BALTICON – Convention Report

Cool new logo!

This past Memorial Day weekend I was lucky enough to go back to being a panelist at a live, in person science fiction convention. I was and am very happy to be able to get back to that sort of thing. I’ve missed it. At this point, with so much time passing between the event and the actual writing of my post(s) I suspect there will be details that are hazy and that will make the summaries shorter than they may have once been.

The con took place May 27 – 30, 2022 at the Renaissance Baltimore Harborplace hotel. Right in the middle of Inner Harbor. The location was (and continues to be) something of a sore spot for many people. The hotel itself is expensive. Parking is generally expensive as well, but the con made arrangements for a deal with the parking company and that worked out really well. I was able to save a fair amount of money compared to past years by setting up my parking in advance. The area itself, the places around the con seem to be struggling. All but a very few businesses in the area are gone. The restaurant choices were thin and did not lend themselves to quick con based meals. All the other shops, including the shopping mall previously below the convention are are simply closed and gone. The absolute lack of options was one of the most challenging aspects of attending. The room, the amenities and the rest of the hotel related things were pretty standard.

Checking in this year was the smoothest it’s been in a long time. There was one minor blip, but in general worked and I was in and out of the registration area very quickly. The set up / arrangement of the convention spaces was very similar to years past, with the notable exception of splitting the dealer’s room into two different spaces. This worked for me, though it’s questionable what the vendors themselves thought of the arrangement.

One of the bigger changes as an ‘in person’ panelist was the addition / continuation of virtual panels. I’d brought my own laptop along and set it up in my hotel room. This turned out to be a good thing. There was mention of a space being available on site for folks to participate in the virtual panels, but from what I witnessed of that it was less than successful. Running all the tech for all the panels AND having a place for a panelist to just drop in and use ‘extra’ equipment didn’t seem to go well at all. I don’t think any mention of availability should have been made for the panelists and I think the panelists should have been far more prepared than the ones I witnessed were. Thankfully, my connection went off without a hitch and I got to participate in a virtual panel to go along with my in person sessions.

The pandemic made a lot of other things feel slightly different or out of sync with what I have become used to over the years. Attendees were there, and wearing masks as was the rule. They were generally friendly and happy to see others in person, but the numbers seemed down. I understand the hesitation of many, so this wasn’t entirely unexpected but I hope it’s not a sign of the death of in person cons (and that death has been rumored for many, many years of course). The other aspect of this con for me was a profound shift in who of my friend group were there. My family didn’t attend. People I always went to dinner with didn’t attend. People I’d sit and share a drink with or bump into between panels weren’t there. Even things I did get to do with friends seemed muted and worn. Yes, I went to dinner. Yes, there were games and chatting and all of it seemed… slightly surreal. I was adrift and on my own and that is certainly not my convention experience in the past.

It was a good con for me. I did a bunch of panels, ran a workshop and bought a handful of things from wonderful creators. I also managed to (mostly) avoid con drama. I say mostly, and that deserves an explanation, but also that deserves its own post. All in all, it was good to be back. I hope and look forward to doing it all again next year.

You Should Be Watching

Love, Death & Robots

This was originaly published in the June 2022 edition of Watch The Skies.

I don’t think I can overstate how much I am taken with this art.

I went back through the list of shows that I have recommended in the history of these articles and was stunned to see that I had not brought up Love, Death & Robots. I don’t know how this has escaped previously, but no longer.

Love, Death & Robots is an animated series, but this is very specifically aimed at adults. The creators original intent was to have something similar in nature to the animated film Heavy Metal (from 1981). Do not for a moment think this is a children’s cartoon. It is NOT. It is brutal, sexy and mind rattling in varying degrees throughout. Netflix loaded up the first season of LD&R back in March of 2019. There were 18 episodes for the series, each coming in with a viewing length under 20 minutes. The second season of 8 was released in May of 2021, and the most recent season of 9 episodes launched just last month (May of 2022).

The stories for these animations all come from some of the best writers in modern science fiction, fantasy and horror. Names like, Bacigalupi, Asher, Scalzi and Sterling. There’s even an episode showing a story written by Harlan Ellison. These stories carry weight and have real punch in such a short time frame. The set up to the closure, if there is any, come right at you. The first two seasons each won an Emmy. The story telling is only rivaled by the pictures that accompany the stories.

IF you dislike ‘cartoons’ for some reason, I challenge you to watch these and NOT become a fan of animation. The art, the shear beauty of so many of these works will make you question how they were created. Admittedly, they are not all hyper realistic, but even the goofiest stories are well animated. The colors, the smoothness, and the pure vibrancy of even the darkest pieces still amazes me. I have some that I re-watch for the story and many that I re-watch just to see them. Just to experience their beauty again. I don’t believe they needed more marketing, but the third season has actually done something neat to accompany all this art. There were some clues hidden in certain episodes of the third season. If you followed the clues, you’d find your way to some computer art from the show. The hunt, and the clues have continued on various social medial platforms since the third season was released.

I highly recommend this show. You should definitely be watching.

Check out the trailer for season three here:

Amazing work

Failure – sort of

As a writer one comes to understand that the words laid out may, or may not, find a home. Sometimes the moment of inspiration that hits amuses or delights you but fails to connect with anyone else. It happens. Keep writing, keep putting words together and hoping to not just turn them into salad.

Some time ago I saw a call for submissions to a ‘course catalog’ for a horror based university. As stated above, it amused me and I had sudden inspiration. My submission was rejected (without any real notice) and that’s just fine.

I was bumping around that aforementioned debris pile that is my notes on writing and found that submission. It’s never going to be publishable anywhere else – so I’ll drop it out for you here. Hopefully you’ll find them amusing too.

From the course catalog:

Established in 1613 by academic and occult pioneer, as well as failed vintner, Fenrick Oglebutt, through trans-chronological fallacies and a lust for knowledge, Nafallen University has become one of the foremost centers of learning on all matters from the mundane to the mythic.

Located in beautifully desiccated Crisp, Texas, Nafallen University is dedicated to bringing its students the best in education, career opportunities, and fulfilling student lives from any university in current existence.

Nafallen University offers a hands-on and practical approach to education, with in-person, virtual, and astral courses offered at all levels of degree tracks.

Within this tome, enterprising students who wish to expand their minds and power will find courses offered for the current semester. Course descriptions are provided by the professors themselves, ensuring an honest appraisal of the material.

Here are the courses I submitted. I think they would have been a fine addition.

School of Architecture

ARC 212 – MASONRY II

PREREQUISITE: Poe; Amontillado

Gain additional skills and practical knowledge of masonry wall systems. Active interpretations of heat applied flashing, mortar selection and weep vent installation. Gain knowledge of residential construction inspection timing, effects of climate on drying time and STC (sound transmission classification).

Purchase of additional materials may be required.

ARC 135 – ARCHITECTURAL DESIGN AND GRAPHICS

Explore the fundamental issues of spaces, perception of spaces, scale and habitation. Emphasis is placed on ordering principles, pattern recognition and figure ground relationships. Build on graphical representation with an emphasis on observational symbology, aesthetic color choices and drawing presentation.

STR 301 – ADVANCED STRUCTURAL SYSTEMS: ALLOWABLE STRESS DESIGN

Prerequisite: Euclidean Geometry, Plasticity

Combine classical thermodynamics with plasticity and high yield functions. Allow the numbers to flow and discover numerical dissipation and pliability factors. Blocking, buckling, transient and steady state response combined with temperature creep. Emphasis on temporal stability and consistency. Galerkin meshfree imposition of boundaries and domain limits explored. Calculate how much your structure may flex under varied circumstances.

Working

Writing is work. Writing has its own momentum, and its own weight. Sometimes that weight doesn’t get carried along when other things get too heavy.

As part of what seems to be the cycle here, I’ve been away doing all the things and my writing has languished. There are a series of things I have planned to write, and all the notes are laying about on my desk, scattered like fallen leaves. I’m hoping to rake them up and turn them into a pile of something, but even my rudimentary knowledge of plants understand that means mulch…

So, back to work. Hoping for more posts, but depending on that ever elusive ‘free time’ that never seems to be actually free, nor arriving in great quantities.

Is this that stupid ‘supply chain’ thing everyone goes on and on about?

Balticon Schedule!

It’s been a long time since I’ve been to a Balticon. Too long in fact. I miss doing the live convention thing. This year will still be weird, and masks are still required, but it will be good to try to get back to doing the things we all love.

This is my schedule, as long as nothing changes between here and there:

Start Time Duration Room Name Session ID Title


Fri 4:00 PM 1 Hr Virtual Panel Room 1 379 Rating Books in the Algorithm Age


Fri 5:30 PM 1 Hr Guilford 887 Mapping the Landscape


Sat 10:00 AM 1 Hr James 411 Help Me Find a Game I Will Enjoy


Sat 11:30 AM 1 Hr James 416 You Can Start GMing Now: Tips for First-Time Gms


Sat 4:00 PM 1 Hr Club Lounge 381 What Should I Read Next?


Sun 11:30 AM 1 Hr James 965 Finding Your People


Sun 4:00 PM 1 Hr Private Dining Room 943 GMing for Beginners: The Workshop

Which Witch?

The Witcher of course…

Totally misleading cover too~

The Last Wish by Andrzej Sapkowski

My rating: 3 of 5 stars


I picked this up to read it because my fan group Watch The Skies picked it as one of our monthly reads. I don’t know if I would have picked it up if not for that – based on the show based off this material.

People who know me, know that I have a fantasy bent and are frequently trying to point out sword and sorcery type things they think I’ll enjoy. I love and appreciate that.

This is NOT one that I’m going to agree with them on. Is this sword and sorcery (aka ‘traditional fantasy’)? You bet it is. Even given that it falls into my favorite genre it’s just not working for me. It feels dated as I read it some 35 years after the initial publication. It feels slightly ‘man centric’. Misogynistic is too strong a word perhaps, but the stories lack female characters with more than passing agency. The book itself, as I understand it, was an assembly of many short stories and the book didn’t feel smooth or well fitted as a story because of that. The stories themselves were all clearly variations on fairy tales of our world (beauty and the beast, snow white, etc.) and that just didn’t land well with me.

All in all, it gets 3 stars, but barely. I’m glad I read it as it gives me more context for the show, but beyond that I don’t foresee me digging into this series / franchise.



View all my reviews

You Should Be Watching

The Owl House

Fun animation style too!

This was originally published in Watch The Skies May issue.

I’ve noticed a trend lately toward animated shows. While this show is once again aimed at kids, I have found a number of interesting and fun writing choices being made. The show follows a human girl named Luz who stumbles through a portal into another world. The land known as The Boiling Isles is filled with startling, weird and amazing characters living on the remains of some kind of giant or titan. There she becomes friends with a rouge witch named Eda, also known as the Owl Lady. Luz decides to stay and learn magic from this most powerful witch.

While I have not yet finished the first season, I suspect I will consume the entire series. Yes, each episode is relatively short and contains a ‘lesson of the week’ kind of format, but there are much longer story threads being woven through the background. It’s got some really fun and funny moments that are clearly aimed at the adults watching the show. At one point Eda is relaxing and says (fourth wall breaking style), “Ah, a quiet moment of domesticity… I wonder how long that will last” and in moments she is rewarded with a crash and screams. “Ah, there it is…” and she moves into the story. It was such a small moment, but anyone that has dealt with kids of any age knows that moment, deeply, and would just feel that come right through the screen.

In looking up some information about this show I’ve encountered a few spoilers that I will not share here. Anything beyond an abridged third season seems to be in jeopardy as the comedy / horror vibe (along with a couple of other factors) seem to not fit with the current Disney+ vision. I can say with certainty that I am not the only one believing in the writing for this show. It first aired in 2020 and won a Peabody Award in 2021. Weird, whimsical and believable fun – you should be watching this show.

Check out the trailer here:

You Should Be Watching

Cat Burglar

This was originally published in Watch The Skies April edition.

CAT BURGLAR (L to R) James Adomian as Rowdy and Alan Lee as Peanut in Cat Burglar. Cr. COURTESY OF NETFLIX © 2021

You need to know right up front that there is cartoon violence involved in what I’m recommending this month. IF that’s not your thing… definitely skip it. IF you’re not put off by the old school Loony Tunes style bashing and blowing up, then this show is for you.

The main characters in this short are /Rowdy (rotten criminal) and Peanut (guard dog). Rowdy is after the most valuable painting in the world and Peanut is trying to keep that painting right where it is in the museum. The catch here is that YOU help decide how it all works out. This animated feature is interactive. There will be a series of questions at various points in the show that require your input via the remote control. Get all the questions right, get one result. Get a question wrong, get something totally different. Run out of chances and you can go back and try again, giving you a completely different result. The run time was listed at something like 12 minutes, but be warned! I ended up going through multiple times to see various options and endings and was watching for far longer than the listed run time.

A creative cartoon from the same group that produced Black Mirror (Bandersnatch anyone?) this will be something folks craving that old school feel will really get into. Here’s a link to give you some in depth info: https://www.whats-on-netflix.com/news/cat-burglar-netflix-interactive-special/

If you want to check out the trailer – it’s here:

Sharing

I’ve had a social media connection app on my website for a long time… and it’s been non-functional for a long time too. I have tried 4 different ‘auto-post’ plug-ins so far and not a single one has worked as advertised. They are uniformly terrible.

This is one of the pitfalls so many creators run into. I am NOT a web developer. I am NOT a coder, programmer nor an IT professional. I have NO desire to be any of those things, and yet if I want my own content to be accessible I have to spend time working on things like this. The more I try to make things work here and they continue to fail, the more and more angry I get. I despise working with these things. If I were independently wealthy I would hire somebody. As the kids these days say, “Thanks, I hate it.”

Social media is still a thing. Failbook is hated, but is still the dominant platform for most people to connect on. There are a dozen others out there – but I just don’t have the time nor the energy to deal with them.

I suppose I’ll have to just commit to doing this the old fashioned way and post a link manually when I want to remind people that I do in fact still blog from time to time.

That Gap – Health Stuff

I’ve cut and pasted a few words that I posted directly to Failbook about a month ago. I don’t like how that bit of social media works, and I like less that they ‘own’ it all. My creativity energy has been very low lately ~ but there has been a lot going on. We’ve reached a point of relative stability since this was originally written, but now the anxiety is ramping up as we wait to consult with a doctor about next steps. We will continue on, much as we have for many years now. At some point, hopefully, we’ll get back to a point where I can create more.

Long post incoming – things have been a bit out of order here.

This past Wednesday (9th) my wife had a stroke.

She and I have been through a huge amount of health stuff together, but this is different. It was far more scary than any previous medical issue we’ve dealt with by a very wide margin. I have communicated with a few folks, but I’m still catching up with a number of things.

Beck is in the hospital now and may be there until next week – we’re just not sure right now. We don’t have any solid answers. The *very* good news is She seems to be recovering. There are many medical questions to be answered. There are 14+ tests I’ve heard today (I think) that are in process. She’s had a CT scan, an MRI and a spinal tap (yes – it went to 11).

I had a lot of other stuff to say, but I figure this kind of news bomb is probably enough. We are holding up. This is what we do. YES – we did a zoom with the kiddo this morning. NO – she is not coming home right now. She is staying where she’s at for the rest of the program as far as we know. She has lived with this kind of thing all her life. As soon as the camera came on she said, “I recognize those curtains… that’s the hospital. I was wondering what this call was about”. Smart kid. It was important to us to be transparent and honest with her about stuff, so that part is all good. Logistics are moving, but communications is harder to get to. Apologies for the delay in updates, but you know, hospital and all that…More posts to follow as information pops up.