BALTICON – The Panels

After a couple of solid panels on Friday I was ready for the Saturday schedule and really wanted to dig in. There was a lot of great stuff lined up, starting with games.

Help Me Find a Game I Will Enjoy

Are you new to playing board games, card games, or party games? How can you tell if any particular game will be fun for you? Come to this panel to ask experienced gamers what you should try next based on your own likes and dislikes.

Finding a board game you like is partially about the game itself and partially about the people you’re playing with. Both parts matter.

Board games are by their very nature social. The single biggest challenge is finding a group, or a series of groups of people that you really, truly enjoy gaming with. The people are the key to it all.

As for the games themselves, part of that is learning the language of games. What IS a worker placement game vs. a party game vs. a resource management game? What kinds of those things do you enjoy?

How many people do you want the game to handle?

Do friends recommend the game?

Can you find a YouTube video on it (and do you trust that person’s opinion)?

Find a group – see what they play: https://www.gamesclubofmd.org/

https://www.boardgamefinder.net/

http://www.boardgamesfor.me/

https://boardgamegeek.com/

The best part of this panel for me was the crowd participation. That normally isn’t true for me, but having my dear friend and serious game fan John right up front was really special for this one. Myself and the other panelists enjoyed a good discussion about all the things I listed above in my notes and then some. It was a really great start to the day.

Side note – I highly recommend digging up a board game and finding some folks to play.

Do you have any favorites?

BALTICON – The Panels

The second panel of the weekend for me was about maps. I was really into the idea of the panel, but I was unsure of how it would all work out. Here’s the description and what I had prepared.

Mapping the Landscape

Every science fiction and fantasy reader has their favorite book with a map in the forward or appendix. Besides helping audiences keep track of where things are taking place, what roles do maps play in fiction and gaming? How does a creator go about creating a clear memorable map, from both narrative and visual perspectives?

______

Ask yourself if a map is really needed? Being a very visual person, I LOVE maps and building layouts, but does your book / story actually need it?

Look at your map at 3”x4”. If you can’t read it then it is too small to print in a mass market. Consider adding extra maps that show blowups of things you actually want readers to know about.

Cheat. Take a known map and turn it upside down, then relabel everything.

Don’t be afraid of looking for inspiration in the old. There are a number of museums that have digitized their collections of historical maps and have them available for viewing online. This goes for plants and monsters too. The biodiversity heritage library has 150,000 images out there. University of Chicago Press have created a history of cartography collection with downloadable PDFs.

Think about what your map looks like relative to your story. What does a fantasy map look like exactly? What does an urban fantasy map look like by comparison? How will it look when it’s squished down to 3 inches wide by 4 inches tall in a paperback?

How much area are you mapping? 2D or 3d for your map?

The panel itself ranged all over the map (see what I did there LOL). The panelists had a wide variety of backgrounds and it was a really neat discussion. I grabbed a couple of notes of my own, and was surprised (though I probably shouldn’t have been) when discussions ranged into technology and things connected with my day job. Turns out that architecture is essentially building mapping – and that includes site context.

It was a very enjoyable discussion and the folks that attended seemed to be really happy with what we delivered.

BALTICON – The Panels

I posted my schedule back before I headed to the con, so it would seem only fitting to post notes from each of those panels. I often prepare far more than gets used when it comes to panel information. Sometimes this is a question of not having enough time to shove it all in, sometimes it’s a question of sharing panel time and other times the panel just doesn’t go the way I thought it was going to.

I’m going to load these up one at a time so I can give each panel its own space – and even try to tie together with the virtual space!

My first panel of the Balticon weekend was Rating Books in the Algorithm Age and it was in fact my only virtual panel for the weekend.

Here’s the description and what I had prepared as notes~

Rating Books in the Algorithm Age

Do numeric rating systems such as “X out of 10” lead to a loss of nuance? Can the ubiquitous five-star rating system (as used by Amazon and Goodreads) lead to grade inflation? Is a well-written entertaining work deserving of top ratings, or does it also need to be groundbreaking? When a rating is going to be amalgamated without context, what are a reviewer’s ethical responsibilities?

Yes, any scoring system with limits like x out of 10 has a loss of significance. It’s designed and designated specifically to be ‘shorthand’. Can it help? Sure… to a point.

Grade inflation can (and does happen). Of course I’m going to give my book 5 stars. So’s my mom cause I asked her to (no, she won’t read it). It’s unethical to ‘stuff the ballot box’… or is it? Is campaigning for you book and getting your friends to pump it up and get attention?

Well written and entertaining is completely subjective. I have a particular prize winning work that I LOATHE and I know more than one person that thinks it’s amazing. It’s terrible, but the story of how the story got published caught me more than any rating. It was all about how the friends and family of said book got it out there to my attention.

When I do reviews for the things I read, I state up front if I got the work for free (pretty sure there are rules about this, but I genuinely don’t know them). I will say things in the very first line of the review like, “OF course it gets 5 stars… it’s mine after all”.

I have taken a long time to recognize and understand what I like about stories, and have started to apply that knowledge to how I talk about the books I really like. If you like something I like, and that continues to happen, then maybe you can trust my opinion about a book. I have one friend (Molly) who knows that if I love a book, she’ll hate it. Our tastes tend to be diametrically opposed. She knows this and takes all of my reviews with that thought in mind.

How you feel about the author can (should it?) effect how you review a book. I know a number of authors. I recommend the work of my friends.

Will I recommend a book, no matter how good, after I met the guy and he was a total dick to me? NO.

Will I recommend a book, no matter my political feelings about an author, if that guy was SUPER nice to me? That’s way more complicated.

Those were my notes. What do you think?


BALTICON – Convention Report

Cool new logo!

This past Memorial Day weekend I was lucky enough to go back to being a panelist at a live, in person science fiction convention. I was and am very happy to be able to get back to that sort of thing. I’ve missed it. At this point, with so much time passing between the event and the actual writing of my post(s) I suspect there will be details that are hazy and that will make the summaries shorter than they may have once been.

The con took place May 27 – 30, 2022 at the Renaissance Baltimore Harborplace hotel. Right in the middle of Inner Harbor. The location was (and continues to be) something of a sore spot for many people. The hotel itself is expensive. Parking is generally expensive as well, but the con made arrangements for a deal with the parking company and that worked out really well. I was able to save a fair amount of money compared to past years by setting up my parking in advance. The area itself, the places around the con seem to be struggling. All but a very few businesses in the area are gone. The restaurant choices were thin and did not lend themselves to quick con based meals. All the other shops, including the shopping mall previously below the convention are are simply closed and gone. The absolute lack of options was one of the most challenging aspects of attending. The room, the amenities and the rest of the hotel related things were pretty standard.

Checking in this year was the smoothest it’s been in a long time. There was one minor blip, but in general worked and I was in and out of the registration area very quickly. The set up / arrangement of the convention spaces was very similar to years past, with the notable exception of splitting the dealer’s room into two different spaces. This worked for me, though it’s questionable what the vendors themselves thought of the arrangement.

One of the bigger changes as an ‘in person’ panelist was the addition / continuation of virtual panels. I’d brought my own laptop along and set it up in my hotel room. This turned out to be a good thing. There was mention of a space being available on site for folks to participate in the virtual panels, but from what I witnessed of that it was less than successful. Running all the tech for all the panels AND having a place for a panelist to just drop in and use ‘extra’ equipment didn’t seem to go well at all. I don’t think any mention of availability should have been made for the panelists and I think the panelists should have been far more prepared than the ones I witnessed were. Thankfully, my connection went off without a hitch and I got to participate in a virtual panel to go along with my in person sessions.

The pandemic made a lot of other things feel slightly different or out of sync with what I have become used to over the years. Attendees were there, and wearing masks as was the rule. They were generally friendly and happy to see others in person, but the numbers seemed down. I understand the hesitation of many, so this wasn’t entirely unexpected but I hope it’s not a sign of the death of in person cons (and that death has been rumored for many, many years of course). The other aspect of this con for me was a profound shift in who of my friend group were there. My family didn’t attend. People I always went to dinner with didn’t attend. People I’d sit and share a drink with or bump into between panels weren’t there. Even things I did get to do with friends seemed muted and worn. Yes, I went to dinner. Yes, there were games and chatting and all of it seemed… slightly surreal. I was adrift and on my own and that is certainly not my convention experience in the past.

It was a good con for me. I did a bunch of panels, ran a workshop and bought a handful of things from wonderful creators. I also managed to (mostly) avoid con drama. I say mostly, and that deserves an explanation, but also that deserves its own post. All in all, it was good to be back. I hope and look forward to doing it all again next year.

You Should Be Watching

Love, Death & Robots

This was originaly published in the June 2022 edition of Watch The Skies.

I don’t think I can overstate how much I am taken with this art.

I went back through the list of shows that I have recommended in the history of these articles and was stunned to see that I had not brought up Love, Death & Robots. I don’t know how this has escaped previously, but no longer.

Love, Death & Robots is an animated series, but this is very specifically aimed at adults. The creators original intent was to have something similar in nature to the animated film Heavy Metal (from 1981). Do not for a moment think this is a children’s cartoon. It is NOT. It is brutal, sexy and mind rattling in varying degrees throughout. Netflix loaded up the first season of LD&R back in March of 2019. There were 18 episodes for the series, each coming in with a viewing length under 20 minutes. The second season of 8 was released in May of 2021, and the most recent season of 9 episodes launched just last month (May of 2022).

The stories for these animations all come from some of the best writers in modern science fiction, fantasy and horror. Names like, Bacigalupi, Asher, Scalzi and Sterling. There’s even an episode showing a story written by Harlan Ellison. These stories carry weight and have real punch in such a short time frame. The set up to the closure, if there is any, come right at you. The first two seasons each won an Emmy. The story telling is only rivaled by the pictures that accompany the stories.

IF you dislike ‘cartoons’ for some reason, I challenge you to watch these and NOT become a fan of animation. The art, the shear beauty of so many of these works will make you question how they were created. Admittedly, they are not all hyper realistic, but even the goofiest stories are well animated. The colors, the smoothness, and the pure vibrancy of even the darkest pieces still amazes me. I have some that I re-watch for the story and many that I re-watch just to see them. Just to experience their beauty again. I don’t believe they needed more marketing, but the third season has actually done something neat to accompany all this art. There were some clues hidden in certain episodes of the third season. If you followed the clues, you’d find your way to some computer art from the show. The hunt, and the clues have continued on various social medial platforms since the third season was released.

I highly recommend this show. You should definitely be watching.

Check out the trailer for season three here:

Amazing work

Failure – sort of

As a writer one comes to understand that the words laid out may, or may not, find a home. Sometimes the moment of inspiration that hits amuses or delights you but fails to connect with anyone else. It happens. Keep writing, keep putting words together and hoping to not just turn them into salad.

Some time ago I saw a call for submissions to a ‘course catalog’ for a horror based university. As stated above, it amused me and I had sudden inspiration. My submission was rejected (without any real notice) and that’s just fine.

I was bumping around that aforementioned debris pile that is my notes on writing and found that submission. It’s never going to be publishable anywhere else – so I’ll drop it out for you here. Hopefully you’ll find them amusing too.

From the course catalog:

Established in 1613 by academic and occult pioneer, as well as failed vintner, Fenrick Oglebutt, through trans-chronological fallacies and a lust for knowledge, Nafallen University has become one of the foremost centers of learning on all matters from the mundane to the mythic.

Located in beautifully desiccated Crisp, Texas, Nafallen University is dedicated to bringing its students the best in education, career opportunities, and fulfilling student lives from any university in current existence.

Nafallen University offers a hands-on and practical approach to education, with in-person, virtual, and astral courses offered at all levels of degree tracks.

Within this tome, enterprising students who wish to expand their minds and power will find courses offered for the current semester. Course descriptions are provided by the professors themselves, ensuring an honest appraisal of the material.

Here are the courses I submitted. I think they would have been a fine addition.

School of Architecture

ARC 212 – MASONRY II

PREREQUISITE: Poe; Amontillado

Gain additional skills and practical knowledge of masonry wall systems. Active interpretations of heat applied flashing, mortar selection and weep vent installation. Gain knowledge of residential construction inspection timing, effects of climate on drying time and STC (sound transmission classification).

Purchase of additional materials may be required.

ARC 135 – ARCHITECTURAL DESIGN AND GRAPHICS

Explore the fundamental issues of spaces, perception of spaces, scale and habitation. Emphasis is placed on ordering principles, pattern recognition and figure ground relationships. Build on graphical representation with an emphasis on observational symbology, aesthetic color choices and drawing presentation.

STR 301 – ADVANCED STRUCTURAL SYSTEMS: ALLOWABLE STRESS DESIGN

Prerequisite: Euclidean Geometry, Plasticity

Combine classical thermodynamics with plasticity and high yield functions. Allow the numbers to flow and discover numerical dissipation and pliability factors. Blocking, buckling, transient and steady state response combined with temperature creep. Emphasis on temporal stability and consistency. Galerkin meshfree imposition of boundaries and domain limits explored. Calculate how much your structure may flex under varied circumstances.

Working

Writing is work. Writing has its own momentum, and its own weight. Sometimes that weight doesn’t get carried along when other things get too heavy.

As part of what seems to be the cycle here, I’ve been away doing all the things and my writing has languished. There are a series of things I have planned to write, and all the notes are laying about on my desk, scattered like fallen leaves. I’m hoping to rake them up and turn them into a pile of something, but even my rudimentary knowledge of plants understand that means mulch…

So, back to work. Hoping for more posts, but depending on that ever elusive ‘free time’ that never seems to be actually free, nor arriving in great quantities.

Is this that stupid ‘supply chain’ thing everyone goes on and on about?