This was previously published in Watch The Skies fanzine – November 2020
As we wrap up our final fanzine of 2020 I wanted to move away from some of the things I have been recommending lately that definitely skew younger and generally more positive. Saying you ‘should’ be watching this one will be considered a stretch by more than a few folks.
The Titan is a cerebral science fiction film that appeared under the radar back in 2018. Starring Sam Worthington, Taylor Schilling and Tom Wilkinson. The film, set in the relatively near future of 2048, is the story of scientific research to save the human race by expanding into space. Normally when you see this theme it involves either finding a Goldilocks planet (and getting there) or going to a distant planet and changing it to meet our physical needs. This film does neither of those things, but rather comes at the problem of adaptability by attempting to change the biological function of the people going to the planet.
The characters in the film are all forced to look at and deal with what physical adaptation means, how that effects many of the aspects of life and how to change their lives here before departing the planet. There are a number of times where one could draw comparisons to somebody like Frankenstein attempting to manipulate the core of what makes us live. There are also a number of questions about what actually makes us human. Do humans have to breath oxygen? Are you still human if you can’t speak? If you can’t see the way others do? If you can’t remember the people you love?
The movie is not action based. The characters are diverse. The special effects and body prosthetics toward the end of the film are very well done. Yes, there are a number of plot holes and unanswered questions when we get to the end of the film. I can’t say that this was one of the best films I’ve seen, but it certainly meets the criteria of giving a lot of things to talk about. If you have access to Netflix, you should be watching The Titan.
This was previously published in Watch The Skies fanzine – October 2020
It’s October and ‘spooky’ season is here. This year is looking like it’s going to play out differently than years past. I suspect there will be a greater number of folks than normal staying in and looking for some entertainment that matches the spirit of the season.
I happily recommend the horror / comedy Vampires vs. the Bronx. This movie is the story of three friends living in a neighborhood that is rapidly changing. They’re faced with routine challenges of daily life combined with the encroachment of a corporation that is trying to buy out all the business and people they know. The heroes are attempting to save the local shop they’ve grown up in from being pushed out. While canvasing for an upcoming party they discover the truth – vampires are behind the big business and need to be stopped!
The story is a fun romp. The villains are clearly the villains, the hero is clearly the hero. The issues kids deal with are part of the story as well. It’s nice to see a horror story that doesn’t immediately discount the use of cell phones and their place in our current society. It is reminiscent of Stranger Things, but on a lighter, shorter story arc. There is danger not just from the vampires, but also from day to day life. If you’ve got a tween or an early teen this is definitely a film that should be checked out for the Halloween season.
This article was originally published in Watch The Skies fanzine – September 2020
I gave sincere consideration to putting the Netflix movie Project Power in here this month. It seemed like pandering to me. Diversity is extremely important. Representation in science fiction, fantasy and comic book based stories matters. Project Power is a great science fiction action movie – go watch it – but it’s not what I’m going to emphasize today. Today we talk about the Spanish movie Unknown Origins.
Unknown Origins is the story of a detective who must find a serial killer. The serial killer is recreating comic book origin stories as his murder scenes. The detective’s best hope in cracking the case comes from the nerdy comic book loving son of a fellow officer. It’s part buddy cop film and part love letter to comics and cosplay. As the story unfolds we get to dig deeper in to the lives and relationships that drive each of the people involved in this case while trying to solve the mystery.
This movie has a lot of very fun moments in it. I’m not going to give any specific examples as I don’t want to give any of the best lines away – and there are a couple of very good lines in there. It’s not a long movie, clocking in just around an hour and a half, but it packs a lot of stuff into a very short time. The creators have a few bits that land in the area of stereotype, but then they knock the edges off of them and give a few touching moments in the film. It definitely has a viewpoint that could be called ‘defensive’ as far as comics and cosplay goes.
The mystery itself is very, very well written. I thought I had it all figured out and was completely wrong. I had used some of the clues laid out in the movie, but I didn’t pick the right ones. I asked my wife to tell me her theory as soon as she thought she had it figured out. She used a different set of clues that were laid out in the background and came up with an incorrect answer as well. I have seen at least one other review out there that said they’d figured out the mystery right away, essentially as soon as they saw that one character. Perhaps I need to watch more mysteries, but to me it was refreshing to have a mystery that kept us guessing right up to the big reveal.
I recommend watching this movie in the original Spanish with subtitles. I watched the trailer with English dub and it just lost something in the translation. I also recommend hanging around until the very end. There’s a post credits scene, just as there is with any good comic book film!
No, I’m not going to the beach. No, I’m not going to the desert either. I really don’t like that kind of heat and I definitely don’t like that much sand. I’ve been to the desert before. I don’t like it. “It’s a dry heat…” is the common refrain. Yes, so is my oven. I don’t want to climb in there either.
This is about the latest film adaptation of Dune for the big screen.
I know that many folks won’t remember so I’m going to start off with pair of links. Around five years ago I found this film that was all about the version of Dune that never got made. I wrote up a bit about it, but have since reconsidered certain aspects of my stance on that film. It is worth knowing the story of the first attempt to get this movie made because a lot of other films rose from the ashes of that attempt. I posted it here.
Second, I wrote about how loaded 1984 was in terms of movies. I was fourteen that year and it was absolutely the sweet spot for movies for me. There were easily a dozen movies that have had a lasting cultural impact. We’ve got access to a huge number of these films still and a number of the franchises are still going. I wrote it up here, and on that list was a little film called Dune. And they’re making it again.
So, here we are in 2020 (the year of suck) and there’s another version of the movie being made. I get it, Dune is a huge, sweeping story with lots of space (see what I did there, space… ok, I’ll stop) for story telling and interpretation. There is at least one, perhaps two generations of people that have not seen the 1984 adaptation and that’s a lot of money to leave out there. Computer graphics have rocketed forward (… I… I clearly can’t help myself) and give a huge number of options that were certainly not available when the earlier film was made. There are reasons why somebody would want to make another version of Dune.
This relates to another conversation that I’ve had off and on with other fans as well. When you come to something, either film or book, in your life’s journey really matters. I’m not going to attempt to argue for never recreating a film nor will I argue against mining the same thing over again. There are a handful of instances where the version of something I really like is actually a remake of something much older that I didn’t know existed. I don’t like the original as much as the remake version that was the first one I saw, “my” version. It happens.
I wish they’d spend the money on something new. Yes, I know there are all those fans that haven’t seen the old one in a theater. I’m not sure banking on those fans to go to the theater is such safe money these days. It seems like those days of red carpet premieres might be gone for good. Who knows?
I showed the trailer for the new movie to my daughter and one of her friends. I wanted the opinion of young fans. My daughter was aware of the older version (though she told me that she definitely didn’t ‘hang around’ while I was watching it) and her friend had never seen nor heard of the story at all. My wife watched along with us, then I asked for opinions.
“Well, they’ve got money. They’ve got some very famous actors in there.”
“It’s so dark. Why can’t we see any of what’s going on. It needs to be brighter.”
and lastly, from my wife, “I’ll have to see what they do with it. I like the old one, but it wasn’t nearly what the book was. I should pick that one up again and see what in my memory is the book and what has crept in there from the movie”.
I explained to the kids that they’d had money for the old one too. They seemed impressed that that “old guy” from that super old band The Police had been in the movie too. They didn’t really recognize any of the other folks, but they got the idea. Then I ran the video that I’m going to link below. The reactions amounted to, “OK, we see what you’re saying”.
My biggest issue with a remake is just that – it’s going back and using the same recipe. It’s going to have to work extra hard to be fresh and worthy. Things like how horribly dark all the movies are these days (a fad I hope) aren’t substantial changes and are decidedly not good. It’s not just my ‘old eyes’ either. One of the kids asked why she couldn’t see anything on the screen. that kind of dark just doesn’t help the aesthetic at all. It’s a desert planet – the sunlight might make it, I don’t know, super bright? Just a thought.
I was happy to find that somebody had made a video cut using bits of the old movie version and putting them up side by side with the new version. This film person has a host of side by side cuts like that posted to his channel. I think looking at the side by side will show in terms far better than I am able to string together by way of text what bothers me about remakes. Not only have I seen it, but there are in fact parts of the “update” that are not necessarily better. Check it out for yourself and see what I mean:
What do you think? See the new one? Stick with the old one? Watch them both and compare them at length?
10a is in reference to my top ten list of sword and sorcery movies that I posted back in (checks notes… wow, that long ago?) June. I listed sword and sorcery movies that are my favorites. I was, and am, happy with this list.
As things go on the internet, more than one person declared that I was somehow “wrong”. I’m still not sure how I can be wrong about what *my* favorites are, but there you have that. It was also pointed out that a significant number of my choices were from the 80s. By significant they meant 80%. The other two on the list were even older (50s and 60s).
Have there been NO sword and sorcery films since the 80s that are worthy?
It’s a complicated question. Being that the list is MY favorites, uh, no. Simple answer. The simple answer is not always the best answer though. It’s been something that’s rattled around in all that empty space at the back of my noggin since the question was asked. I’ve started to look for, look at, and consider other fantasy movies and have found two others that I rather enjoy. They don’t crack the top ten but I’ve found worthy sword and sorcery is out there.
Prince of Persia: The Sands of Time
Seventh Son (2014) is the story of the seventh son of a seventh son who is recruited in the battle against the queen of all evil witches and her minions. Julianne Moore plays the queen of witches, Mother Malkin. Jeff Bridges plays the professional monster hunter Master Gregory. There are a couple of small plot twists in here that I won’t give away. It’s a challenge to say more about the plot after that… it’s a little thin. It is however filled with shape shifting monsters, sword and staff fights and magical spells. The computer generated effects don’t generally get in the way of the movie. All in all, fun to watch (and up on Netflix at the time of this writing).
Prince of Persia: The Sands of Time (2010) is the story of a rogue boy taken from the streets and brought into the life of a prince by the man who becomes his father (the king). This prince must then unravel the mystery of who is behind the threat to his adopted father’s kingdom and stop the villain before he unwittingly destroys the world. There’s not a ton of magic in this movie, but the magic is central to the plot. Jake Gyllenhall plays the parkour prince really well and having Ben Kingsley as part of the cast is always a giant plus in my book. It is a movie inspired by a video game (and at one time held the world record for most expensive film in that category) but don’t let that be a knock against it. It was a well done movie that is not overwhelmingly stuck in the psuedo-European model of swords and sorcery (and available on Disney+ at the time of this post).
I’m going to continue to hunt for good sword and sorcery films. I do love that genre so. Are there any you think are worthy that I’ve completely neglected?
This post could have also been titled, The past, exclusion, anachronism and genre. It’s a conversation that has come up more than once with others and in more than one context, so I thought I’d try to lay out some thoughts to get them in order here.
The past and exclusion:
I’ve been involved in genre stuff for a long time. OK, a long time for me but not long enough for others. Even as somebody who’s supposed to be the perfect person to ‘fit in’ at 50, straight and white, I find that I still don’t fit within certain groups in the science fiction landscape. This came up again after the most recent Hugo ceremony where a famous author apparently made a speech that excluded wide swaths of folks and made a bunch more feel angry about how it was all presented. The term “microaggression” came up. For that I defer to somebody much more in the know – an author I would recommend you read when you get a chance! See his post about said microaggressions here.
That feeling, that nagging tiny comment that seems to slide off the chosen group but digs directly into your subconscious is something I deal with frequently. That probably sounds a bit odd, but it’s true. I often feel as though I’m just outside “the group” or that I’m part of the group in question, but only in my particular slice of it and don’t get into where everyone else is.
The microaggression part is in reference to science fiction authors. It is an odd club and one that has for a long time had some twisted form of gatekeeper. This is not the only place where I’ve felt as if I am the outsider. Running conventions has always been on that list too. Fandom in general if I’m being honest about it. That’s where the anachronism part comes in.
Anachronism:
There are a lot of times when I think I have landed just a decade or two later than I was supposed to. I seem to be interested in things that were really big, but really big in the past (recent or otherwise). The fanzine is an example of that. In the 70s and 80s the fanzine held a vital place in the genre landscape. Connections were made, thoughts were shared, and in some cases careers were launched. I’ve helped out with a fanzine for two decades now, but find that ours started about two decades too late for that “control group”. Even when I have reached out to those groups I’ve gotten no reply. WE were here long ago ~ you “newbie” are unwelcome here. It’s rarely said directly, but the feeling is certainly there. It’s something that truly bothers me about a genre that’s supposed to be so progressive (hint – it’s totally NOT).
That lead to another discussion about older works in science fiction. Do you really need to read the works of the people given grand master status? Should you pick up and push through something that was written thirty years before you were born? Maybe. Maybe not. Does your familiarity with these works, chosen by folks that believe they control who’s in and who’s out, matter? Other authors have taken on this topic and put forth decent opinions about it. I tend to like this take on the subject, but I don’t think it fully expresses where I am.
Genre:
I frequently enjoy any number of those old works. Reading the words of Ray Bradbury were amazing to me when I was a kid. He was truly gifted. His prose is smooth, evocative and moving. Sneaking out of the house to go to the local carnival is not a thing that any child I know today will relate to. Tattoos are not seen in quite the same context as when “Illustrated Man” was written. I like to dig into the history and see where so many amazing ideas came from. It gives context to so many things, as any study of history will… but that’s just it, they’re history. They are not entirely irrelevant, but their relevance is limited. Do they have the tug of nostalgia or the faint whiff of ‘this was big‘, of course they do. They were big and important or nobody would remember them. Movie makers have dug into many of those old works and adapted them to great success. None of them have had the cultural impact of a certain boy wizard, but even his influence has already started to change and fade. Things grow and change. It happens.
It has happened with gaming. My dearest lifetime hobby has undergone a vast change in the forty years that I have been playing it. Dungeons and Dragons is not what it used to be. Guess what? It shouldn’t be! If it had been static all this time it would have been relegated to the dust bin a long time ago. It has grown and changed and become something that looks a lot like what I have always loved, but is something new. Should I scoff or brush away people that don’t remember what it was like to have to poke chits out of a piece of cardboard because polyhedral dice were not a thing when I started? They haven’t “paid their dues” … that’s an amazing amount of bullshit all in a few simple words. Thing is, it’s an easy feeling to get. It’s easy to be resentful of people that didn’t go through challenges and to be protective of what you endured pain for.
The simplest answer is no. Whatever my feelings about genre fiction or role playing games might be, they should never be a limiting factor of how others enjoy them. Being the curmudgeonly old bastard yelling about kids and lawns is the fastest way to ensure that what you love dies. IF you’re driving people away from your hobby because they “don’t fit in”, first check your bias and privilege and second, you’re directly complicit in said death. Science fiction is supposed to be about the future. Fantasy gaming is supposed to involve your imagination and dreams. If you can’t see the future or evoke your imagination and are mired in the past, perhaps it’s best if you step aside. The best response, as far as I can tell, when somebody likes something new and shiny (that is entirely a remake of something from way back when particularly) is to say something like, “Oh, really? If you like that, I bet you’ll love this…”. The most important part of that whole statement being a welcoming and social attitude. Helping folks find more of what they love by aiming them at the things you’ve found that you love can be a fantastic way to make a personal connection and the absolute best way to get what you love to live on for a long time to come. I want science fiction and role playing games to be around for a long time to come. I hope I can share some history with you as we go.
This post was originally published in Watch The Skies fanzine – August 2020
Great artwork for the apocalypse!
Kipo and the Age of Wonderbeasts.
I will admit that hearing a statistics type description for this show might make it sound unappealing. It’s an animation with a Y-7 rating, meaning it’s generally aimed at an audience of ten year old kids. That does not tell the story at all.
Kipo and the Age of Wonderbeasts is a Dreamworks production that currently has two seasons on Netflix. It is the story of Kipo and her adventures in a post apocalyptic world. Humans do not dominate here as they did some two hundred years ago – they are now the bottom of the food chain and have moved into underground ‘burrows’ to survive. On the surface of the world mutations have created outlandishly over-sized plant life and many powerful ‘mute’ factions. If you want to survive in the world you’ve got to stay on your toes. You’ll need to deal with all manner of mutes roaming around and staking out territory. The world is a dangerous place for humans.
Kipo’s adventure begins when she finds herself suddenly outside of her burrow. She begins to wander the surface world and has to deal with a knowledge loving wolf pack, timber cats that love pancakes, giant two headed flamingos, mod frogs, scooter skunks, deathstalkers and of course a giant six armed monkey. That really just scratches the surface of the weird. Kipo is also musically inclined. There are a number of episodes that contain songs, musical inspirations for characters and (yes, sadly) even Karaoke. Eventually Kipo teams up with a number of other surface folks to help her along her journey as she attempts to find her way back home.
This show is light, fun and relentlessly positive. Each episode clocks in under a half an hour so it’s also a great show to squeeze in when you might not otherwise get to sit and watch something. It is genuinely the sort of show that feels like a perfect fit for the current times. Grab some popcorn and turn this show on when you want to smile!
This post was originally published in Watch The Skies fanzine – July 2020
Netflix has been dominating in the production and release of new works. It has recently released two comic adaptations, and I am going to recommend one of them. Warrior Nun was released at the beginning of July and it has committed the most egregious of transgressions. It just stops. You invest, you watch, you reach the 10th episode and it just stops. There is no ending and there is no part two. Netflix as a network churns shows at a massive rate and even reasonably successful shows never get more episodes made. I can’t in good conscience recommend Warrior Nun. Instead, I can and will say that you should invest two hours and watch the movie The Old Guard.
The movie tells part of the story of Andromache the Scythian (Andy), an immortal warrior and the other immortal warriors that make up her small team. These warriors join various battles across time working toward some unknown, unclear goal. They fight, sometimes they are killed and every time they survive to move on to another battle in another place at another time. There is no competition between them, there is a connection and a drive to find others. They may not understand the goal, but they do understand the battles. The film itself takes place in modern times. A new immortal warrior is found and the team sets out to fight a new, modern battle.
The movie is self contained. The story, the clips of history, character motivations and action all fit neatly into the allotted time. The acting, the action and the emotion is all extremely well done. The writer of the comic was also the writer that adapted the story for the screen. I believe that genuinely helped make this tight package successful. The actors were all fantastic. Fair warning for those that don’t like action / violence / fighting – there’s a lot of it in this movie. They are after all warriors. Fighting is what they do, and they are very good at it.
Another part of what makes this story work is that we buy in on what the characters are feeling. They are numb to the violence that surrounds them, but they’re all still searching. Living for hundreds and hundreds of years has not dulled the need for them to connect. They have each other, but connections to others slip away as people age and die while the warriors stay as they have always been. Pain and loss are constant companions. Searching for family and a place to fit with others gives this decidedly action flick enough depth to keep non-action fans on board.
The movie isn’t perfect, but it’s easily worth the time to watch it. Yes, there is a set up at the end for more but you can be satisfied with the ending as it stands. I hope the film is successful enough that they decide to produce more. I would love to see the old guard in action again. This is definitely a movie you should be watching.
This post was originally published in Watch The Skies fanzine – June 2020
You Should Be Watching OR more precisely, you should watch again.
Netflix has recently made the Nickelodeon show Avatar – The Last Airbender available for viewing. Airbender is an animated series following the journey of Aang, the last of the air nomads as he travels a world where adepts have the ability to change the elements around them using a form of martial arts known as bending. Aang is the Avatar, a person who has the ability to blend all forms of bending (earth, water, air and fire) together. His quest? Save the world.
I originally watched the show with my daughter when it first aired back around 2008. As soon as the show became available we grabbed it up on DVD so we could revisit it when we wanted to. As happens with many discs, the show languished for us at the back of a dusty shelf. We did revisit an episode now and again, but less frequently than we might have. Since the show has popped up on Netflix we sat down and re-watched the entire series in order. It might be more than a decade old, but the show holds up.
This show is one of those rare animated series that combines so many parts that anyone in the family can enjoy it. The world building shows a fantasy world with a number of cultures. There are matters of daily life, holidays, politics and any other sort of thing you’d expect in a world. It’s a place that feels lived in. The characters are as varied as the cultures they visit. Diversity is on display without making a big deal about said diversity. Characters with physical differences and abilities were not treated as if they were somehow lacking, it was the spirit that mattered. As the heroes journeyed through three seasons of shows they dealt with corruption of those in power, sexism, love, loss vulnerability and the use of true power. Heroes can make mistakes. Villains can redeem themselves. Mistakes can be forgiven. I will even say that the ending was one of the most satisfying I’ve watched for any series.
If you’ve seen Avatar, it’s worth a re-watch. If you haven’t seen it you should seek it out.
“I’m not looking for anyone’s approval, I know who I am…” Toph Bei Fong (aka The Blind Bandit)
Like so many people I’ve spent a lot of time with YouTube (and many over streaming services) lately. Along the way I bumped into a list video. These videos are not uncommon. Most of the time I can either enjoy or ignore them. One caught my attention – the top ten sword and sorcery movies list.
This particular list made it difficult to tell if they were in a particular order or not. I chose to believe they were in random, jumble order. If they weren’t, it only made the list more challenging for me. I could only agree with a handful of them. As I thought about it I tried to assemble my own list and realized I needed to narrow down what I meant by sword and sorcery and then what my own top ten would be.
Sword and sorcery is a sub-genre of general fantasy films. They are mythic adventures involving a great deal of action and supernatural or magical entities. They can (and often do) involve romance, but it is not always the case. The story could be a world saving adventure but doesn’t have to be. It can just as easily be a single hero’s journey to achieve some goal.
That definition puts epic scale fantasy in a different category. I love the Lord of the Rings series but I would call that epic fantasy rather than sword and sorcery. I think Narnia falls into the epic category as well, though that one is also clearly a portal fantasy. It also eliminates a really wonderful movie – The 13th Warrior (1999) from contention. While it has swords and action it is very short on sorcery. There is the barest hint of prophecy at one point, but it’s really just a great adventure movie set in the time of the Vikings.
In narrowing the field I found it made the choices here much more clear. My list starts at number 10 and works up to my favorite. It’s entirely possible that this list shifts over time. I haven’t seen a lot of great sword and sorcery coming out recently, but there’s always the chance that something new will jump in here too. The list:
#10 The Sword and the Sorcerer (1982) This is a pure nostalgia pick. The story of a mercenary with a triple bladed sword who is recruited to help stop a tyrant and his sorcerer, this was the very first R rated movie I ever went to the theater to see. It’s a bit dark at times, a bit cringy at times, and I don’t think it holds up well, but it makes the list.
#9 Sword of the Valiant (1984) This movie does not get the credit it deserves. Sean Connery, John Rhys-Davies, Ronald Lacey and Peter Cushing are all in this movie. I’m genuinely shocked more people are not on board with it. The story is of Sir Gawain accepting the challenge of the the Green Knight and the journey he takes to meet that challenge. I am actually looking to pick this one up on DVD to add to the collection. It shocked me that I don’t already have it.
#8 The Beastmaster (1982) I went back and rewatched this one recently. The story of a warrior who could communicate with animals – an ability that those in power tried to eliminate from the world. He and his animal companions set out to track down his father’s killer and take revenge. There are a lot of parts that are very cringe worthy given today’s view of things. I still put this one in the top ten.
#7 Willow (1988) This movie is just a lot of fun. It is the heart of what I think a sword and sorcery film can be. A villager who would be a wizard sets off on a quest to return a lost child ends up protecting her from an evil queen. This wizrad is joined by the great warrior Mad Mardigan – a masterful swordsman with a delightful mercenary streak. I really enjoy this one.
#6 Excalibur (1981) A wonderful film version of the Arthurian legend. It’s soooo shiny! The sword work is all over the place and Merlin is just as nutty and dangerous as you would imagine. One of my favorite versions of this tale.
#5 Jason and the Argonauts (1963) My only real inclusion of the Greek mythos in this list. I clearly remember watching this one on Saturday afternoon television as a kid. The story telling is solid and the special effects are from the one and only Ray Harryhausen. Stop motion battles at an amazing level. Harpys, skeletons, a hydra… just fantastic stuff that is still watchable today.
#4 The 7th Voyage of Sinbad (1958) Everything I said for the previous entry applies here as well. The fantasy aspects combined with pirates racing to save a princess from a sorcerer who has holed up on an island filled with monsters. Just as with Jason – still totally watchable all these years later. Harryhausen’s stop motion is magic.
#3 Legend (1985) I love the visuals of this movie. I love the soundtrack(s) from this movie. I love the villain in this movie SO much. Legend is the story of a young man who must stop the Lord of Darkness from destroying the last unicorns and ending daylight forever. It is a legend.
#2 Ladyhawke (1985) Significantly more romance than most of my top picks, this is the story of a thief who is rescued by a warrior after escaping from a dungeon. The thief becomes involved with the warrior and his plan to destroy the bishop in the city the thief just escaped from. IF the bishop can not be faced, the warrior will lose his love forever. Some anachronistic parts, but still great sword and sorcery.
#1 Conan the Barbarian (1982) Conan must take the top spot here. The Arnold Schwarzenegger portrayal of Robert E. Howard’s iconic hero is hands down my favorite. It has everything. War, cultists, magic, partying, stealing and vengeance. It is violent and grim. It had one of the first villains that gave me something to measure other villains against. When James Earl Jones plays the cult leader Thulsa Doom and says, “now they will know why they fear the night…” it gives you shivers.
That’s the list. My top ten. Do you agree? Is the order all wrong? Are there any that are missing?
