I spent my evening at the monthly meeting of my local science fiction (and fantasy) fan/reading group tonight. We’re about to wrap up our 26th? year. We’ve been at it a long time. One of the things we’ve been doing during that time is creating a monthly fanzine.
There was a time when I was very bitter that we were clearly eligible for winning a Hugo award in the fanzine category and could never gain any traction, even with our own members. That eventually slid into disappointment more than bitterness, and then into happiness that we weren’t tied to scandals and terrible nonsense.
These days, we keep creating the fanzine because it’s a small thing that brings us joy. A few dozen ‘subscribers’ and a way to get some relatable content out to our friends. Yes, we’re still eligible to win a Hugo but I’m no longer certain it’s a thing we would want.
Jeff dug up some physical copies of old covers. For many years we had an actual, printed paper copy to hand out live and in person to anyone showing up for the meeting. These old pages showed me a variety of the kind of artwork I’ve done over the years. A lot of what I saw here was cringeworthy. Some of them I like to this day.
I don’t post as much about my art here these days in part because there’s less of it than there used to be. I just don’t have the same amount of time I did before. There are so many things to do in this world that sometimes I lose track and don’t create as much art as I’d like. Even the cringey stuff. Gotta break some eggs and all that.
I suggest doing art. Create something. Save it if you like OR give it to somebody. Someday it might come back to you so you can see how far you have come.
This is one of those posts where I put it here, on my site so that when anyone questions it I can say definitively that I own it.
The weekend before Thanksgiving I headed to Cherry Hill (yes, the Philadelphia con is in NJ) for the annual science fiction convention put on by the Philadelphia Science Fiction Society. I’ve gone to Philcon for many years, and have been invited to be on panels for many years as well. This convention is the home of a couple of the most legendary convention stories, including defend the pizza, and Yes – I realize that was 9 years ago.
Blame to me. I glanced at the convention requirements, but I did NOT read them as thoroughly as I should have. I see this now, I saw it then. It still didn’t make me at all happy. You see, the convention, as a private organization, can make any requirements it sees fit for entry into their event. They did. They required a Covid vaccination update that fell within certain parameters. IF you were just vaccinated back in ’22, that wasn’t good enough. You’d need a PCR negative test if you didn’t have a booster dated this year (basically).
They’re not wrong. *I* am the danger vector. Since the CDC declared an end to the public health emergency back in May, and even before then, I have been traveling for work. I’ve been from Georgia to Oregon. In 0 of the places I’ve been since May has anyone asked for proof of vaccination, let alone very specific versions of the vaccine. I haven’t even seen a mask in months. Don’t get me wrong, I’m not out there trying to catch anything, I just haven’t given things much more thought than basic precautions. I even still keep my CDC card with me. Proof of vax, even if I don’t really need it anymore. Except now I did, and it wasn’t good enough.
Imagine my shock when the convention staff told me I wasn’t allowed in.
I’d booked a hotel, I’d made the drive, I’d set up things for the panels I was going to speak on and even ordered (and pre-paid for) a t-shirt for the first time in years. Nope, you’ll have to go away.
Once I got past my initial shock, I was actually angry at this rule. Again, not their fault I didn’t know, and I know that. I was as much stunned they made the rule more than anything. It was excessive, at least to my way of thinking. I shared my opinion with a friend and he suggested I just go to the local pharmacy and get tested. Excellent plan.
I drove to a local Walgreens and headed to the pharmacy counter. The worker there kindly explained that a PCR test required lab work and there was no way I was getting that at this hour on a Friday night. I looked around, trying to figure out what to do with my rapidly building level of frustration. As I looked around, I realized there was almost nobody in the store. I looked back at the girl behind the desk and said, “What are you doing right now?” She was taken aback so I added, “You’ve got boosters, right? I want one.”
So, 15 minutes later I had a shot in the arm and a newly signed and dated entry on my CDC vaccination card. I drove back to the hotel, parked the car and headed back to the check in desk. I plunked the card down on the desk and asked for my entry badge. The very same person who refused me before glanced at the card, saw the date that ended with ’23, smiled and welcomed me.
That’s the part that really bothered me later. It was the same person that felt it was so important to turn me away previously. It looked like I met their rules, so they were happy and welcoming. The part I’m glad she missed was that I had literally been gone for about a half an hour and still didn’t meet the requirements for entry. You see, those shots technically require a 2 week time period to become effective… and the rules said that too. A shot in the arm that day didn’t actually help anyone in the immediate time frame. They could have just as easily turned me away again…
I’m glad they didn’t. Laying out the money for the trip was a doable thing, but not for absolutely no return and no access to what I came there for. What it did was cement in my mind that this convention wants to never change, and if that means dying then so be it. In my personal experience over the past decade the attendance, the panel variety, the guest list and many other aspects have been dwindling. This year I was shocked at the lack of people. I’ve said the crowd was thinning before, but I saw so few people there I didn’t believe the attendance was more than about 200. It was dismal. The panel list was smaller, the guest list was smaller and the principle speaker wasn’t able to attend (last minute illness). Part of me can’t help but wonder if the policy had a bigger hand in that dip in attendees than just the rumors I heard. Yes, I know of at least 2 guests that said they weren’t coming back based on the rule. If I know of two, how many more were there? How many attendees just didn’t bother? What was there to draw them in?
The hotel hasn’t changed in all that time either. Admittedly, they’re working on remodeling the place, but I think this photo was symbolic of my weekend.
Worn, broken and barely hanging on. That’s it. That’s what I got from the weekend and even after waiting a week to get past the immediacy of my feelings, the impression has not improved. If anything, it’s gotten worse.
My panels, and my fellow panelists, were good. There were never more than ten people in any panel I was on (or that I attended), but the people that were there still held some enthusiasm. I was able to connect with a couple of con attendees, so that was great. I got to see my friends and may have even weaseled my way into a couple of short story anthologies for next year.
Still owning the fact that it was my screw up in not practicing what I preach and failing to read the fine print, this year just left a bad aftertaste. This wasn’t a good con. I had witnessed struggles in an indirect way with this con before, but I went with the benefit of the doubt. I wasn’t there in person to witness the challenges, so I could just try to keep things going. Not so much anymore. I’m glad I made the connections I did. I’m glad I saw my friends again, but I’m going to have to wait until next year rolls around to decide if I’m actually going to attend Philcon again. Ever.
We’re closing in on the end of the 23rd year of the fan group Watch The Skies. It’s been an amazing run and I genuinely hope it rolls at least another 23 years or more.
We still publish a fanzine each month and I still get the opportunity to make cover art for the various issues. The August book we were discussing was called Paradox Hotel. I liked the visual concept of various versions of the hotel being slightly out of focus with each other. A blurry filter over the camera lens. I pulled together some images and set to work. Here’s the cover for the August issue:
Doing this a little differently than I have in the past. Much more a “as it happens” thing ~ or as close to that as I get. I’m writing this while in the middle of day 2 at the con. We’ll see how it all shakes out (and if I actually get back to this before I have to go all the way home).
Getting to the con from home was a challenge. There are 0 things the con can do about travel distance or traffic challenges, but it was certainly part of my experience. the 3.5 hour drive that was supposed to get me here took about 5 when I finally got here and got checked in. That was… not ideal. It was a difficult way to start.
Once I was actually here, at the venue, I discovered their wayfinding / signage to be lacking. Getting around here is not an easy thing when you’ve never been here before. There are actually 3 buildings containing various aspects of the convention and NONE of that is clear from the entry drive or signage from the parking area(s). I realize that wayfinding signs are part of my day job / professional life, but it makes such a huge difference to a persons experience. Bad signs meant it was hard to find the hotel registration. Then it was hard to figure out the right parking area / path to my room in the building next door. THEN I had to go and figure out con registration in the third building.
I figured it out, but by the time I got through all that I was just beat. I was done, I just didn’t know it yet.
I grabbed the person I’m rooming with and grabbed a bite to eat at a local sub shop, then came back to find 0 parking spaces available at the hotel lot near my room. Very frustrating.
I headed off to a panel that said it was about role playing informing your writing. What I got from the panel was a lengthy discussion about story telling informing your gaming. NOT the sort of panel that overwhelmed me and filled me with a desire to go and do more.
In the end, I decided that I was well and truly exhausted from the combination of a long work week and a miserable drive. I turned in early… missing out on the kind of fun you find at cons, like light up ice cubes for your party drinks!
Hopefully day 02 will bring more and better things…
This was originally published in Watch The Skies April 2023 edition.
In another dystopian future entry, the Korean film Jung_e presents some very real questions about what developing A.I. means and presents a picture of how that can effect the people most closely related to any project connected to that development.
The earth has warmed, the waters have risen. Humans have moved off the earth to various space platforms. Three of these platforms band together and declare war on the other platforms. In an attempt to create a winning edge, the allied forces take an elite soldier and attempt to clone her brain. This cloning is intended to create a soldier with all the skills, subtlety and loyalty of the original soldier in an easily replicated way. These clones will turn the tide and win the war for the allies. The experiments continue to run into an unknown obstacle, frustrating their attempts to complete this new A.I. soldier.
There are a number of pieces that are drawn into the film. I see a little bit of Robocop in there. I see a little bit of Ex Machina. There’s a touch of Ghost In The Shell. These are the things I see mixing and swirling around the story of the soldier and the doctor working on creating this new brand of soldier. It brings up a number of questions, but doesn’t necessarily answer them. This is a movie worth watching for the discussions it will give you after watching, along with a couple of very exciting action sequences. You should be watching Jung_E.
This was originally published in Watch The Skies March 2023 edition.
The main character
I didn’t go looking for this show, but then when I found it I was in. I don’t find shows about deadly plagues nearly as interesting these days, but this show managed to bring me in.
Hot Skull is a dystopian story involving a new, terrifying pandemic called ‘Jabber’. It’s called this because the first symptom is the victim speaking gibberish. This pandemic has caused panic and an authoritarian agency has taken control, herding people into various locked communities and using armed troops to enforce curfews and quarantines. The antagonist is a man named Murat who struggles against this agency, as he seems to be immune to the effects of the disease. Everyone wears noise canceling headphones and eye each other with suspicion while out in public.
The story is dark. The characters are very real. There aren’t Hollywood stereotypes at play here… this is a Turkish language series. Yes, subtitles but worth it. Looking at a pandemic from a non-American point of view is just one aspect of this show that makes it worth the effort.
This was originally published in Watch The Skies February 2023 edition.
The main characters
Lockwood & Co. was a complete surprise. It was not a show that was on my radar, and I knew nothing about it when I started watching. I sat down with the family and we watched almost the whole season in a single sitting. Yes – the show caught us and we binged it.
Lockwood & Co. is a supernatural detective thriller story set in an alternate world where ghosts have come back to this world and can kill those still living. The only ones able to detect the ghosts are the youthful members of society who have some kind of psychic abilities. These kids are lined up at various agencies that investigate and remove ghosts. Lockwood & Co. are one of the newest of these agencies, and we follow psychic Lucy Carlyle as she joins up with this company.
The show has a great, quick pace. The characters are fun and believable as people. The chemistry among the lead actors is fantastic. You like them and you’re rooting for them right away. Through various ups and downs the first season is tight and clean. Be warned – the end of many episodes are the sort of cliff hangers that demand you watch the next episode right away. This is definitely one you should be watching.
I’ve been loosely tracking the mess that has become the open gaming license (OGL) that has been cascading across nerdland over the past 3 weeks. It’s been an emotional ride, and a painful one for many creators out there. I’m going to transfer a part of a social media conversation over here – because I want what I said to live here, where I can get it when I want it. Social media platforms come and go.
My original post:
There’s a lot to keep up with in this ongoing saga, but I think this quote, and the headline says a lot,
“This is a community that literally invented the term “rules lawyer.” WotC simply didn’t realize how literally that would be taken.”
Even this is a bit complicit and extremely naïve, given the repeated attempts a corporate gaslighting. It is also hilariously behind the times, as it has not incorporated their latest retraction and attempted capitulation (which is -still- a half measure, for those who are savvy to the issues).
With each compromise “attempt,” WotC have left something out, and it’s been pretty obvious to those of us invested in this fight. That’s what the author is hilariously and flagrantly blind to, which showcases them as a Corpo stooge, and thus part of the problem.
The notion of these companies (outside of WotC) working together, despite being “market competitors” with differing systems, and ORC being a system agnostic license seems to escape them.
The part I wanted to have here:
Couple of thoughts here –
“behind the times” could be me. I have posted this later than the instant gratification time table. While I am a creator, I am not constantly on here. While it’s important to stay up to date on things, immediate response is not for all. Thoughtful consideration matters, and that can take time.
The various stages of WotC’s flailing response were not the intent of this article (as I see it). The author is attempting to express something ingrained in my own point of view ~ corporations are not your friend, and they never will be. You are a resource to them and given the chance they will strip mine everything they can from you. The fact that the author works for a large corporation making them part of the problem is one opinion… but I think name calling is counterproductive.
One thing I take from this whole, ugly slap of pit fighting for cash is that there is a much, much larger community out there than ever before. Having lost friends as part of the satanic panic (being directly told this is why we can’t be friends – go away) it’s more important to me that we recognize the golden age we live in and work harder to be inclusive. We have more now than ever before – revel in it.
Systems will come and go. Companies will come and go. Communicating and finding new (and profitable) ways to do things will be the constant. Be aware of what corporations are up to, pay attention. Be thoughtful and considerate – and support the creators you know. The best thing we have is each other.
MORE TO FOLLOW
Social media is a tricky thing to manage. I’m sure this conversation will continue, but as I time shift a significant amount of my work, it will take time. Stick with the things you love. Find something that will last a lifetime and create! I look forward to seeing what we all make.
This was originally published in Watch The Skies January 2023 edition.
The film makers captured ‘bleak’ very, very well.
This month is much more in line with what many people traditionally think of as science fiction. The movie The Colony on Netflix is a far future dystopian film. It’s grey and gritty. The action starts right away.
In the distant future, the elite of earth flee a dying planet, making a new home on a distant planet. This new home proves to have road blocks to humans continuing to create more humans, so a mission is sent back to earth to determine if having the colonists return is viable or not. The previous mission has not communicated back. This is the second mission, and it struggles right from the start.
The movie has a little bit of the Mad Max feeling with marauders and technology scrapped together from the past. It also has a little bit of Water World with everything being effected by a sea level that has risen enough to make everything wet and endangered by the tide. The futuristic space technology gives our hero a little bit of an edge, but she is outnumbered and spends a significant part of the movie struggling just to survive.
I think that struggle is the part that wins me over. This is not a macho, blow things up kind of survival. It’s a thought provoking, yet action packed movie with diverse concepts and problems that require the characters thought and reason, rather than simple actions. This is definitely one you should be watching.
This was originally published in the Watch The Skies November issue.
I’m doing two things with this recommendation that I wouldn’t normally do. First, I’ve not finished all of the episodes of the show in question. Second, it’s a little bit of genre mixing but there’s enough quasi Lovecraft in what I’ve seen to make me thing readers here might be interested. What am I talking about? Guillermo Del Toro’s Cabinet of Curiosities on Netflix.
To the first point, having watched the first two of the eight episodes, I feel confident in my recommendation. There is a bit of a Twilight Zone vibe as each story has an introduction at the physical representation of the cabinet. The stories have been well written and paced for a shorter time frame, with episodes averaging around an hour (the shortest being 38 minutes, the longest at 1 hour and 3 minutes). The special effects are well done, in that they don’t detract from the story. I think that says a lot in the day and age where the computer is leaned on so heavily for effects that it can have a negative impact on the story telling. Beyond the actual effects is the aesthetic of it all. This show is appealing on the strictly visual level. The details are not lost in this show.
To the second point, it’s the little details. Giant rats, summoned demons, and statues of great Cthulhu (in a blink and you miss it moment) are among the things that lead me to genre mix here. There is nothing expressly or specifically “science fiction” in this show, but there is a lot of the fantastic and I think that’s worth taking a look at.
I intend to follow through and finish all the episodes. I think you should be watching it too!
