This was originally published in Watch The Skies January 2023 edition.
The film makers captured ‘bleak’ very, very well.
This month is much more in line with what many people traditionally think of as science fiction. The movie The Colony on Netflix is a far future dystopian film. It’s grey and gritty. The action starts right away.
In the distant future, the elite of earth flee a dying planet, making a new home on a distant planet. This new home proves to have road blocks to humans continuing to create more humans, so a mission is sent back to earth to determine if having the colonists return is viable or not. The previous mission has not communicated back. This is the second mission, and it struggles right from the start.
The movie has a little bit of the Mad Max feeling with marauders and technology scrapped together from the past. It also has a little bit of Water World with everything being effected by a sea level that has risen enough to make everything wet and endangered by the tide. The futuristic space technology gives our hero a little bit of an edge, but she is outnumbered and spends a significant part of the movie struggling just to survive.
I think that struggle is the part that wins me over. This is not a macho, blow things up kind of survival. It’s a thought provoking, yet action packed movie with diverse concepts and problems that require the characters thought and reason, rather than simple actions. This is definitely one you should be watching.
This was originally published in the Watch The Skies November issue.
I’m doing two things with this recommendation that I wouldn’t normally do. First, I’ve not finished all of the episodes of the show in question. Second, it’s a little bit of genre mixing but there’s enough quasi Lovecraft in what I’ve seen to make me thing readers here might be interested. What am I talking about? Guillermo Del Toro’s Cabinet of Curiosities on Netflix.
To the first point, having watched the first two of the eight episodes, I feel confident in my recommendation. There is a bit of a Twilight Zone vibe as each story has an introduction at the physical representation of the cabinet. The stories have been well written and paced for a shorter time frame, with episodes averaging around an hour (the shortest being 38 minutes, the longest at 1 hour and 3 minutes). The special effects are well done, in that they don’t detract from the story. I think that says a lot in the day and age where the computer is leaned on so heavily for effects that it can have a negative impact on the story telling. Beyond the actual effects is the aesthetic of it all. This show is appealing on the strictly visual level. The details are not lost in this show.
To the second point, it’s the little details. Giant rats, summoned demons, and statues of great Cthulhu (in a blink and you miss it moment) are among the things that lead me to genre mix here. There is nothing expressly or specifically “science fiction” in this show, but there is a lot of the fantastic and I think that’s worth taking a look at.
I intend to follow through and finish all the episodes. I think you should be watching it too!
Once upon a time I used to like to be sure to get to the theater early when going for a movie. I wanted to see all the new movies that would be headed out soon. It was something exciting. Something unexpected could pop up. You never knew, really.
In the current age of on demand everything, trailers for shows and movies are almost constant. I don’t rush to the theater at all – even for the films at this point. It takes something special to make me want to endure dealing with everything that goes along with sitting in a dark room with random strangers to watch a movie. The experience is frequently less than ideal.
I’ve stopped being excited about movie trailers too. On a good day, the creators of film can make an amazing 2 minute film. Most days the either misinterpret the story, sell the wrong point or give away all the best parts just to get you to go see the movie and be disappointed. IF you can slip past the spoilers and see something that actually looks interesting, there is an additional culture now that takes frame by frame screen shots and attempts to dig in and find all sorts of things to be happy/upset/curious about. Then judge the film before it is ever seen based on 3 frames that are pointed out a year before the release date. I am SO not interested in all that. Not at all. The joy has gone away.
Some time ago I was asked how I felt when the very first LOTR series trailer dropped. I waited. I decided I wanted to let all this stuff sit and digest a little. It’s easy to have strong reactions and immediate thoughts. Taking your time and putting thought into it will help decide just how important that strong reaction might be in the long run. If you were upset or interested before, are you still? Just yesterday (as of this writing) the new trailer for the Dungeons and Dragons new movie came out. The reaction culture raced to be the first to comment. I will admit – I did acknowledge this trailer on social media. It’s difficult to skip talking about something you really love. Now I’ve got ‘extra’ trailer bits to discuss.
I’m a fan of the LOTR and some of the film works based on Tolkien’s books. I despise the vast majority of that mess they claim is a trilogy about a hobbit and his journey to the lonely mountain. It’s an abomination and should be stricken from the record. And now it looks like various stories, notes and bits from places like The Silmarillion are being mined and shaped into a series.
I love Dungeons and Dragons and have for a very long time. My disappointment with the last big budget movie with the same title has echoed for twenty years now. I can still clearly picture lipstick bad guy and the horror of seeing the Wayans brother just camping out in there. They’ve waited two decades and now they’re trying again. This fills me with trepidation. It could all go so horribly wrong. The new version has Chris Pine you say. The last one had Jeremy Irons. He’s an academy award winner… and it didn’t help.
So now both of these properties are making headlines with new content. There are big names, big action and all sorts of fantastical things racing across the screens. How do I feel about them? A just question. Late is the hour in which we discuss an old trailer (couldn’t resist mangling the quote).
Bandying crooked words.
My feelings are mixed. On the one side, I desperately wish film makers would continue to adapt different works and stop digging back into the same stories over and over again. A good example was the (relatively) recent Shadow & Bone series on Netflix. A fantasy work that is not something that has been done to death (looking at you Robin Hood) and had budget and production value to create something enjoyable. There are hundreds of choices out there… but we’re digging into Tolkien’s old notes to create something so they can say, “Look! Hobbits! You like Hobbits, right?”. It’s not something that’s going to make me happy.
On another side, just look at all the wonderful fantasy that’s out there to pick from! Magic, dragons, sword fights… it’s an embarrassment of riches. There’s so much I have to be picky about what I see, how soon I see it and how much I watch. There aren’t enough hours in the day to consume all the coolest things. I can’t wait to see all the crazy stuff that comes out of the D&D movie. There will be an entire generation of players that will pick druid as a character class, just to wildshape into an owlbear.
On a third side, (this is why I didn’t use hands – polygons give options for sides) I’m afraid this glut of fantasy we’ve been living in is going to cause the dilution of something good. There will be so much that far lower quality things are going to start sneaking in (yes, as they have for ever) and with that interest will fade. When interest fades, the money walks away and THAT is what causes films to not get made. In the end, Hollywood movie studios are in business to make money and if we’re not buying they’re going to sell something else.
On the square side… I’m thrilled to have this kind of stuff out there. I’ve written before about the negative impact the Satanic Panic and all that bunk from my childhood had. Fantastical film and storytelling at this scale was never something imaginable when I was a kid. The shear variety of options is glorious.
Eventually I will devour all of these things. I will rage about some and praise others to inappropriate levels. There will be fan art and philosophical discussions. I’m still a fan after all.
This was originally published in the Watch The Skies July issue.
The multiverse. A certain MCU character has brought this theory to the attention of the public in recent months. Multiple universe theories, quantum physics, philosophy and all the other Schrodinger equations are generally WAY past my understanding. A version of this theory that I understand is that each choice we make during our lives causes some sort of branch to happen. The alternate choice sort of spins off and becomes another world where our other self continues on that other path. It’s more complicated than that, but that basic thought is the core of this film. What if we made that other choice? Where would that other path have taken us? It’s a thought that runs through most peoples’ heads at some point. I recommend this movie to a science fiction / fantasy based group purely on the strength of using this multiverse theory in an absolutely bonkers way.
What if you could access the knowledge, emotions, life experience of those other lives you might have had? In this movie, a middle aged woman who is struggling with many of the same sort of things any of us struggle with is suddenly confronted with this access… and is told she needs to use this knowledge to save the world. She needs to reach out and draw from those lives and the knowledge those other versions of her have gained.
Michelle Yeoh, Stephanie Hsu and Ke Huy Quan are absolutely fantastic in their roles. They are all believable, earnest and relatable, even when the entire world around them seems to be going mad. There is a randomness to this film that would be hard to ride if they weren’t just so good. There is action, humor and romance. I don’t know that any single genre or category would do this movie justice. Absurdist fits, but isn’t fair to the beauty of the performances and the depth of the feelings that show through. There is another big name movie star in the film. This big name star is so deeply into the role that I didn’t realize that’s who it was while I was watching.
Do yourself a favor, stay away from spoilers – even the trailer honestly – and just check this movie out. It’s only just leaving theaters and headed to DVD or home streaming, but it’s worth the effort. You should be watching this movie.
This was originaly published in the June 2022 edition of Watch The Skies.
I don’t think I can overstate how much I am taken with this art.
I went back through the list of shows that I have recommended in the history of these articles and was stunned to see that I had not brought up Love, Death & Robots. I don’t know how this has escaped previously, but no longer.
Love, Death & Robots is an animated series, but this is very specifically aimed at adults. The creators original intent was to have something similar in nature to the animated film Heavy Metal (from 1981). Do not for a moment think this is a children’s cartoon. It is NOT. It is brutal, sexy and mind rattling in varying degrees throughout. Netflix loaded up the first season of LD&R back in March of 2019. There were 18 episodes for the series, each coming in with a viewing length under 20 minutes. The second season of 8 was released in May of 2021, and the most recent season of 9 episodes launched just last month (May of 2022).
The stories for these animations all come from some of the best writers in modern science fiction, fantasy and horror. Names like, Bacigalupi, Asher, Scalzi and Sterling. There’s even an episode showing a story written by Harlan Ellison. These stories carry weight and have real punch in such a short time frame. The set up to the closure, if there is any, come right at you. The first two seasons each won an Emmy. The story telling is only rivaled by the pictures that accompany the stories.
IF you dislike ‘cartoons’ for some reason, I challenge you to watch these and NOT become a fan of animation. The art, the shear beauty of so many of these works will make you question how they were created. Admittedly, they are not all hyper realistic, but even the goofiest stories are well animated. The colors, the smoothness, and the pure vibrancy of even the darkest pieces still amazes me. I have some that I re-watch for the story and many that I re-watch just to see them. Just to experience their beauty again. I don’t believe they needed more marketing, but the third season has actually done something neat to accompany all this art. There were some clues hidden in certain episodes of the third season. If you followed the clues, you’d find your way to some computer art from the show. The hunt, and the clues have continued on various social medial platforms since the third season was released.
I highly recommend this show. You should definitely be watching.
This was originally published in Watch The Skies May issue.
I’ve noticed a trend lately toward animated shows. While this show is once again aimed at kids, I have found a number of interesting and fun writing choices being made. The show follows a human girl named Luz who stumbles through a portal into another world. The land known as The Boiling Isles is filled with startling, weird and amazing characters living on the remains of some kind of giant or titan. There she becomes friends with a rouge witch named Eda, also known as the Owl Lady. Luz decides to stay and learn magic from this most powerful witch.
While I have not yet finished the first season, I suspect I will consume the entire series. Yes, each episode is relatively short and contains a ‘lesson of the week’ kind of format, but there are much longer story threads being woven through the background. It’s got some really fun and funny moments that are clearly aimed at the adults watching the show. At one point Eda is relaxing and says (fourth wall breaking style), “Ah, a quiet moment of domesticity… I wonder how long that will last” and in moments she is rewarded with a crash and screams. “Ah, there it is…” and she moves into the story. It was such a small moment, but anyone that has dealt with kids of any age knows that moment, deeply, and would just feel that come right through the screen.
In looking up some information about this show I’ve encountered a few spoilers that I will not share here. Anything beyond an abridged third season seems to be in jeopardy as the comedy / horror vibe (along with a couple of other factors) seem to not fit with the current Disney+ vision. I can say with certainty that I am not the only one believing in the writing for this show. It first aired in 2020 and won a Peabody Award in 2021. Weird, whimsical and believable fun – you should be watching this show.
You need to know right up front that there is cartoon violence involved in what I’m recommending this month. IF that’s not your thing… definitely skip it. IF you’re not put off by the old school Loony Tunes style bashing and blowing up, then this show is for you.
The main characters in this short are /Rowdy (rotten criminal) and Peanut (guard dog). Rowdy is after the most valuable painting in the world and Peanut is trying to keep that painting right where it is in the museum. The catch here is that YOU help decide how it all works out. This animated feature is interactive. There will be a series of questions at various points in the show that require your input via the remote control. Get all the questions right, get one result. Get a question wrong, get something totally different. Run out of chances and you can go back and try again, giving you a completely different result. The run time was listed at something like 12 minutes, but be warned! I ended up going through multiple times to see various options and endings and was watching for far longer than the listed run time.
Pre-pandemic, if you’d asked me about the Legend of Vox Machina I would have stared at you blankly. I had heard, vaguely, of Critical Role but that would be about it. The team producing the web hit Critical Role has certainly made a massive impact on media and the route things have to production.
I’ve talked in other places about something people are labeling “the Mercer effect” as it relates to the expectations of people when they play Dungeons and Dragons. The team at CR (and it IS a team, including a lot of production) create a drama that people can follow along with BUT it doesn’t meet the expectations of players when said players get to their own game tables. Most people don’t have a production team to help run their game, nor do they do it as part of their job so even regular old game / planning time is limited. A new players view of the game can be warped by production quality.
Now, take that same story with all the warping. Get professionals to set the script, trim the action, do the voices and then have crazy good animation and you get Vox Machina’s first season on Amazon video.
I have watched the whole season. I can say that I enjoyed it. It is a very well done animated series.
The criticism(s) I have for it revolve around that warping.
I don’t watch CR when they role play their campaign on YouTube. IF I have that many hours, I’m playing or I’m designing my own game for when I’m playing. It’s not a polished show and you’ve got to wade through it all to get to the good stuff. That’s the whole point I hear you saying, but really – I don’t have that kind of time. Am I maybe missing some Easter eggs or not understanding the ‘in’ jokes? Absolutely. Do I care? No. No I do not.
Having watched the show I get what people mean about expectations. They fight and kill a dragon in the first or second episode. I have NO idea what the actual level of the characters are in the CR game, but in MY world dragons are epic, boss level fights that don’t get resolved that quickly. Dragons are part of the name of the game and defeating them like some kind of minor winged reptile without the kind gravitas they deserve just doesn’t seem right to me. It set me off for the whole series. This is made worse by the fact that one of the main bad guys is (or appears to be) a vampire. That in NO WAY works out that way in my world. Are vampires exceptional and challenging monsters? You bet. Do they have more power than dragons? Never. So – my hang up on that one, but I think it ties in with expectations.
Percy has a gun. Yes, it’s demon related and possibly magical in nature, but it’s still a gun. This is not a chocolate in my peanut butter kind of situation. I don’t want guns in my swords and sorcery game. I play fantasy for a reason. IF I want guns I’ll play a role playing game with guns. This was an aspect of the show that clearly worked, but just took me out of the right head space.
Editing the story down to basically half hour episodes is both good and bad. It’s good, because the writers got to the meat of what’s going on without requiring me to wade through all the dice rolling and background decision making that goes with any good role playing game. I really appreciated being able to get through the shows in a timely manner. What they did while doing that is skipped past longer story arc development. I know – can’t have it both ways, but this is the expectation thing again. Part of the joy of the game is working up all those deep character backgrounds and having all the other players know and use that info. It’s that shared aspect that makes the game great. The animated show didn’t give the feeling of weight that all that stuff was in there. It’s not easy to describe that feeling when you don’t know all the backstory, but you KNOW all that backstory is there. You can feel it with little details.
In the end, it was a fun ride. I found myself pointing and laughing on more than one occasion, remarking that actions / choices reminded me of our own game or that we’d had remarkably similar actions in our game. It’s relatable, but it’s just one version of how the game goes. It’s not MY version and maybe it’s not YOUR version either. It’s worth checking out. It’s fun. I look forward to the next season – just don’t expect to see a dragon defeated that easily in any game I run.
This post was originally published in Watch The Skies January 2022
Welcome To Earth
The Beauty You Expect
I’ve done this before, and I’m doing it again here. We’re about to have an out of genre experience. The show I’m going to recommend this month is not animated, it is not a science fiction spectacular and is not a block buster with mountains of promotion behind it. It has all the action, beauty and fascinating story lines of one of your favorite genre pieces though. It’s from National Geographic and Disney and is available on Disney+ right now. What is it? Welcome to Earth.
Welcome to Earth is a journey. There are 6 episodes that follow Will Smith around the planet on various adventures. Having Will Smith there allows for an excellent window into the amazing, vibrant and often terrifying world we all inhabit. The diverse scientists that allow him along for the trip give fantastic information on the places on our own home world that we know so very little about. From tops of volcanoes to the bottom of the ocean (the journey with marine biologist Diva Amon is very cool) we get a glimpse of just how much we don’t know about the place we live.
It would be easy to justify this one as science fiction related, but I really don’t think we need to. The photography and cinematography are amazing. The pictures are exactly as amazing as you have come to expect from the folks at National Geographic. In fact, words don’t do it justice. You should be watching Welcome to Earth.
I won’t give you spoilers, but the trailers for the movie certainly will. I find that to be one of the most frustrating portions of any movie these days. I used to truly enjoy the excitement and anticipation of upcoming films and would be sure to check out the trailers. These days I want to know a very small amount about the film along with how it’s going to be released – and that’s it. I hate that some of what I think are the coolest parts of the movie are in the trailer. Saw them before the film ever started… and then was underwhelmed when I saw them in the film itself.
Speaking of trailers… it feels like movie houses are attempting to devour themselves in a desperate effort to get our attention. We were early to the film to be sure we got seats that we preferred. The movie was supposed to come in around 2 ½ hours. We had almost a half hour of previews lined up to watch before the movie ever started. I’m not kidding. I timed it at somewhere between 24 and 27 minutes of previews… to the point that we were sitting there doing the “rolling” motion with our hands in the theater. As in, OK – WE GET IT – you want us to be excited about movies… how about the one we just paid for and want to see? It was ridiculous.
I think it’s wonderful that we have so many options for movies these days. I’m glad the theater experience is still out there. More on that later.
The movie itself. It has a lot of the look and feel of the original. The sounds and colors were all familiar. Some of it was a little too familiar. There was a lot of reused footage from the previous movies, tying things together. There were lots of call backs and continuations. It makes sense in the story for the most part, but it’s difficult to talk about it in depth without spoiling things. What I DID NOT like was the way the action sequences were shot. It accentuated and doubled down on the shaky cam and unlit (really dark) action sequences. They were hard to watch and almost impossible to follow. IF you’re a fan of breaking down film things like this, I suggest checking out this short video on how action scenes are shot. Dark and hard to see, and I’m not sure it needed to be.
The characters were good. Keanu and Carrie Anne were great. I really enjoyed Jessica Henwick as Bugs. I hope to see more of her in the future. Then there was Neil Patrick Harris. I’m not going to say anything about his character. No spoilers. NPH was easily my favorite character and I’d LOVE to see more of him in films like this going forward. He made this movie for me.
I’m glad we went to the theater to see the movie. I don’t know how the combo with home screening will change the box office numbers, but it will be interesting. As I said above, I am glad the theater experience is making a comeback. Things still feel different because of the pandemic. The place was only about half full. That’s far more than recent movies, but far less than I’m betting they hoped for. I certainly thought there would be more people there for a 7 o’clock show on opening night. The movie is worth seeing on the big screen if that’s a thing you’re comfortable with. I expect I’ll be watching this movie again on the small screen at home. There were tons of little details to catch that I’m sure weren’t caught while trying to take in the story itself for the first time. It’s a well done film and I hope it does well.
Also – there is a little something at the very end of the credits too, so don’t leave early.
What movie are you looking forward to seeing on the big screen?
