I’m still banging away on the YouTube channel. It was never my intention to do this, but now I’m kind of invested in the whole process. I’ve finally caught up with the backlog of videos. I’m up to the most current game play video.
I’m also starting into an area of the story where more and more is being revealed – more of the story that has never seen the light of day. I’m excited for it.
This last episode felt a little slow to me, but I’m sure it is the calm before the storm. Head on over to the channel and check it out:
I don’t get political on here. I have opinions on lots of those things, but this is part of the place where I go to make sure I can get away from those things. I’m writing about this because it is of personal interest and it matters to me and to many who are dear to me. I won’t tolerate political nonsense being posted here. It’s mine, I own it, I will chuck you out. You have been warned.
It’s pride month. This doesn’t apply to me, but it applies to many family and friends. It matters. One of the other things that matters is knowing history. Where did some of these things come from? Can you dig a little deeper and learn the real stories behind things you’ve only heard about? You can, and you should.
Last night I took some time and I watched the documentary about a straight Jewish couple that owned and operated one of the most well know, dare I say important book shops and pornography businesses related to gay culture. The documentary is called “Circus of Books”. Yes, it’s been out for a few years now, but there are occasions when it takes time to get back to things on your list.
Check out the trailer here:
As you might have guessed from what I titled the entry, this is important history for the gay community and for first amendment rights. Hearing the story of the owners and the family they maintained while running not just a book / porn shop but also a chunk of the gay film industry for a long time was fascinating. The access was absolute since the film maker is the daughter of the owners. She interviewed her parents, her brothers, her parents friends and even some of the employees. It was shocking to hear how they fell into this business and just kept going.
Hearing the portion of the tale from the 80s and the AIDS crisis was jarring. It’s one thing to know history. It is quite another to live it, and have those around you die during it.
That was one of the things that leads me to a small point of criticism for this show. I believe the film maker pulled some punches because it was her family. Yes, she had the access, but I think both the portion of the story during the AIDS crisis and the ending really lacked… something. I wanted there to be more umph with the story or more of an emotional wrap up and point at the end. Yes, I think it could have had pointy bits about freedom of expression as well – but in all it was a slow watch. It felt all of the hour and 40ish minute run time. It left with this note of, “well, that’s it, the store is closed” and went to the credits. I felt like there could have been more.
Seeing the business itself, in bits and pieces, it also looked like an operation that failed to adapt. It’s not that a shop like that couldn’t survive, it was more that it would take an investment of time, money and innovation. Even from the glimpses in the film there were swinging doors that looked like one wouldn’t want to touch them (just worn and old, I’m sure) and the filing ‘system’ was a drawer filled with handwritten notes and pages taped to walls. It felt like a place that needed to change and just didn’t. Perhaps the owners were tired and just wanted to retire. It was put forward as the owners just not making enough money to call it sustainable.
Having said that – I still recommend it. Go and check out the history because it matters. Watch and see what has come before and who those people are. The show ends with the closing of the store, but I have gone out looking on the web, just to see, and the shop appears to have been sold / reopened and looks like it’s going strong with an online presence. From their site:
“Book Circus opened in 1960 and with the very cruisy Vaseline Alley behind the store quickly became the epicenter of the gay community at that time. In 1980 and through the AIDS crises it became the iconic Circus of Books, WeHo’s version of Stonewall. In 2020 it has been reimagined and reopened with the addition of Circus of Books West. Both Stores also feature The Gallery @ Circus, an upscale gallery representing LGBTQ+ artists.”
There is history, and there is hope. That’s a great message for Pride Month.
It took a little work and some fiddly bits needed to be figured out, but in the words of my daughter, “Congration – you done it”.
The Groves of Inan YouTube channel is now live. Videos will be uploaded over the next few weeks, as the channel allows. I’ve still got the training wheels on and YouTube has put limits on the tools I can use and how many videos I can upload at one time. I’ll give more background on here as I go, but if you’re at all interested, here it is:
Writing scripts – the list of what I want to say when starting off a video – is now a thing.
I suppose I’ve been doing that for quite some time actually. I never really thought about it when I was playing in my friend’s game and he was twitch streaming it all. It was just our little group doing their thing. Then I started running my D&D game. That was when I realized that I was making little things to say at the start of each session. I’ve never thought of it as “script writing” really, but I suppose that’s exactly what it is.
Until now (and maybe still beyond now) I’ve been physically writing down the things I want to say using a color coded piece of graph paper and sort of reading from that. Even when I write the words, the things I say don’t always line up with what I wrote. Sometimes that works, sometimes I “out clever” myself and screw up what was a funny written line. Of course, recording live, it’s not like I can just say “cut” and do it again. We’re live, and getting ready to play.
Our little videos are not production pieces (clearly).We don’t have makeup, wardrobe or sponsors. Nor do I expect we will have those at any point in our lives. It’s not what we’re trying to do. We’re trying to get a group of friends together and have fun.
So, I’ll keep writing my little intro bits but maybe I’ll make them electronic and post them up along with the videos of my game sessions. We’ll see. This is a learning process. It will take time for me to figure it all out.
I don’t get enough traffic here to try to come up with something clever and click-baity. Part of the reason my posts have been fewer and farther between these days is that I’m working on a couple of new things.
First – I have started writing more. Writing there, means less writing here.
Second – I’m going to try to add a couple of bits to this page. I’m not into computer programing or whatever language the web kids are using right now to code pages. I’m not interested in being the person to do any of that stuff. I AM however going to try to get some new content via a YouTube channel that I’m creating.
Yes, talking and story telling via video tend to go a lot faster than I can type. I also want to connect up my tabletop RPG habit with this site, sort of creating an entire thing for myself.
We’ll see how it goes. There’s a lot of work to do between here and there.
There’s a meme out there with a picture of Alec Guinness as Obi-Wan saying, “why of course, it’s me…”
I know that’s a hash of a misquote, but you get the idea.
Found it~
Using a physical DVD to watch a film. Yep, I know that guy, because it’s me. I’ve been one of the red envelope people subscribed to the Netflix DVD service for the past 12 years. It was an easy choice for me. Advertising and unreliable connection speeds meant I could watch what I had on hand without any fear of it failing to work or having the feel of a film wrecked by mid scene advertising… almost all the time. Yes, physical media does have issues. Yes, from time to time there would be a problem, but for the most part it was a fantastic albeit slow system. In all those years I can only think of a handful of times when either the disc was broken or didn’t work, and only once in all that time when I got frustrated enough to just digitally rent a movie when the disc failed – and that was because it failed about 60% of the way through a really good movie.
Now that system is gone.
Yesterday, Netflix DVD made their last shipment. After 25 years (for them) they’re done, and I am feeling a bit nostalgic about the whole thing. The discs have been one of a very few constant things over the years. I was able to pull down a PDF file, created by the Netflix folks, that has my history all packaged up and presented in a report. I haven’t crunched numbers for averages or anything like that, but I have looked at the list of more than 250 rentals I’ve had over that time (quick math, 250/12 = about 20 discs a year or just under 2 per month). I looked at the stats they’ve stacked up for me and wandered down the list of discs we’ve watched, remembering the stories and characters from all those movies.
It’s going to be a minute for me to process the whole thing, but I will miss it. That probably sounds weird, but it has been part of my life for more than a decade. It became something that was just there when I needed it. Recently the streaming services available to us, combined with a more stable internet experience and less available time, in general, have made streaming services far more convenient and my rental rate has fallen off. Sometimes it would be weeks before I could put together the time to sit with a friend or a family member to watch whatever it was we ordered up. Sometimes the streaming service would add the movie before we got to the disc. I’d package up the disc and send it back, eagerly waiting for the next one to arrive. It was there, and it happened when I wanted it to. My viewing experience was not subject to some vague streaming contract a studio made, nor allowed to change based on some other, unknown reason.
The best example I can think of to illustrate that off hand is Monsters, Inc. and how it’s shown on Disney+. My daughter and I sat to re-watch it the other day because it had been a very long time since we watched it originally and we were in just the right mood. We pulled it up on Disney+ and let it roll. When we got to the end we wanted to see the extra bit at the end where the company is putting on the play Mike and Sully improvised during the movie… and it wasn’t there. It was just gone. I was a bit sad, but she was downright outraged. “How dare they? This is unacceptable and look it up on YouTube right now so we can watch it!”. I think that encapsulates the whole thing. The nutshell version – streaming decided to revise history a la 1984 and the modern viewer simply slid over to another streaming service and looked up the part they knew should be there (legality of it all be damned).
So the service is gone, but physical media still exist. I’ll still be watching those, and definitely picking up my favorites in physical form so I don’t need to depend on some company deciding if Ponyo should be available or not. Yes, it takes up space on the shelf. Yes, it’s an outdated method for watching things, but it’s mine and I’ll do with it as I please.
Apparently the folks at Netflix were feeling a bit nostalgic as well. They captured the whole feeling in a quick video… now available from a streaming service.
I’m wondering about the scale of my lack of focus. I don’t think it’s ADD or ADHD or whatever initials that particular diagnosis have been changed to lately. I am looking at the pattern of my postings here and seeing that they tend to cluster when I have certain things going on and thin way out when I have other things going on. There is nothing consistent about what I’m doing.
Having said that, I realize that there IS consistency, just at a larger scale. The general things I am interested in, and the things I work on are in certain channels, but those channels tend to cycle. There will be times when I am working on art pieces, times when I am crafting, times when I’m writing and struggling along with that and times when I’m reaching out with other creative endeavors.
Lately my energy is being spent on one of those ‘other’ creative endeavors. Gaming. I have posted before about being a player in a role playing game that was streaming on Twitch and YouTube. That game hit a snag ~ the snag of course being that we are adults with lives and responsibilities. Schedule has killed yet another game… OR has it?
I asked my friend if he minded that I step in and take over running a game. He was agreeable and so were the folks playing the game. Since then I’ve shifted gears and dropped back into my Dungeon Master ways. I’m producing art, but it’s generally for the game or the video channel. I’m writing, but it’s centered around the next adventure. I’ve dropped off the crafting and painting a bit simply because we’re running this game virtually across 2 time zones.
In the end, playing Dungeons & Dragons has resurfaced as my hobby of choice. I’m having a great time creating the world and working with the players as they move through various parts of their adventures. We’re still on the Ether Network channel, just under a different “show” title. IF you’re into the story, you should check it out over on Twitch or YouTube:
It’s been a while since I’ve run a D&D game. The schedules of adults combined with a pandemic crushed that creative bit of things for a long time. I’ve posted on here about being invited to play. The game turned from fantasy to horror and that’s not exactly ‘my jam’ as a friend would say. Yes it was fun and there are memorable stories from the few sessions we’ve run. Once again, the schedule of adults looked to wreck that gaming chance. I volunteered to step in and attempt this long distance gaming thing as the game master.
I’m glad I volunteered. The rest of the players seemed to be on board with the idea. All I needed to do was figure out how 5e worked compared to what I knew, work with everyone on character creation, design the adventure, tailor it to the characters, figure out how the online tools were going to work and THEN actually run the game. Easy peasy, right?
Oy. I must have forgotten how much work it is to stay ahead of a handful of very sharp players. I was (and am) glad that I did this. We had a couple of bumpy patches in our first session. A couple of communication errors (mostly on me) and some adjustment to the online environment, but all in all I think it went as well as could be expected.
The best part was that we’ve already come up with a bit of story that’s going to stick with us. A gift that will keep on giving as this party of intrepid adventurers continues to move through the game world. Fear the grain shortage and buy your bread now! You should watch:
We cruised into a second episode for our Beyond The Supernatural role playing game. It was a fun week, even if I struggled with move forward with my character. I made one spectacularly bad roll and earned a new nickname behind the scenes. I am now Mr. 114, however briefly.
If you’re into checking out the game, we’re live on Twitch when we play and then the videos get posted up to the YouTube channel. You can check out the latest episode here:
I was super happy to be part of another Attack Of Opportunity! It was a great time taking a movie apart and turning it into an adventure for a D&D game. I had a number of things to say about it, and you can check out the video here:
When I was getting ready for this video I (maybe) went a little overboard with things. I had this feeling that we were telling people to be inspired by movies, but what precisely does that mean? I’m inspired, what do I do with that? So I sat down and really dove into doing what we were suggesting. I mean, we’re talking about a fantasy classic here – but can I actually use it?
Most of the time I wouldn’t lift whole plots, characters or concepts. I like having complete control over my creations and the ability to use them across multiple media formats. Stuff I’ve snatched from other people does NOT fit into that category. I will however be inspired by many and varied things, lifting bits and pieces out for my use. Even the things that get lifted are mashed, molded and ultimately adjusted to be a good fit with the story and the rules of the world I am working with.
If you’re grabbing parts from a movie be sure to tweak things just enough that the players don’t immediately recognize it. It can be a total bummer when one of the players recognizes exactly where you got something from. It’s a bummer, that is, IF you haven’t prepared. If you’ve prepared then you rejoice. Seriously. The player thinks they know and that’s a fantastic tool to use against them. If the player “just knows” that the lead villain keeps his pet monster in the pit and therefore they don’t climb down there, move the pet. It’s a super easy fix that will have them second guess choices like that. The can overhear the guards say something like, “Oh, it’s Reggie’s day out again…” or “I’m really glad I’m not on cleaning detail now that they’ve moved Reggie…”. Take that sort of knowledge and use it to your favor.
For folks that really wanted to dig in, here’s a short list of some of the things I thought needed some prep ahead of time.
NPCs: King (Osric), Doom, high level warrior/priests, witch/oracle
Political groups: religious cult, rival kingdom, slave market / pit fighters
Treasures: Atlantian Sword, cult gem (eye of the serpent), jade medallion, father’s sword, assassin’s dagger, snake arrows, random bowl of gems
Maps: City w/ cult location, cult tower interior, battleground near stone monuments, temple w/ great stair and fountain, and of course – cultist HQ with orgy room, kitchen and secret cave entrance.
The map part has always been something that has driven me in the past. I’m a very visual person. I really went after trying to create what I would need to make this an adventure. We didn’t have much of a chance to see these on screen during the video (and some weren’t really there at the time) so I wanted to post a few of them here. YOUR game does NOT need to have all this stuff. You should make the game your own and use your own talents to create the amazing world your party will adventure in.
Here are a few of the things I put together for maps / visualization.
Started with good old graph paper and just sketched stuff.
After the sketch I made the map “fancy”
Past what you see in the film, you’ll have to make some of the spaces up for the party
This is where I started to go off the rails. I modeled the whole tower in 3D
How’s the view from the top or YOUR cult’s tower?
Whatever level of detail you’re willing to dive into, make it yours. In the end your passion and joy for the story will make the game great. What other movies would you break down like this? What are the best concepts you’ve used in a game (or had used against you) before?
