, parent of a trans person, and long time panelist and guest was summarily chucked out due to a complaint. A single complaint.
I was there when they came to get her. It was the panel I was moderating. I was standing there. I can’t speak for how others feel, but the lone staffer seemed quite respectful when asking her to gather up her things and accompany him to con-ops. He wasn’t loud and he did not make any accusations while there. He didn’t express anything other than, “please come with me, we’ll talk elsewhere”. It was a very simple and quiet thing that most had no concept about anything happening at all. I feel that the characterization of being treated ‘criminally’ is inaccurate, but again – that’s from the outsider point of view. In the end, that little bit that I witnessed isn’t important but it gives context for the rest of my message. They weren’t coming for me… this time.
I regret not digging into things more while I was there. I attempted (successfully) to steer clear of personal drama. I attend and work cons as a matter of enjoyment, and I find that type of drama stressful rather than enjoyable. Maybe I needed to do or say more… but there’s a problem with that. The grievance crowd. How can I help when my opinion doesn’t matter or is discounted or ignored out of hand?
This isn’t about me, but this whole post is to explain where I’m coming from. The only thing any intervention by me would have done is muddy the waters (at best) or cause a significantly bigger issue (at worst). I have been seeing a distressing trend in fandom – pushing people away rather than working with them and trying to relate to them. I have been called a racist, accepting of racists, problematic and told flat out to my face that I’m a white, straight (assumed), middle aged man and therefore part of the problem and that it’s not possible for me to be part of the solution. I have been marginalized by my appearance and had power taken from me on that basis. What it looks like to me, in a deeply oversimplified way, is that those who have suffered that treatment before are now taking any and every opportunity to do that to others rather than working to make things better for everyone. Sort of a ‘how do you like it’ approach to being in power.
Conventions are not my direct livelihood, nor to they help or hinder my day job. My reputation in the convention circuit doesn’t stop me from putting food on the table for my family. Conventions are some people’s livings or a significant portion of them. Their standing and reputation there matters. If somebody came at my job in that way I’d be more than angry – and rightfully so. The person in question is a pro and while I have found her point of view odd at times, I have never felt that it wasn’t important. I love the stuff she brings to panels. Having diverse opinions matters. Having authors like her, and so many others is vital. I’m sorry that she won’t be back (and if I were her, I wouldn’t be either).
The culture of con running is in trouble. This is not the first time I’ve encountered a mess like this. It’s the reason I won’t work on con staff for other cons anymore. There’s part of me that’s very sad about this. I do love doing all these wonderful, creative things.
So long as I’m unfailingly polite and professional there’s nothing to latch onto as a complaint. Maybe I need to say more. I deeply believe that the science fiction and fantasy community needs to be more accepting and welcoming. I said, specifically at the panel I moderated, “If you can’t find that person, be that person…” and gave some examples. I will continue to go to Balticon (and others) if they’ll have me (I understand that I’m a ‘D’-lister that just fills space). I think there’s a dangerous culture growing around the idea of ‘you didn’t say exactly the right thing’, and I fear for the future of convention staffs across the board. I hope by continuing to attend that I can in some way be part of the solution. I told people I wasn’t going to virtue signal and I don’t want this to sound like that. I am, however, going to reach out to people about this when I have the chance. I want to stand up for others. I want the toxicity to go away. I’m sick to death of the grievance crowd. I want fans to be able to keep doing the things they love. I hope to be able to continue to have important and meaningful conversations about making cons a safe and accepting place for everyone. I hope you’ll join the conversation too.
The workshop I ran was the last of my panels at Balticon.
The workshop was GMing for Beginners. It’s exactly what it sounds like. If you hadn’t run a game before, but wanted to. IF you had, but you stumbled or wanted tips to get to the next level sort of thing. In short, my wheelhouse. I’ve been doing this for years.
Turns out the hardest part of all that is going back to the start.
It was a very small group of folks that showed up in person. The panel description stated it was aimed at a younger demographic and that’s precisely the folks that showed up. They were fun and creative and our hour melted away and then some. We were still sitting there when the hotel staff came and asked us to give up the space for the next event.
There was a part of me that really wanted to do pictures and notes and all sorts of things related to what we did, but I think that would take something away from the folks that were there in person. I was absolutely delighted to share with them. I hope they enjoyed it as much as I did (and they did seem to). I will probably ask to run that workshop again next year, though perhaps earlier in the weekend to give folks that want to try things out more of a chance to hit the game room.
In the end, the con was very successful for me. I’m glad I went. I’m glad to be getting back into the con circuit and working on being creative again. It’s been a rough couple of years for everyone. I’m looking forward to going again. I’m looking forward to meeting new people and seeing my old friends again.
The last actual panel I had was on Sunday morning. There was a workshop to run later in the day, but this was the last of the traditionally formatted panels. As it turned out, I was also scheduled to be the moderator. As a moderator, I didn’t prepare notes in the same way I would have for other panels. I went for questions. My job was to get the other panelists to talk about the topic and keep things moving.
Finding Your People:
Whether you are a writer, gamer, costumer, maker, filker, or LARPer, there is a thriving community for you. Panelists will discuss opportunities for attendees to connect with like-minded others outside of Balticon.
How did YOU find your people?
Best ways to track like minded folks down in general? (discord, failbook, message board at the game shop, others?)
Should we ponder the future of in person conventions?
What if you’re painfully bad at all the social stuff? Plans are hard, and going out fills me with anxiety.
Have you had any experiences that put you off to a group? Any tips on avoiding that kind of thing?
I based my questions on things I believed would be useful from my own experiences. I wanted the folks I was working with to be able to express their thoughts on connecting with others and providing a way for cons and game groups and costumers and all those crazy folks to still be able to get together and enjoy our hobbies like never before. Interestingly / sadly this was also the panel where I caught the fringes of how this all goes wrong. I’ve got a lot of thoughts on the subject, so I’m going to dedicate an entire post to that at a later date. Other than what amounted to a minor ‘blip’ for me, the panel seemed to go well enough. A lot of the answers tended to circle back around to finding connections via the web, but that’s the world we live in these days.
Do you have any great answers for the questions above?
This was originally published in Watch The Skies May issue.
I’ve noticed a trend lately toward animated shows. While this show is once again aimed at kids, I have found a number of interesting and fun writing choices being made. The show follows a human girl named Luz who stumbles through a portal into another world. The land known as The Boiling Isles is filled with startling, weird and amazing characters living on the remains of some kind of giant or titan. There she becomes friends with a rouge witch named Eda, also known as the Owl Lady. Luz decides to stay and learn magic from this most powerful witch.
While I have not yet finished the first season, I suspect I will consume the entire series. Yes, each episode is relatively short and contains a ‘lesson of the week’ kind of format, but there are much longer story threads being woven through the background. It’s got some really fun and funny moments that are clearly aimed at the adults watching the show. At one point Eda is relaxing and says (fourth wall breaking style), “Ah, a quiet moment of domesticity… I wonder how long that will last” and in moments she is rewarded with a crash and screams. “Ah, there it is…” and she moves into the story. It was such a small moment, but anyone that has dealt with kids of any age knows that moment, deeply, and would just feel that come right through the screen.
In looking up some information about this show I’ve encountered a few spoilers that I will not share here. Anything beyond an abridged third season seems to be in jeopardy as the comedy / horror vibe (along with a couple of other factors) seem to not fit with the current Disney+ vision. I can say with certainty that I am not the only one believing in the writing for this show. It first aired in 2020 and won a Peabody Award in 2021. Weird, whimsical and believable fun – you should be watching this show.
