Author Archives: Eric

Dunes

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No, I’m not going to the beach. No, I’m not going to the desert either. I really don’t like that kind of heat and I definitely don’t like that much sand. I’ve been to the desert before. I don’t like it. “It’s a dry heat…” is the common refrain. Yes, so is my oven. I don’t want to climb in there either.

This is about the latest film adaptation of Dune for the big screen.

I know that many folks won’t remember so I’m going to start off with pair of links. Around five years ago I found this film that was all about the version of Dune that never got made. I wrote up a bit about it, but have since reconsidered certain aspects of my stance on that film. It is worth knowing the story of the first attempt to get this movie made because a lot of other films rose from the ashes of that attempt. I posted it here.

Second, I wrote about how loaded 1984 was in terms of movies. I was fourteen that year and it was absolutely the sweet spot for movies for me. There were easily a dozen movies that have had a lasting cultural impact. We’ve got access to a huge number of these films still and a number of the franchises are still going. I wrote it up here, and on that list was a little film called Dune. And they’re making it again.

So, here we are in 2020 (the year of suck) and there’s another version of the movie being made. I get it, Dune is a huge, sweeping story with lots of space (see what I did there, space… ok, I’ll stop) for story telling and interpretation. There is at least one, perhaps two generations of people that have not seen the 1984 adaptation and that’s a lot of money to leave out there. Computer graphics have rocketed forward (… I… I clearly can’t help myself) and give a huge number of options that were certainly not available when the earlier film was made. There are reasons why somebody would want to make another version of Dune.

This relates to another conversation that I’ve had off and on with other fans as well. When you come to something, either film or book, in your life’s journey really matters. I’m not going to attempt to argue for never recreating a film nor will I argue against mining the same thing over again. There are a handful of instances where the version of something I really like is actually a remake of something much older that I didn’t know existed. I don’t like the original as much as the remake version that was the first one I saw, “my” version. It happens.

I wish they’d spend the money on something new. Yes, I know there are all those fans that haven’t seen the old one in a theater. I’m not sure banking on those fans to go to the theater is such safe money these days. It seems like those days of red carpet premieres might be gone for good. Who knows?

I showed the trailer for the new movie to my daughter and one of her friends. I wanted the opinion of young fans. My daughter was aware of the older version (though she told me that she definitely didn’t ‘hang around’ while I was watching it) and her friend had never seen nor heard of the story at all. My wife watched along with us, then I asked for opinions.

“Well, they’ve got money. They’ve got some very famous actors in there.”

“It’s so dark. Why can’t we see any of what’s going on. It needs to be brighter.”

and lastly, from my wife, “I’ll have to see what they do with it. I like the old one, but it wasn’t nearly what the book was. I should pick that one up again and see what in my memory is the book and what has crept in there from the movie”.

I explained to the kids that they’d had money for the old one too. They seemed impressed that that “old guy” from that super old band The Police had been in the movie too. They didn’t really recognize any of the other folks, but they got the idea. Then I ran the video that I’m going to link below. The reactions amounted to, “OK, we see what you’re saying”.

My biggest issue with a remake is just that – it’s going back and using the same recipe. It’s going to have to work extra hard to be fresh and worthy. Things like how horribly dark all the movies are these days (a fad I hope) aren’t substantial changes and are decidedly not good. It’s not just my ‘old eyes’ either. One of the kids asked why she couldn’t see anything on the screen. that kind of dark just doesn’t help the aesthetic at all. It’s a desert planet – the sunlight might make it, I don’t know, super bright? Just a thought.

I was happy to find that somebody had made a video cut using bits of the old movie version and putting them up side by side with the new version. This film person has a host of side by side cuts like that posted to his channel. I think looking at the side by side will show in terms far better than I am able to string together by way of text what bothers me about remakes. Not only have I seen it, but there are in fact parts of the “update” that are not necessarily better. Check it out for yourself and see what I mean:

What do you think? See the new one? Stick with the old one? Watch them both and compare them at length?

Attack of Opportunity

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Because so many of you have heard me lament all the free time I have on my hands (Ha!) I went and got into something else.

My buddy Jon has a YouTube channel and produces a show about Dungeons and Dragons called “Attacks of Opportunity”. Guess who he was kind enough to allow to be a guest on the show?

That’s right – I’m stepping out of my comfort zone and speaking very publicly about my lifetime hobby. I’m a gamer and have been for a long time. Dungeons and Dragons has been my game of choice as long as I can remember. I even remember talking my grandfather into playing at some point when I was a kid. I had passion.

Turns out, I still have that passion it has just been tempered over the years.

I’m really glad that I got the chance to be part of the production. It was a tough subject to start with (as mentioned in the video) but it was one that frequently needs attention. I have a lot of ideas on stuff to talk about when it comes to gaming and D&D particularly. I’m hoping to have a chance to be part of the channel again.

Here’s the video:

What sort of topic would you like to talk about? Is there a question that’s been hanging around out there that you wanted somebody to address? I’d like to hear it!

Wild Card

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Wild Cards by George R.R. Martin

My rating: 3 of 5 stars

I had heard a lot about this series and really wanted to get into it and find out what it’s all about. I suspect that my timing could have been better. Reading about a virus that kills thousands in the middle of a global pandemic did not help me finish this book quickly.

The story takes place in an alternate history. Right at the end of WWII an alien virus is released on the population of earth. The virus is sweeping and can’t be escaped. Most of the people caught by the virus die. Those that don’t have their DNA rewritten to give them powers of some degree OR really mess them up. The entire “naming” is based around cards. IF you get a super power, you’re an ace. Get a crippling disability and you’re a joker. There’s no real escape – this changes the world.

I think that last bit was what made this so difficult to read right now. The world of 2020 is changing based on a pandemic. Reading about McCarthyism, Un-American Activities committees, pain, suffering, prejudice, riots… all in the context of this altered history felt like it paralleled the news to a very scary degree. Yes, the stories are fiction BUT the actions and reactions of the people in the stories felt all to real.

This is a shared world anthology. There were a number of really interesting stories – and all were really well done – that all worked with the world and the characters in that setting. I was glad to be able to read authors that I might not have found otherwise. Make no mistake, this book has a lot of grim, dirty and dark mixed in with the alternate history.

I’m on the fence about wanting to see this world / setting / series of characters adapted for the screen. I’ve heard that it’s in process, but I think there are other options that have already done it, maybe better? As for the series of stories – I’m interested enough that I’ll probably start to dig up some of the other books. IF you’re a fan of alternate history, or sort-of super heroes you might just be into this book. I’m glad I read it.



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Cubed

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I took on another beginner project today. The tabletop crafting has hold of me and the only method to get away is to actually take on a project and make something. It felt really good to actually start and finish a project. Yes, it was small, but that’s OK. Starting small and learning as you go is how things are supposed to work. Today, I made a version of the Dungeons and Dragons monster the Gelatinous Cube. The monster is essentially a ten foot cube of monster goo that sweeps dungeon corridors and occasionally eats player characters.

It’s a beginner project because it doesn’t require a lot of parts or skill. More skill than I have in order to avoid hurting yourself apparently, but more on that in a minute.

I grabbed an old sheet protector from a three ring binder that had been laying around here collecting dust for far too long. I trimmed out a 6” x 6” section of the plastic. I still have the other side of the sheet protector set aside so if I choose to make this project again I can use that… although I might look for a better solution. Many tutorials say to use “plastic” but they’re not super specific about what that plastic actually is. I think if I try this method again I might want to use plastic that is a little bit heavier. I considered trying to glue together some acrylic picture frame parts to make a cube, but at 1/8” thick it was way too much. It just wouldn’t give the same feel.

Plus

I tried to mark out the shape I needed to cut on the plastic with a marker. It didn’t work well at all. I couldn’t get the ink to stay on the plastic. The idea is to have 2” x 2” sides and a 2” square top. Cutting 2” squares out of the corners of the 6” square should give a “plus” shaped form. Then, where the edges of the 2” top would be, score the plastic but don’t cut through it to help with getting an accurate bend. I couldn’t get the ink marks to stay. It was frustrating. In the end I mostly eyeballed the whole thing. I grabbed my metal straight edge and my xacto knife and got to cutting.

Once the “plus” shape was cut out of the 6” square I laid it flat on my work surface… and that was my next error. I should have put parchment paper under the plastic first. Parchment paper would have kept my project cleaner, would not have picked up the tiny pattern that is actually in the cutting board and would have helped me get the glue to peel away much easier than I did.

Plus with glue

So, adding glue. The errors just kept adding up here. I used the high temp glue gun and I don’t think I needed to. It warped the plastic a little when I was first laying out glue. That’s OK because this monster isn’t supposed to be gelatinous and not a Quadrone (that’s right – a reference to the Modrons from Monster Manual 2 – I’m old). Still, the glue came out hot and fast and I am not practiced at hot glue sculpting yet. There’s an art to using the hot tip of the glue gun to make the glue look the way you want it to. Also, the key word in “hot glue gun” seems to be *hot*. I blistered my thumb when the glue slid off the cube and onto me. I was unhappy. There may have been swearing.

Ow. Blister.

Then came the part that I somehow failed to grasp when thinking about the project. Patience. This would have been a significantly better project if I’d had some patience and didn’t try to rush things. One of my favorite comedy routines has a character named Ed Grubberman. I quote Ed all the time, “Yeah, yeah, yeah, patience… how long does that take?” That’s right before a painful lesson too. Perhaps I should have paid more attention.

I tried to put my own little spin on this project by adding some “floating gold” on the inside. That’s something that is shown in one of the old pictures of this monster. In terms of sweeping up in the dungeon there are frequently bits of things that haven’t been completely dissolved yet. I used some large cut glitter on the inside. It was not quite the effect I wanted. The glue did not dry clear, so it’s hard to see. I may try another after my thumb heals a little ~ but I’ve seen another version of this that uses resin. I am definitely not up to resin yet.

I took this picture with one of my miniatures to give this some scale and context.

Cube size

I will certainly use this when the chance arrives and I can torment some of my players. In the end, I’m actually pretty happy with the end result. I’ll take those lessons learned and take on my next project. Hopefully with less injuries in the process.

What projects have you finished lately?

10a.

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I’ve never been particularly good at indexing.

10a is in reference to my top ten list of sword and sorcery movies that I posted back in (checks notes… wow, that long ago?) June. I listed sword and sorcery movies that are my favorites. I was, and am, happy with this list.

As things go on the internet, more than one person declared that I was somehow “wrong”. I’m still not sure how I can be wrong about what *my* favorites are, but there you have that. It was also pointed out that a significant number of my choices were from the 80s. By significant they meant 80%. The other two on the list were even older (50s and 60s).

Have there been NO sword and sorcery films since the 80s that are worthy?

It’s a complicated question. Being that the list is MY favorites, uh, no. Simple answer. The simple answer is not always the best answer though. It’s been something that’s rattled around in all that empty space at the back of my noggin since the question was asked. I’ve started to look for, look at, and consider other fantasy movies and have found two others that I rather enjoy. They don’t crack the top ten but I’ve found worthy sword and sorcery is out there.

Prince of Persia: The Sands of Time

Seventh Son (2014) is the story of the seventh son of a seventh son who is recruited in the battle against the queen of all evil witches and her minions. Julianne Moore plays the queen of witches, Mother Malkin. Jeff Bridges plays the professional monster hunter Master Gregory. There are a couple of small plot twists in here that I won’t give away. It’s a challenge to say more about the plot after that… it’s a little thin. It is however filled with shape shifting monsters, sword and staff fights and magical spells. The computer generated effects don’t generally get in the way of the movie. All in all, fun to watch (and up on Netflix at the time of this writing).

Prince of Persia: The Sands of Time (2010) is the story of a rogue boy taken from the streets and brought into the life of a prince by the man who becomes his father (the king). This prince must then unravel the mystery of who is behind the threat to his adopted father’s kingdom and stop the villain before he unwittingly destroys the world. There’s not a ton of magic in this movie, but the magic is central to the plot. Jake Gyllenhall plays the parkour prince really well and having Ben Kingsley as part of the cast is always a giant plus in my book. It is a movie inspired by a video game (and at one time held the world record for most expensive film in that category) but don’t let that be a knock against it. It was a well done movie that is not overwhelmingly stuck in the psuedo-European model of swords and sorcery (and available on Disney+ at the time of this post).

I’m going to continue to hunt for good sword and sorcery films. I do love that genre so. Are there any you think are worthy that I’ve completely neglected?

It’s how old?

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This post could have also been titled, The past, exclusion, anachronism and genre. It’s a conversation that has come up more than once with others and in more than one context, so I thought I’d try to lay out some thoughts to get them in order here.

The past and exclusion:

I’ve been involved in genre stuff for a long time. OK, a long time for me but not long enough for others. Even as somebody who’s supposed to be the perfect person to ‘fit in’ at 50, straight and white, I find that I still don’t fit within certain groups in the science fiction landscape. This came up again after the most recent Hugo ceremony where a famous author apparently made a speech that excluded wide swaths of folks and made a bunch more feel angry about how it was all presented. The term “microaggression” came up. For that I defer to somebody much more in the know – an author I would recommend you read when you get a chance! See his post about said microaggressions here.

That feeling, that nagging tiny comment that seems to slide off the chosen group but digs directly into your subconscious is something I deal with frequently. That probably sounds a bit odd, but it’s true. I often feel as though I’m just outside “the group” or that I’m part of the group in question, but only in my particular slice of it and don’t get into where everyone else is.

The microaggression part is in reference to science fiction authors. It is an odd club and one that has for a long time had some twisted form of gatekeeper. This is not the only place where I’ve felt as if I am the outsider. Running conventions has always been on that list too. Fandom in general if I’m being honest about it. That’s where the anachronism part comes in.

Anachronism:

There are a lot of times when I think I have landed just a decade or two later than I was supposed to. I seem to be interested in things that were really big, but really big in the past (recent or otherwise). The fanzine is an example of that. In the 70s and 80s the fanzine held a vital place in the genre landscape. Connections were made, thoughts were shared, and in some cases careers were launched. I’ve helped out with a fanzine for two decades now, but find that ours started about two decades too late for that “control group”. Even when I have reached out to those groups I’ve gotten no reply. WE were here long ago ~ you “newbie” are unwelcome here. It’s rarely said directly, but the feeling is certainly there. It’s something that truly bothers me about a genre that’s supposed to be so progressive (hint – it’s totally NOT).

That lead to another discussion about older works in science fiction. Do you really need to read the works of the people given grand master status? Should you pick up and push through something that was written thirty years before you were born? Maybe. Maybe not. Does your familiarity with these works, chosen by folks that believe they control who’s in and who’s out, matter? Other authors have taken on this topic and put forth decent opinions about it. I tend to like this take on the subject, but I don’t think it fully expresses where I am.

Genre:

I frequently enjoy any number of those old works. Reading the words of Ray Bradbury were amazing to me when I was a kid. He was truly gifted. His prose is smooth, evocative and moving. Sneaking out of the house to go to the local carnival is not a thing that any child I know today will relate to. Tattoos are not seen in quite the same context as when “Illustrated Man” was written. I like to dig into the history and see where so many amazing ideas came from. It gives context to so many things, as any study of history will… but that’s just it, they’re history. They are not entirely irrelevant, but their relevance is limited. Do they have the tug of nostalgia or the faint whiff of ‘this was big‘, of course they do. They were big and important or nobody would remember them. Movie makers have dug into many of those old works and adapted them to great success. None of them have had the cultural impact of a certain boy wizard, but even his influence has already started to change and fade. Things grow and change. It happens.

It has happened with gaming. My dearest lifetime hobby has undergone a vast change in the forty years that I have been playing it. Dungeons and Dragons is not what it used to be. Guess what? It shouldn’t be! If it had been static all this time it would have been relegated to the dust bin a long time ago. It has grown and changed and become something that looks a lot like what I have always loved, but is something new. Should I scoff or brush away people that don’t remember what it was like to have to poke chits out of a piece of cardboard because polyhedral dice were not a thing when I started? They haven’t “paid their dues” … that’s an amazing amount of bullshit all in a few simple words. Thing is, it’s an easy feeling to get. It’s easy to be resentful of people that didn’t go through challenges and to be protective of what you endured pain for.

The simplest answer is no. Whatever my feelings about genre fiction or role playing games might be, they should never be a limiting factor of how others enjoy them. Being the curmudgeonly old bastard yelling about kids and lawns is the fastest way to ensure that what you love dies. IF you’re driving people away from your hobby because they “don’t fit in”, first check your bias and privilege and second, you’re directly complicit in said death. Science fiction is supposed to be about the future. Fantasy gaming is supposed to involve your imagination and dreams. If you can’t see the future or evoke your imagination and are mired in the past, perhaps it’s best if you step aside. The best response, as far as I can tell, when somebody likes something new and shiny (that is entirely a remake of something from way back when particularly) is to say something like, “Oh, really? If you like that, I bet you’ll love this…”. The most important part of that whole statement being a welcoming and social attitude. Helping folks find more of what they love by aiming them at the things you’ve found that you love can be a fantastic way to make a personal connection and the absolute best way to get what you love to live on for a long time to come. I want science fiction and role playing games to be around for a long time to come. I hope I can share some history with you as we go.

It’s a Party!

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A Dungeon Party!

Dungeon Party by John Gastil

My rating: 4 of 5 stars


This is a special disclaimer, even as disclaimers go.

I got to hear this book as read by the author. It’s a fantastic way to experience a book. You get all the tidbits, almost like a “DVD commentary” for the work. IF you have a chance to hear a reading, go do that.

That aside, what about the book you say?

The start of the book is startling in it’s clarity. The question in my mind as it was being read was, “when did this happen to you?”. It was that kind of clear and shocking. Really, really strong start. Once you’re in ~ you’re going along for the whole journey.

What bothered me about it? It took me a while to really get to the heart of what it was that bugged me. I finally figured it out. This story put me in a mindset similar to the story of “Mazes and Monsters”. I will say that’s strong writing BUT that’s also something that came up again and again during the dark ages of my youth and the Satanic panic of the 80s. It’s a totally unfair thing for the author, but that’s where it stuck in and suffered (in my mind at least) for it.

For you? Oh, for you ~ go out and buy this book. It’s a fun ride!



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Miniatures and Crafting

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In my author bio one of the things I list is that I am an old school gamer. Along with being an artist (loose, but relatively true). Those two things actually collide in the crafting and miniature painting realm. Because I’m not busy enough.

In all seriousness, Dungeons and Dragons has been a love of mine for a very long time. I play when I can. I world build, I run games, create adventures and… once upon a time I painted miniatures and built terrain to play on. It’s a fantastic creative outlet and doubles up as something to add to my game sessions. It’s also fantastic practice for other kinds of art. the miniatures have always inspired flights of imagination for me.

I’ve started getting back into this. When I was painting miniatures before it was a deeply solitary thing. I found a few others locally that were painting as well, but we never connected really. I didn’t reach an extreme level with my painting, but some of them were pretty nice. I even started trying to build my own layouts and sculpt some things on my own.

The module with the monster description in it!
Modeling clay and glitter (because glitter = magic, right?)

I hope to add these projects to the blog here as part of my art. Plans, progress and all the stuff that I do when I’m not actively working on a writing project. I gave a moment of consideration to making this some kind of video compilation, but I am not a video editor. I am at heart an analog kind of guy. I believe that writing and pictures will do what I want to convey the process of the art I create. So – I’ll share progress here as the work takes shape.

I have a list of projects (shocking, I know) and (even more shocking) I have a plan for a major project. I have a diorama that I want to create as a gift to a dear friend. It’s going to be a massive learning curve for me. Hopefully you’ll enjoy the ride.

I jumped back into things today. Not some massive art project or novel length writing, just something simple. I had this box laying around from when I got a new set of headphones. I didn’t want to just throw it away. It’s a hard board and has magnets as the closure. It’s quite nice for simple packaging. I decided that I would spray paint over the product information and use this excellent sturdy box as a backdrop for taking individual pictures of my miniatures work. It works ~ that’s what the mud men are standing on / in. Easy peasy for a first project, right?

First lesson – wear your painting gear even if “it’s just a quick little thing” and avoid ruining a shirt.

Second lesson – look at the weather report. Your paint will run if you have to move it / hang it up before it’s dry because it starts to rain (spray painting is not an indoor sport).

It really is a cool box. I’m totally NOT a hoarder… totally.

In the end, I mostly succeeded. I have a painted box to use as a back drop and a single, starting project under my belt.

Do you have anything you’re working on?

You Should Be Watching

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This post was originally published in Watch The Skies fanzine – August 2020

Great artwork for the apocalypse!

Kipo and the Age of Wonderbeasts.


I will admit that hearing a statistics type description for this show might make it sound unappealing. It’s an animation with a Y-7 rating, meaning it’s generally aimed at an audience of ten year old kids. That does not tell the story at all.

Kipo and the Age of Wonderbeasts is a Dreamworks production that currently has two seasons on Netflix. It is the story of Kipo and her adventures in a post apocalyptic world. Humans do not dominate here as they did some two hundred years ago – they are now the bottom of the food chain and have moved into underground ‘burrows’ to survive. On the surface of the world mutations have created outlandishly over-sized plant life and many powerful ‘mute’ factions. If you want to survive in the world you’ve got to stay on your toes. You’ll need to deal with all manner of mutes roaming around and staking out territory. The world is a dangerous place for humans.

Kipo’s adventure begins when she finds herself suddenly outside of her burrow. She begins to wander the surface world and has to deal with a knowledge loving wolf pack, timber cats that love pancakes, giant two headed flamingos, mod frogs, scooter skunks, deathstalkers and of course a giant six armed monkey. That really just scratches the surface of the weird. Kipo is also musically inclined. There are a number of episodes that contain songs, musical inspirations for characters and (yes, sadly) even Karaoke. Eventually Kipo teams up with a number of other surface folks to help her along her journey as she attempts to find her way back home.

This show is light, fun and relentlessly positive. Each episode clocks in under a half an hour so it’s also a great show to squeeze in when you might not otherwise get to sit and watch something. It is genuinely the sort of show that feels like a perfect fit for the current times. Grab some popcorn and turn this show on when you want to smile!

Flash Prompt – Unstoppable

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Transfiguration (2020) from Universal Everything on Vimeo.

He would not stop.

Most thought it was rage. Some thought it was pure spite and malice.

He was coming. He would not stop.

They tried the physical to no avail. They called in all the wizards they could find. They cast, the chanted, they threw magic. There was fire. There was acid, there was stone. There was anything and everything until pure chaos was the result.

He would not stop.

They cajoled, they pleaded. They wailed and moaned.

He would not stop. He could not stop. It was not rage or spite or malice at all. It was love and it drove him onward.