Hindsight

Writing is a lonely business. It is you and your words. Art is not necessarily the same and film making even less so. It’s very easy to look backward and see what might have been. It’s the sort of thinking that can lead down the dangerous path of tailoring your choices based on proposed outcome. I don’t want to think to myself, “If only I’d gone and done… then I’d have landed….” I want to focus on my work (such as it is) and keep moving it forward.

Having said that I am going to suggest you watch a documentary out there called Jodorowsky’s Dune. It is the story of a film that was never made. It is the story of a visionary. The story of somebody I don’t think I would ever be able to understand – or deal with. It gives you a glimpse into a place that feels like it was flat out bat shit insane. It shows us in hindsight that total failure isn’t always just that.

There was music. Magma (a band I’d never heard of until today) and Pink Floyd mixing up a sound track for a film.

There was art that – looking backward is the sort of thing to make your head rattle just a little – put Giger and Foss together for concept art. At this point most people recognize Giger from the Alien stuff, but you might not know Foss by name. IF you are a fan of science fiction at all, you know his art. Seriously – I love his work and I have for years. Go and see it at his site, I’ll wait. Yeah, his space ships and Gieger’s alien bio-tech looking stuff together as concept art.

Then there was casting. Actors – or people that would be actors. Envision this group; David Carradine (from around the time of Kung Fu), Mick Jagger (when the Stones were at the height of their popularity), Orson Welles and Salvador Dali. Can you imagine the insanity?

Combine all of the ingredients listed, along with a few others, and mix until you have DUNE. Yup, that Dune.

That is why I started by talking about looking backward. Jodorowsky’s movie was never made, but here we are forty years later talking about it and everything that might have been. You recognize the names of people involved, but you might not have recognized them if not for this project. Things could have been very different if Giger didn’t make the connections he did during that process. It really is a fascinating documentary.

There have been a number of other pieces talking about it if you’re interested. From the NY Times to Boing Boing this has captured a lot of attention. I would say it’s definitely worth watching if you’re any kind of creative or at all interested in the possibilities of what might have been (like many fans of science fiction I know).

I’m also going to slide this last thought in here for fans of the written word. I read a book called Night Film. The plot involves a film maker that has an almost cult like following that would actually move in to his mansion during filming. This film makes me think it is only genre (science fiction not horror) that keeps Jodorowsky from being that character.

So – creators out there – watch this and get inspired. Go with your vision. Try. Make it happen. To paraphrase something a friend of mine said to me, “You can’t epic fail if you don’t plan big”.

It has even joined a meme.

It has even joined a meme.

The Last Witch Hunter + other movie news

I had the chance to go and see The Last Witch Hunter on opening day, so I took it. Headed to the theater early, got a great seat and started munching pop corn. IF you want to munch pop corn and have some cool visual stuff up on screen, this movie is good for that. Very visual – and I’m a visual person so it really worked for me. This movie is not deep, nor does it pretend to be anything other than what you’d expect. Vin Diesel really seems to be enjoying this role and all of the other things attached to the movie by extension. I liked it and I will likely grab the DVD when it comes out just to be able to go back over the scenes at the witch’s bar. Very, very cool stuff in there. I won’t spoil anything here – but there is a small twist. It didn’t have much set up and wasn’t particularly meaningful because it lacked set up, but it still gave a gratifying result. I’m forced to agree with Charlie Jane Anders – this will be a guilty pleasure film. Check out her review here.

One thing this movie did negatively impact for me was how I felt about a heavily produced role playing session that Vin filmed (along with others) – vaguely related to the film. Shocker, he plays a witch hunter character. I initially passed it along to friends, but the longer I go the less I like it. The “production value” is what really puts me off to it. It’s way too produced to make me think it’s anything other than a half hour movie commercial and I hate that because I know Vin is a role player and has noted many times in many places that he has a soft spot for Dungeons and Dragons. It’s a commercial. There, I said it. Why did they cut the scenes where there was out of character conversation? That’s where the real joy of playing can be found.

Now – IF Vin were to take his love for role playing and the seriousness and visual style of Last Witch Hunter and combine that into a Dungeons and Dragons movie I’d go see it. There are rumblings of another D&D movie out there, but those rumors do nothing but worry me. I want it to be done as seriously as Witch Hunter and not put comedians in key roles.

Continuing with the “other movie” stuff, I saw a report that said Johnny Depp is in talks to produce and star in a movie version of “Fortunately The Milk”. All I can say to that is PLEASE DON’T. Don’t get me wrong – I like Mr. Gaiman’s work. I love that story and have read it to my daughter a bunch of times. She loves it and reads it on her own these days. The problem I have here is that it’s a very short story. IF they had said they were making a half hour animated special then I would be thrilled. It’s just the right length for something like that. Put it on every year in September or something (the same way we get the Great Pumpkin around this time of year) and it would undoubtedly live forever. It’s just not enough for a feature length film. Doing that ventures into “Grinch” land and that mess with Jim Carrey still makes me mad.

Get some pop corn. Go see Last Witch Hunter!

last-witch-hunter-trailer-poster-vin-diesel

Storytelling

I really like this little film. It’s only about 6 minutes long but somehow I’m drawn in and interested. There are no words and it’s all in black and white. It’s not as deep or I’m not as connected as I was with Wall-e, but it’s the same idea. Story telling that is at the core something that will draw you in. What do you think?

The Last Goodbye

I will also check out more of the music from Pilotpriest.

Movies and movies and movies…

There have been a lot of times that I’ve complained about what Hollywood is doing with movies. Sometimes they do seem to get it right. It will show my age but I don’t care. Back in 1984 a number of movies hit theaters that set a standard for what an amazing list of movie going experiences should look like. That year Terminator, Karate Kid, Dune, Ghostbusters, The Adventures of Buckaroo Bonzai, Red Dawn, Repo Man, Gremlins, Conan the Destroyer, Indiana Jones and the Temple of… monkey brains (yeah, I know), Revenge of the Nerds and (just for fun) Romancing the Stone all crashed into my head and stuck there. That’s an iconic list.

Yesterday I watched a movie trailer for “The Little Prince” animated feature. It looked fantastic and I wanted to know when it was coming out. When I looked (July) I realized what an incredible year we might have on our hands this year. IF I were the age I was in 1984 again now I’m certain these movies, this year, would set the standard for the rest of my life.

Here are the movies I’m thinking of:

Avengers 2
Mad Max – Fury Road
Tomorrowland
Inside Out (Pixar!)
Ant Man
The Little Prince
Jurassic World
Fantastic Four
Terminator Genisys (yeah, I know)

Later this year we get the next 007 (Spectre) and then in December Star Wars.

Are they all “original”? No – hell, Terminator is still making the list with the same star. There are still issues with the way movie stories are selected and moved forward. I don’t want to see the new super action stunt oriented “Point Break” with new, younger stars and huge high flying stunts. There had to be something better to do with that budget. None the less, this year looks like it could really be something special. I only hope these films actually live up to the hype building around them. It seems a steep task, but what if that happened? I know my movie going budget for this year is already busted – I’ll be at the theater quite a lot.

What movies are you really excited about this year?

The Return of Addiction (Television)

Today is the day of “The Big Game”. I still don’t understand why I’m not allowed to call it what it actually is – but that’s a different topic. I’ll be watching this evening and I won’t be too worried about atmospheric interference. We have television again – and not just the intermittent broadcast signal. We’ve “spliced” the cut cable.

I know it’s not some great big announcement or anything beyond average really, but to me it IS a big deal. This month (February) would be the three year anniversary of cutting cable and essentially shutting off television. I had thought I’d never turn it back on and I was convinced enough to put it in writing when I missed the not-so-super bowl last year (Oscar Who?). That box in the corner really is an addiction and it was very, very easy to slip back into dangerous habits.

Why? That’s a good question.

At the end of last year I was laid off. Three and a half months (particularly through the holidays) is enough time to convince anyone that more dramatic cost cutting measures than those you already took need to be looked into. Just as these thoughts were crossing my mind I got a notice from the cable company that my rates would be going up again for my internet connection. I gave up TV, but I need the internet to hunt for work. Pay more for it while not having a job? Yeah, awesome… or NOT. I started to take notice of the competition that was constantly “knocking at my door” and wondering if I was interested in taking a look at what they had to offer. Well, if I could save money I was interested for sure.

Turns out the competition was willing to bend over backwards to get me on board. I got better net connection speed for just a little less each month PLUS they’d throw in two years of their television service including a year of premium channels, a year of Netflix service and a free tablet. It wasn’t really much of a choice. The old provider didn’t have a chance against that. They tried when I called them to shut things off, but it was a half hearted attempt. They knew they couldn’t compete.

The competition was also fast. They wanted me on their team ASAP. Just a few days after saying I’d make the deal they had a guy at the house hooking everything up the way I wanted it and making certain he did neat, clear, professional work. It was probably the smoothest transition I’ve had between companies for just about anything I’ve done.

And then, there it was. The remote control was just sitting there waiting for me to figure out where all my old channels were. If I couldn’t see what I wanted just then, there was ON DEMAND that allowed me to pick up a show whenever I wanted. It was easy. I just needed to sit down and fiddle with the buttons for a few minutes. Simple.

So, after almost three years away I’m connected again. I’m really not sure I feel good about it. I’ve certainly not been shy about watching things – but I think that’s part of the issue. There have already been a handful of times when I knew I should be working on something when I decided I would just take a spin through the on screen guide to see if there was anything on. I’d take a few minutes doing that, reading show notes and looking ahead in the schedule to see if I needed to be sure to be back in my seat for anything coming up. Then I’d see a re-run of a film I really liked or a show I’d heard about but not seen and I’d settle back and see what the hype was all about. Some hours later I’d realize I’d missed my chance to actually work on whatever project was now cold and without inspiration in the other room. I really can’t imagine how hard this is for a physical addiction. It certainly gives a certain amount of perspective.

Even as I sit here typing I can feel the siren call from the other room. Creating things is hard to do well and it takes all that time and practice and typing hurts your wrist and wouldn’t it be easier to just come to the couch and sit here? There’s not really anything on, but you never know you might find something, right? There are commercials for the upcoming commercials that should run in the big game and 86 and a half hours of pregame show and so many other things you need just the same way you need your net connection…

I’m hoping as the new-ness factor wears off that I’ll have better impulse control when it comes to watching things and how much time I allot for that. The combination of going back to work (the tired that goes with that) and the availability of ‘entertainment’ that asks nothing in return has been rough on my creativity. It’s not all bad. I have shared some shows with the family that were fun to watch. I’ve caught up on some genre movies I’d been meaning to watch. The key here is the perspective my time away has given me. The television isn’t that important. I can walk away any time (and likely will once the 2 free years are up). Until I walk away, I’ll just have to be sure my projects are getting top billing and avoid the ease of sitting on the couch and staring at nothing for hours on end.

I’ll let you know how all that works out… but probably not until after the game is over.

Spliced Cable

The Hobbit III or Are We There Yet?

Three films. Really? Yes, really.

I’ve talked about my thoughts on Peter Jackson’s Hobbit trilogy before. Since then my view has deflated like a balloon left long after the party has moved on, just hovering through the middle of the room never reaching the height it once attained and knowing it will end up on the floor, or worse in the end.

I had the opportunity to go and see the final installment, but was forced by schedule to go to see it in the dread 3D. I went, but I didn’t have high hopes. The middle film had moments but I just wasn’t certain the folks on Jackson’s team could pull off the mind numbing spectacular ending they would need to blow past the critics and wow the viewing audience. I hated the very idea of seeing this in 3D. In the end 3D didn’t detract from the film particularly but it didn’t add anything either. Save the money and see it flat if you see it in the theater. IF you see it in the theater. I was not moved by this film at all. The above mentioned mind numbing? It was administered in drawn out, wannabe heartfelt moments that lacked impact because they were so far removed from the rest of the movie. All the positive character development and relationship emphasis faded over the course of the year. What was left felt like… leftovers.

Smaug, the five minute preface to some other film? That’s what we got here. Yes, the special effects were magnificent but the impact was lost. The gap killed the dragon with certainty. Not the gap in his scales, the gap between his start as this amazing horror and his ignoble end. Time killed his power more than any black arrow.

Love and death can be heart wrenching, gut twisting and draw tears from the most stoic. Time and distance don’t kill love in the real world, but it flat out kills the impact of it in the movies. It was strained and made up and it didn’t work for me. I don’t begrudge Kili a love life, I just don’t want it in the movie. It took up space and watered down other relationships that could have had more impact. Think back on Two Towers when Gimli tells Eowyn that Aragorn has fallen in battle. The emotion there is a punch to the heart. If you’re going off the books, do it well or don’t do it at all!

Cross dressing jokes? Not in the film – save them for the gag reels. I’m not going to discuss these any more. This… this I blame Hollywood for.

I suspect that when all the film parts are watched together they will have a greater impact and the gaps that killed the theater going experience will be minimized. There will still need to be gaps – most humans will need a break somewhere in the eight hours or whatever it will be to see all the films at once.

IF you saw the other two parts in the theater, see the third one there too, but don’t rush. I’ll be interested to see how many box sets of this are created when all of the movie bits are finally released to DVD. If you’ve skipped the theater experience so far, definitely wait for all the parts to hit DVD and check them out in the comfort of your own home (with your own ability to pause for pee breaks!).

i09 says this: http://io9.com/everything-they-said-about-making-three-hobbit-movies-w-1671978013 and I agree.

Previews

The entire internet (at least anyone not out shopping on black Friday) seems to have lost its collective mind over something again. This time it’s a preview for the new Star Wars movie.

For most of my life I’ve loved previews. I always wanted to be in the theater early, seated with my popcorn and ready to see the future flicker to life before me. Previews would get you talking, help you make plans for your entertainment budget and help you believe in the magic of Hollywood. Maybe I’m the one that’s changed, but previews are not the same to me anymore.

I have reviewed and critiqued previews before. I’ve got more than one web page bookmarked that exist purely to show these previews on demand. There are archives of previews that can be reviewed and dissected at any time before or after the film itself has come out. They’re shown in high definition at your fingertips any time you’d like to see them. I stare at the screen today and feel that the magic is gone. It’s certainly not at the theater any more.

I went to the theater with my daughter to see Big Hero 6 just a couple of weeks ago. I’m so happy she’s interested in stories with heart and imagination. I’m glad she’s excited to see some of the same types of films I love. We sat there in the theater waiting for things to get rolling with popcorn and excitement. Then, right at the time the film was scheduled to start we were bombarded with 27 minutes of advertisements and previews before the movie we actually came to see started. That was one of the last few steps toward my dislike of previews. Almost a half an hour? That’s more than enough to test the patience of an adult, never mind a child. I heard one of the other children in attendance ‘whisper’ to his mother, “What are we watching?” Once we passed this barrage we moved on to a film that, while good, certainly had a couple of its best moments totally given away by the previews. The funny is lost when you’ve already seen it in the advertisements before the film.

So, the theater is no longer the haven of previews it once was but I should be selective and pick the ones I want to see here on my computer. That brings me back to the Star Wars preview out there today.

I watched it. IF the creative team wanted eyeballs on advertisement, they won. I had to see it. I was compelled by my childhood and driven by my devotion to the preview.

We got a few seconds of film, tied together with the music we know and love. Those few seconds spawned no fewer than a dozen shot by shot breakdowns that popped up on my news feeds. Screen captures, questions of symbology involved, cursing, begging and threats of nut kicking for failure. It’s not even dinner time yet – wait until the shoppers get home. True, there were no plot critical elements or ‘best moments’ from this film that were given away here. There was nothing beyond a handful of images here FOR A MOVIE THAT IS AT LEAST A YEAR AWAY. We’re not into December 2014 yet this ad is for a film due to release in December 2015 (IF everything stays on schedule and doesn’t end up getting pushed back like Jupiter Ascending – you know the one that was supposed to be out this past July?). A year away and we’re getting shot by shot take-downs form a few seconds of film?

I am not excited by this. I’m really not sure I’ll remain that interested. Star Wars is firmly planted in my childhood and was one of the formative influences of my life. This ad was more depressing than exciting to me. I can’t ignore it, but it’s difficult to care. I won’t see this film on opening day and have my doubts that I’ll even see it in the theater. The real choice maker on that one will be my daughter. IF she wants to see it in the theater, we’ll go. If we go to the theater, we might arrive in time for the ads to start and hope they run shorter than a half an hour. We might get seats and go for popcorn while the previews run.

Today was the day. I don’t like previews anymore.

SYFY is Back?

This was originally published in Watch The Skies for November 2014

“If I insult you, it’s probably because you deserved it.” Harlan Ellison

Disclaimer: I don’t have cable any more. More than two and a half years ago I got fed up with another rate increase. I had just taken my second paycut in an attempt to survive a floundering economy and things looked bleak. I was forced to take a long, hard look at what cable television programming had to offer me and that programming came up wanting. Choice made, cable cut. While the seperation was difficult, I believe much like dropping a dangerous addiction, I don’t miss it.

I have stated many times that I am a fan first and foremost when it comes to all things science fiction and fantasy. One of the things I enjoyed when I had cable was the channel where those things I loved could call home. Then came a number of very poor choices from that channel, not the least of those being professional wrestling. While professional wrestling is fiction of a sort it fails to meet the criteria for science fiction on every front. I spent a great deal of time bashing and despariging the network that once gave me a weekly dose of crumudgeon (and I still miss those rants). I was not alone.

While the channel carrying the name of my beloved genre was busy trying to shed the loyal fan base the entertainment, the core, the very shows that should have lived there dashed off to other channels where they met with wild success. There are now far more popular genre television shows on other channels as there are on the network that claims them, if only in title. There were a number of failed experiments in genre programs that I would have thought should have been on a channel dedicated to science fiction. It should have all been on a channel dedicated to science fiction. Reaching out and trying to attain something is vital. Own the subject, good, bad or indifferent. The channel didn’t, it ran and hid. It was, and is frustrating. The experiments, the thought provoking stories wrapped around circumstances not of this world were popping up anyplace other than “home”.

Giving credit where credit is due, the channel I have often compared to a sexually transmitted disease now seems to be owning the error of their ways. A recent article published by EW gives some insight into how things will work going forward and gets the new head of original programming Bill McGoldrick to answer some of these criticisms. The article is full of hope and positive, forward thinking statements.

“I think now it’s about giving our audience some fresh stuff.” Mr. McGoldrick said. He gave out some thoughts on where the channel has been and where he sees things going. I’m intrigued by what he has to say. I like the idea that the channel dedicated to science fiction will be heading back to outer space. The mini series Ascension looks like it could be absolutely fascinating. The other thing it is? Most importantly it’s not like other things that are on right now. The things that do the best, the ones that get the highest ratings or score the biggest returns are the things that give a story that’s different than what’s out there. I don’t want another procedural. I want compelling story telling.

They talk a good talk, but can they walk that good walk or are they just walking dead? I look forward to finding out.

http://insidetv.ew.com/2014/10/28/syfy/ The EW article is worth the read.

Old News?

On the off chance that I catch a reader here that isn’t connected to me via Watch The Skies where I posted this originally – how original is Hollywood?

Hollywood is unoriginal. Shocking to hear I’m sure. Somebody’s gone and done a study to try to back that up. I linked it below, but I question how the whole thing is broken down, grouped and quantified. I’m not opposed to a movie based on a book (or comic) if it’s something that hasn’t been done 3 times before (rebooting Spiderman again anyone?). I’ve got something all written up and ready to take on SyFy for this month’s Watch The Skies Fanzine, but I saw this and thought I’d see what others had to say on the subject a little ahead of this month’s meeting…

Study

War and Art

Being part of the military is an intense experience. Despite the time I served being less than 4 years in total, and never in an active combat zone, the things I witnessed and the things I did have affected me in ways that have lasted more than twenty years. I have some sad and some funny anecdotes from the various exercises, training missions and trips over seas. These stories go along with a handful of items, the artifacts and photos of that time in my life. These things bring memories and emotions along with them each time they come out of storage.

Memories when attached to pictures and small objects have a startling clarity. Even with clarity and a deep imagination, I fail to grasp the depth and connection of what the soldiers who served as part of the 23rd Headquarters Special Troops from WWII have when they look at their art.
I am behind the times catching up with the documentary showing the amazing work these artists, these engineers, these soldiers did under the undiluted pressure of the Nazi war machine. Knowing the load of stuff any soldier is asked to carry these true artists were also certain to have pen or pencil and paper with them too. Sketching the war, but also crafting an amazing deception.

If you are an artist and you think from time to time, “I just can’t work under these conditions” or “well, this would be a better picture if I had the right tools” you should definitely take a peek at these inspirational artists. Imagine this quote, “…we were sleeping in hedgerows and foxholes, but nothing kept us away from going someplace to do a watercolor…” They certainly worked under conditions most artists wouldn’t. Being a soldier and being an artist are not mutually exclusive pursuits.

Take the opportunity to catch the film The Ghost Army, I highly recommend it.

Other Links:

PBS

The Atlantic