I had heard a lot about this series and really wanted to get into it and find out what it’s all about. I suspect that my timing could have been better. Reading about a virus that kills thousands in the middle of a global pandemic did not help me finish this book quickly.
The story takes place in an alternate history. Right at the end of WWII an alien virus is released on the population of earth. The virus is sweeping and can’t be escaped. Most of the people caught by the virus die. Those that don’t have their DNA rewritten to give them powers of some degree OR really mess them up. The entire “naming” is based around cards. IF you get a super power, you’re an ace. Get a crippling disability and you’re a joker. There’s no real escape – this changes the world.
I think that last bit was what made this so difficult to read right now. The world of 2020 is changing based on a pandemic. Reading about McCarthyism, Un-American Activities committees, pain, suffering, prejudice, riots… all in the context of this altered history felt like it paralleled the news to a very scary degree. Yes, the stories are fiction BUT the actions and reactions of the people in the stories felt all to real.
This is a shared world anthology. There were a number of really interesting stories – and all were really well done – that all worked with the world and the characters in that setting. I was glad to be able to read authors that I might not have found otherwise. Make no mistake, this book has a lot of grim, dirty and dark mixed in with the alternate history.
I’m on the fence about wanting to see this world / setting / series of characters adapted for the screen. I’ve heard that it’s in process, but I think there are other options that have already done it, maybe better? As for the series of stories – I’m interested enough that I’ll probably start to dig up some of the other books. IF you’re a fan of alternate history, or sort-of super heroes you might just be into this book. I’m glad I read it.
I took on another beginner project today. The tabletop crafting has hold of me and the only method to get away is to actually take on a project and make something. It felt really good to actually start and finish a project. Yes, it was small, but that’s OK. Starting small and learning as you go is how things are supposed to work. Today, I made a version of the Dungeons and Dragons monster the Gelatinous Cube. The monster is essentially a ten foot cube of monster goo that sweeps dungeon corridors and occasionally eats player characters.
It’s a beginner project because it doesn’t require a lot of parts or skill. More skill than I have in order to avoid hurting yourself apparently, but more on that in a minute.
I grabbed an old sheet protector from a three ring binder that had been laying around here collecting dust for far too long. I trimmed out a 6” x 6” section of the plastic. I still have the other side of the sheet protector set aside so if I choose to make this project again I can use that… although I might look for a better solution. Many tutorials say to use “plastic” but they’re not super specific about what that plastic actually is. I think if I try this method again I might want to use plastic that is a little bit heavier. I considered trying to glue together some acrylic picture frame parts to make a cube, but at 1/8” thick it was way too much. It just wouldn’t give the same feel.
Plus
I tried to mark out the shape I needed to cut on the plastic with a marker. It didn’t work well at all. I couldn’t get the ink to stay on the plastic. The idea is to have 2” x 2” sides and a 2” square top. Cutting 2” squares out of the corners of the 6” square should give a “plus” shaped form. Then, where the edges of the 2” top would be, score the plastic but don’t cut through it to help with getting an accurate bend. I couldn’t get the ink marks to stay. It was frustrating. In the end I mostly eyeballed the whole thing. I grabbed my metal straight edge and my xacto knife and got to cutting.
Once the “plus” shape was cut out of the 6” square I laid it flat on my work surface… and that was my next error. I should have put parchment paper under the plastic first. Parchment paper would have kept my project cleaner, would not have picked up the tiny pattern that is actually in the cutting board and would have helped me get the glue to peel away much easier than I did.
Plus with glue
So, adding glue. The errors just kept adding up here. I used the high temp glue gun and I don’t think I needed to. It warped the plastic a little when I was first laying out glue. That’s OK because this monster isn’t supposed to be gelatinous and not a Quadrone (that’s right – a reference to the Modrons from Monster Manual 2 – I’m old). Still, the glue came out hot and fast and I am not practiced at hot glue sculpting yet. There’s an art to using the hot tip of the glue gun to make the glue look the way you want it to. Also, the key word in “hot glue gun” seems to be *hot*. I blistered my thumb when the glue slid off the cube and onto me. I was unhappy. There may have been swearing.
Ow. Blister.
Then came the part that I somehow failed to grasp when thinking about the project. Patience. This would have been a significantly better project if I’d had some patience and didn’t try to rush things. One of my favorite comedy routines has a character named Ed Grubberman. I quote Ed all the time, “Yeah, yeah, yeah, patience… how long does that take?” That’s right before a painful lesson too. Perhaps I should have paid more attention.
I tried to put my own little spin on this project by adding some “floating gold” on the inside. That’s something that is shown in one of the old pictures of this monster. In terms of sweeping up in the dungeon there are frequently bits of things that haven’t been completely dissolved yet. I used some large cut glitter on the inside. It was not quite the effect I wanted. The glue did not dry clear, so it’s hard to see. I may try another after my thumb heals a little ~ but I’ve seen another version of this that uses resin. I am definitely not up to resin yet.
I took this picture with one of my miniatures to give this some scale and context.
Cube size
I will certainly use this when the chance arrives and I can torment some of my players. In the end, I’m actually pretty happy with the end result. I’ll take those lessons learned and take on my next project. Hopefully with less injuries in the process.
10a is in reference to my top ten list of sword and sorcery movies that I posted back in (checks notes… wow, that long ago?) June. I listed sword and sorcery movies that are my favorites. I was, and am, happy with this list.
As things go on the internet, more than one person declared that I was somehow “wrong”. I’m still not sure how I can be wrong about what *my* favorites are, but there you have that. It was also pointed out that a significant number of my choices were from the 80s. By significant they meant 80%. The other two on the list were even older (50s and 60s).
Have there been NO sword and sorcery films since the 80s that are worthy?
It’s a complicated question. Being that the list is MY favorites, uh, no. Simple answer. The simple answer is not always the best answer though. It’s been something that’s rattled around in all that empty space at the back of my noggin since the question was asked. I’ve started to look for, look at, and consider other fantasy movies and have found two others that I rather enjoy. They don’t crack the top ten but I’ve found worthy sword and sorcery is out there.
Prince of Persia: The Sands of Time
Seventh Son (2014) is the story of the seventh son of a seventh son who is recruited in the battle against the queen of all evil witches and her minions. Julianne Moore plays the queen of witches, Mother Malkin. Jeff Bridges plays the professional monster hunter Master Gregory. There are a couple of small plot twists in here that I won’t give away. It’s a challenge to say more about the plot after that… it’s a little thin. It is however filled with shape shifting monsters, sword and staff fights and magical spells. The computer generated effects don’t generally get in the way of the movie. All in all, fun to watch (and up on Netflix at the time of this writing).
Prince of Persia: The Sands of Time (2010) is the story of a rogue boy taken from the streets and brought into the life of a prince by the man who becomes his father (the king). This prince must then unravel the mystery of who is behind the threat to his adopted father’s kingdom and stop the villain before he unwittingly destroys the world. There’s not a ton of magic in this movie, but the magic is central to the plot. Jake Gyllenhall plays the parkour prince really well and having Ben Kingsley as part of the cast is always a giant plus in my book. It is a movie inspired by a video game (and at one time held the world record for most expensive film in that category) but don’t let that be a knock against it. It was a well done movie that is not overwhelmingly stuck in the psuedo-European model of swords and sorcery (and available on Disney+ at the time of this post).
I’m going to continue to hunt for good sword and sorcery films. I do love that genre so. Are there any you think are worthy that I’ve completely neglected?
This post could have also been titled, The past, exclusion, anachronism and genre. It’s a conversation that has come up more than once with others and in more than one context, so I thought I’d try to lay out some thoughts to get them in order here.
The past and exclusion:
I’ve been involved in genre stuff for a long time. OK, a long time for me but not long enough for others. Even as somebody who’s supposed to be the perfect person to ‘fit in’ at 50, straight and white, I find that I still don’t fit within certain groups in the science fiction landscape. This came up again after the most recent Hugo ceremony where a famous author apparently made a speech that excluded wide swaths of folks and made a bunch more feel angry about how it was all presented. The term “microaggression” came up. For that I defer to somebody much more in the know – an author I would recommend you read when you get a chance! See his post about said microaggressions here.
That feeling, that nagging tiny comment that seems to slide off the chosen group but digs directly into your subconscious is something I deal with frequently. That probably sounds a bit odd, but it’s true. I often feel as though I’m just outside “the group” or that I’m part of the group in question, but only in my particular slice of it and don’t get into where everyone else is.
The microaggression part is in reference to science fiction authors. It is an odd club and one that has for a long time had some twisted form of gatekeeper. This is not the only place where I’ve felt as if I am the outsider. Running conventions has always been on that list too. Fandom in general if I’m being honest about it. That’s where the anachronism part comes in.
Anachronism:
There are a lot of times when I think I have landed just a decade or two later than I was supposed to. I seem to be interested in things that were really big, but really big in the past (recent or otherwise). The fanzine is an example of that. In the 70s and 80s the fanzine held a vital place in the genre landscape. Connections were made, thoughts were shared, and in some cases careers were launched. I’ve helped out with a fanzine for two decades now, but find that ours started about two decades too late for that “control group”. Even when I have reached out to those groups I’ve gotten no reply. WE were here long ago ~ you “newbie” are unwelcome here. It’s rarely said directly, but the feeling is certainly there. It’s something that truly bothers me about a genre that’s supposed to be so progressive (hint – it’s totally NOT).
That lead to another discussion about older works in science fiction. Do you really need to read the works of the people given grand master status? Should you pick up and push through something that was written thirty years before you were born? Maybe. Maybe not. Does your familiarity with these works, chosen by folks that believe they control who’s in and who’s out, matter? Other authors have taken on this topic and put forth decent opinions about it. I tend to like this take on the subject, but I don’t think it fully expresses where I am.
Genre:
I frequently enjoy any number of those old works. Reading the words of Ray Bradbury were amazing to me when I was a kid. He was truly gifted. His prose is smooth, evocative and moving. Sneaking out of the house to go to the local carnival is not a thing that any child I know today will relate to. Tattoos are not seen in quite the same context as when “Illustrated Man” was written. I like to dig into the history and see where so many amazing ideas came from. It gives context to so many things, as any study of history will… but that’s just it, they’re history. They are not entirely irrelevant, but their relevance is limited. Do they have the tug of nostalgia or the faint whiff of ‘this was big‘, of course they do. They were big and important or nobody would remember them. Movie makers have dug into many of those old works and adapted them to great success. None of them have had the cultural impact of a certain boy wizard, but even his influence has already started to change and fade. Things grow and change. It happens.
It has happened with gaming. My dearest lifetime hobby has undergone a vast change in the forty years that I have been playing it. Dungeons and Dragons is not what it used to be. Guess what? It shouldn’t be! If it had been static all this time it would have been relegated to the dust bin a long time ago. It has grown and changed and become something that looks a lot like what I have always loved, but is something new. Should I scoff or brush away people that don’t remember what it was like to have to poke chits out of a piece of cardboard because polyhedral dice were not a thing when I started? They haven’t “paid their dues” … that’s an amazing amount of bullshit all in a few simple words. Thing is, it’s an easy feeling to get. It’s easy to be resentful of people that didn’t go through challenges and to be protective of what you endured pain for.
The simplest answer is no. Whatever my feelings about genre fiction or role playing games might be, they should never be a limiting factor of how others enjoy them. Being the curmudgeonly old bastard yelling about kids and lawns is the fastest way to ensure that what you love dies. IF you’re driving people away from your hobby because they “don’t fit in”, first check your bias and privilege and second, you’re directly complicit in said death. Science fiction is supposed to be about the future. Fantasy gaming is supposed to involve your imagination and dreams. If you can’t see the future or evoke your imagination and are mired in the past, perhaps it’s best if you step aside. The best response, as far as I can tell, when somebody likes something new and shiny (that is entirely a remake of something from way back when particularly) is to say something like, “Oh, really? If you like that, I bet you’ll love this…”. The most important part of that whole statement being a welcoming and social attitude. Helping folks find more of what they love by aiming them at the things you’ve found that you love can be a fantastic way to make a personal connection and the absolute best way to get what you love to live on for a long time to come. I want science fiction and role playing games to be around for a long time to come. I hope I can share some history with you as we go.
This is a special disclaimer, even as disclaimers go.
I got to hear this book as read by the author. It’s a fantastic way to experience a book. You get all the tidbits, almost like a “DVD commentary” for the work. IF you have a chance to hear a reading, go do that.
That aside, what about the book you say?
The start of the book is startling in it’s clarity. The question in my mind as it was being read was, “when did this happen to you?”. It was that kind of clear and shocking. Really, really strong start. Once you’re in ~ you’re going along for the whole journey.
What bothered me about it? It took me a while to really get to the heart of what it was that bugged me. I finally figured it out. This story put me in a mindset similar to the story of “Mazes and Monsters”. I will say that’s strong writing BUT that’s also something that came up again and again during the dark ages of my youth and the Satanic panic of the 80s. It’s a totally unfair thing for the author, but that’s where it stuck in and suffered (in my mind at least) for it.
For you? Oh, for you ~ go out and buy this book. It’s a fun ride!
In my author bio one of the things I list is that I am an old school gamer. Along with being an artist (loose, but relatively true). Those two things actually collide in the crafting and miniature painting realm. Because I’m not busy enough.
In all seriousness, Dungeons and Dragons has been a love of mine for a very long time. I play when I can. I world build, I run games, create adventures and… once upon a time I painted miniatures and built terrain to play on. It’s a fantastic creative outlet and doubles up as something to add to my game sessions. It’s also fantastic practice for other kinds of art. the miniatures have always inspired flights of imagination for me.
I’ve started getting back into this. When I was painting miniatures before it was a deeply solitary thing. I found a few others locally that were painting as well, but we never connected really. I didn’t reach an extreme level with my painting, but some of them were pretty nice. I even started trying to build my own layouts and sculpt some things on my own.
The module with the monster description in it!Modeling clay and glitter (because glitter = magic, right?)
I hope to add these projects to the blog here as part of my art. Plans, progress and all the stuff that I do when I’m not actively working on a writing project. I gave a moment of consideration to making this some kind of video compilation, but I am not a video editor. I am at heart an analog kind of guy. I believe that writing and pictures will do what I want to convey the process of the art I create. So – I’ll share progress here as the work takes shape.
I have a list of projects (shocking, I know) and (even more shocking) I have a plan for a major project. I have a diorama that I want to create as a gift to a dear friend. It’s going to be a massive learning curve for me. Hopefully you’ll enjoy the ride.
I jumped back into things today. Not some massive art project or novel length writing, just something simple. I had this box laying around from when I got a new set of headphones. I didn’t want to just throw it away. It’s a hard board and has magnets as the closure. It’s quite nice for simple packaging. I decided that I would spray paint over the product information and use this excellent sturdy box as a backdrop for taking individual pictures of my miniatures work. It works ~ that’s what the mud men are standing on / in. Easy peasy for a first project, right?
First lesson – wear your painting gear even if “it’s just a quick little thing” and avoid ruining a shirt.
Second lesson – look at the weather report. Your paint will run if you have to move it / hang it up before it’s dry because it starts to rain (spray painting is not an indoor sport).
It really is a cool box. I’m totally NOT a hoarder… totally.
In the end, I mostly succeeded. I have a painted box to use as a back drop and a single, starting project under my belt.
This post was originally published in Watch The Skies fanzine – August 2020
Great artwork for the apocalypse!
Kipo and the Age of Wonderbeasts.
I will admit that hearing a statistics type description for this show might make it sound unappealing. It’s an animation with a Y-7 rating, meaning it’s generally aimed at an audience of ten year old kids. That does not tell the story at all.
Kipo and the Age of Wonderbeasts is a Dreamworks production that currently has two seasons on Netflix. It is the story of Kipo and her adventures in a post apocalyptic world. Humans do not dominate here as they did some two hundred years ago – they are now the bottom of the food chain and have moved into underground ‘burrows’ to survive. On the surface of the world mutations have created outlandishly over-sized plant life and many powerful ‘mute’ factions. If you want to survive in the world you’ve got to stay on your toes. You’ll need to deal with all manner of mutes roaming around and staking out territory. The world is a dangerous place for humans.
Kipo’s adventure begins when she finds herself suddenly outside of her burrow. She begins to wander the surface world and has to deal with a knowledge loving wolf pack, timber cats that love pancakes, giant two headed flamingos, mod frogs, scooter skunks, deathstalkers and of course a giant six armed monkey. That really just scratches the surface of the weird. Kipo is also musically inclined. There are a number of episodes that contain songs, musical inspirations for characters and (yes, sadly) even Karaoke. Eventually Kipo teams up with a number of other surface folks to help her along her journey as she attempts to find her way back home.
This show is light, fun and relentlessly positive. Each episode clocks in under a half an hour so it’s also a great show to squeeze in when you might not otherwise get to sit and watch something. It is genuinely the sort of show that feels like a perfect fit for the current times. Grab some popcorn and turn this show on when you want to smile!
Most thought it was rage. Some thought it was pure spite and malice.
He was coming. He would not stop.
They tried the physical to no avail. They called in all the wizards they could find. They cast, the chanted, they threw magic. There was fire. There was acid, there was stone. There was anything and everything until pure chaos was the result.
He would not stop.
They cajoled, they pleaded. They wailed and moaned.
He would not stop. He could not stop. It was not rage or spite or malice at all. It was love and it drove him onward.
As with so many of Mr. Butcher’s books, I read this very quickly. I think I was actually finished within the first day or two after buying it.
It’s been a long wait to get here. I jumped in and went along for the ride with Harry. I kind of expected things to fit a certain mold that I could see for him. He’d be trying to have a regular day, something would go wrong. Harry would say something that wouldn’t sit right with someone or something powerful. He’d then doggedly keep pushing forward while finding no help and no resources while stretching himself nearly to the end of all his resources…
And we sort of got that? And then.
And then the author did something that any truly excellent author will do – sets your expectations out on their collective ears and does something that makes you say, “Oh, wow… did not expect that”. I will not spoil any of the plot points here. If you’re on board with Harry at book 16 you’re on for the whole ride.
Go, read this. Then wait with the rest of us for September and the next book so we can find out what happens!
I finished this book a few weeks ago and have held off on writing the review. I wanted to see how much of this story stuck with me as opposed to how much would simply fade. I have to say that a fair amount of the detail has faded, but the general ideas of the story have stayed.
I got the general gist of the whole plot as soon as I read the letter at the very start of the book. I think there was some disappointment at that, but the story concept felt vaguely familiar to me. A massive shift in social power structure and what that does to society in general is an excellent science fiction theme. Knowing that at the start should not detract from the story itself.
The story of the women involved and how their lives entwined was gripping. These were very real and relatable characters. You could sense that you might know somebody like them… and that ultimately was the point.
I would definitely feel confident recommending this book.
