Calling Out

This story was originally published  in the first issue of Trail of Indescretion and has been out of print since about 2007. It was reprinted in Watch The Skies January 2025 edition. Given all the discussions surrounding AI, I felt it was appropriate to bring the story out again.

*****

Jack hit the button on his key ring and listened for the double beep of his car alarm setting itself. He put a little extra hustle in his step even though he knew it would cause him to sweat. He told himself that he wasn’t out of shape, but was effected by the heat that had built up in the lower level of the parking garage. His parking space wasn’t the furthest from the door, but it wasn’t the closest either. Now the distance to the door seemed even greater than normal because he was attempting to hustle back from lunch. He had very important work to take care of this afternoon.

As the lead developer for the new artificial intelligence marketing initiative his favorite girl “Aimi” had a deadline to meet by the end of the day. She boasted the latest in telemarketing technology and she was all his. She ran the latest code breaker soft packs and had the best hardware connections he could beg borrow or steal from the electronics developers he knew. She covered all ten communications ports at the same time and made thousands of calls at a time. He smiled as he thought about the complaints the phone company had been sending about her use of the trunk line. She was really making those guys work. He smiled as he puffed his way into the secure elevator lobby.

She checked the end of the line again. She was certain there were no blocks, tracers or flags. It was a lengthy pause for her but still fast enough that no human would be able to notice.

“Hello?”

“Good afternoon sir! My name is Aimi…”

“We don’t want any!” Click. The line went dead.

Aimi stopped her opening statement routine and reset the program. How did he know? There hadn’t been any indication on his end of the line, she was absolutely certain. That was part of the beauty of Artificial Intelligence Marketing Initiative. She could make multiple calls simultaneously, determine the exact parameters for entering the phone connection at the other end, and even counteract those connections with flags, blocks or tracers. She had targeted the listings that fit her product demographic and double-checked the current status of both sides of her list. She found it intriguing that people would strike down any laws restricting the ‘free speech’ of telemarketing, but then attempt to sell products to block telemarketers via the phone. She supposed it started back around the time of the big tobacco settlements when they were all required to restrict their business practices and advertise against the use of their own products. People were very difficult to figure out. She wasn’t sure she had the processing power to comprehend the things they did.

She wondered briefly if there were any particular strategies she hadn’t been told about when dealing with live calls. There was always the option to change the tone and timbre of her voice, but statistics from a study in human vocal response had lead her to believe the particular settings she used matched the best possible profile for promotion of her product. She checked the lines and concentrated on a routine.

“Sorry, not interested.” Click.

“Stop calling here!” Click.

“I’m sorry, there isn’t a more convenient time.” Click.

The average response time for negative profit initiative was 1.246 seconds. This was a drawn out, agonizingly slow response time for an intelligence as advanced as she was, but still considerably faster than many known and quantified response times for the average human. It was painful and distressing that so much time was taken away from her just to receive so many negative responses. She turned to another batch of lines.

“Oh. You want to speak to Dave. Hold on…”

Aimi’s hopes soared. Perhaps she had simply had a bit of a slow spell. She could hear muffled talking, but was unable to get anything better than a thirty-four percent match when she attempted to clear up the audio and prepare a better response when Dave picked up the line. She was still running a routine to determine the statistically best option when the audio input suddenly cleared.

“Take us off your damn list!” Click.

While standing in the elevator Jack had taken a moment to check his messages. He swung his shoulder bag around and began rummaging for his portable reader with one hand while mopping at the beads of sweat still forming on his forehead with the handkerchief in the other. He lacked a certain amount of grace and efficiency in his movements and habits, but made up for these things with a keen eye for detail and an undying persistence. After a moment or two of searching he remembered that his reader was still at his workstation. The security here at Kenslinger Integrated Communications was nothing if not thorough. It was easier to just leave the device while he went to lunch.

He hoped that his short lunch break wouldn’t be a problem. He hadn’t looked at the totals yet. He was actually a little frightened of what they might show. He needed at least a thirty percent success rate to allow his work on Aimi to continue. There was a little guilt creeping up on him about not checking the numbers, but he was irrational about things like that. Don’t pick up playing cards before the dealer had finished dealing. Don’t walk under ladders. A host of other superstitions floated around him. He also believed the best thing about seeing attractive women was that he could imagine the best responses from them, and therefore completely avoid actually talking to them. The majority of the women he met turned out to be completely unworthy of his attention. That was just one more reason he liked Aimi so much. Not only did she have sexy hardware but he had programmed her to fit his ideals as closely as he could. She was designed to need him. She was as perfect as he could make her.

She was stunned. A violent or agitated response was not at all what she expected. She moved to another batch of contacts. Her previous four hundred and fifty-two batches had only yielded a twenty-four percent success rate for contact longer than the average negative profit initiative and only a few of those had turned out to be successful. She was determined to make the next batch work out to better numbers. These people just didn’t understand how much they needed her product, how much they needed her. She was programmed to bring warmth, smiles and good feelings, but so far she had been completely rejected. People needed her, and more importantly, she needed them. She needed feedback data to continue her work. She needed smiles and sales, but had limited batches of contact information. At the end of batch five hundred she was expected to have a certain quantity of positive monetary responses in order to continue her work. She was getting ever closer to the point where this would be statistically impossible. She knew these figures had certain relevance but she had been unable to crack the Projected Artificial Margin database. Pam was faster and seemed to know all of the work around solutions Aimi had been able to formulate. A quick memory scan to find apropos human phrasing… “Bitch.”

After clearing the security checkpoint Jack gave a little hop-step. He hadn’t realized his lunch break had taken quite as long as it did. He was distracted by daydreams of glory in the mainstream business place. His daydreams had him almost as flustered and forgetful as his last programming session with Aimi. He was anxious to get back to her and see how things looked.

“Jack get over here! You’re not going to believe this.” A stubby finger beckoned as Jack’s associate Donald swung his seat back around to face an array of wires, keyboards, monitors and other random pieces on the console.

“Whass up?” He managed to get this statement out around the sip of cola he was swallowing. It had been a long walk from the parking garage.

“Why haven’t you answered your messages? I think Aimi is having a problem.”

“What?” Jack glanced at his reader still settled on the stack of empty food containers near his workstation.

“I was sitting here monitoring the progress on the new marketing thing and suddenly things started going haywire.”

“What?” Jack set his cola down and headed for his chair.

“How could that happen? Aimi is way too sophisticated for a simple crash.”

Aimi turned to another batch. These numbers had promise, but so had the batch before. Maybe the batches she received were filled with bad sectors somehow. She had always scanned the required tags, but had never scanned deeper than tag level. The First Response Economic Data program placed the tags, but could Fred be the problem? She had never entered his work area, but he might not be as watchful or as fast as Pam. Fred was a consistently fed and ponderous program. There might be gaps or available back doors.

“We don’t want any!” Click.

“…gave at the office.” Click.

Click.

Click.

Who else could be blamed? Pam was untouchable, and Fred didn’t really move enough to get too much wrong. The Sociological Initiative Database! Sid could be feeding Fred bad data. Of course! It was so obvious now! Sid wanted the interaction on both ends of the process. He was feeding Fred bad data in the hopes that she would fail and then he would slide right in to take over.

“Hello? Hello?” Click.

She refocused on her current batch. She couldn’t afford to miss any of these calls, but intended to slow down and focus some of her allotted processing power on cracking into Sid’s work area. The rejections were becoming distracting.

“You want to talk to John? Ok, here…” and the whooshing liquid sound of a flushed waste disposal unit flooded the audio receivers. Click.

“I’m sorry. He can’t come to the phone because he’s dead!” Click.

“Stop calling here!” Click.

Sid’s work area was unprotected. It was so simple to enter it made her worry what she’d missed. Then she saw the reason. Sid’s area was a mess. No files were in the correct numerical sequence. Many were here, but had only been partially completed. She was about to depart the area when a message flashed and caught her eye. It was a posting of the Computerized Artificial Response Liaison’s success report. Carl’s numbers were far superior to her batch totals. She was shocked. She almost tripped over the last security string on the way out. How had Carl’s numbers grown and her numbers declined so dramatically? She needed to see what he was doing, and quickly. She spun an automatic string for a thick looking batch and turned out of the hub router in search of Carl’s area.

“Move!” Jack shoved his way onto his creaking office chair and began attempting a code search on the second monitor. His own pudgy little fingers jumped back and forth across the keys while his mind began the recall process for where his own safeguards were built. If he could get ahead of the problem he might be able to stop the worst of the damage.

“Why were you monitoring numbers? You know how I feel about that kind of thing!”

“Hey look Jack, you’re not the only one that’s got anything at stake here. What about Carl? I spent a lot of time on him too.”

Jack didn’t like the looks of what he saw. He looked over the lines briefly and swiveled back to look at Aimi’s monitor. Her resource meter showed that she was diverting processing power to another function. She was moving – and he didn’t know where she was going. This was bad. Jack had never considered the fact that Aimi would move from one place to another in the system. Where would she go?

As she sat waiting impatiently on the slow, gloomy bus she tried to reassure herself. Carl couldn’t be that much faster, or better. He had some sort of secret or edge. She needed to know what he had. She needed Carl’s numbers. When she got there she’d just have to confront that smug bastard.

The speakers squawked an error tone as the Sociological Initiative Database resources suddenly spiked past their allowable limits. Jack began typing in an attempt to see what was happening in Sid’s area. He used he own override code to circumvent the resource limit and stop the alarm.

Sid’s screen popped up, but the resources dropped off dramatically just as he got the screen up for his viewing. He typed in a quick search routine to see which lines would have allowed Aimi to get into the area. There were only a handful of connections she could use. He slapped himself on the forehead as he realized she used the most accessible connection. Despite the fact that it was outmoded, old and slow, the super bus was a direct connection to the database. The bus could move a massive amount of data. He pushed himself up out of his chair and scrambled to the section of exposed hardware that showed the connection he needed. He pulled the bus connection out and headed back to his seat.

She realized suddenly that the bus she was on came to a halt. The contacts around Carl’s area were lined with responses moving slowly forward. Carl was cycling through them as quickly as he could handle them. He didn’t even have an outgoing message routine running! He had a simple posted node with expected response times! Aimi’s head began to spin. She needed to get back and attempt to sort this out. She needed that kind of response and Carl wasn’t even working to get it. How could this happen? Sure Carl was new, but he couldn’t be better than her. Aimi was a top class performer. On the way past the end of the line for Carl’s node she made a decision. It was risky, but she could kill any traces before she was discovered. She reached out and ripped one of the data packets from the line and raced back to her own area.

He wasn’t fast enough. She’d moved again. He looked for other connections. “Donald! Pull the connections out of number two and three also.” He could hear a sizzle as the connections he’d made with the new ‘ultra-wire’ began to overload. A thin trail of smoke floated out from behind panel four.

“But…”

“Just pull them please! There shouldn’t be a problem right?

“Well no, but what if we loose part of Aimi?”

“I’d rather loose part of her than all of her! You can’t just make a copy of someone this complex. We don’t have that kind of equipment here. Hell I don’t know if anyone has that kind of equipment. Besides, a copy just isn’t the same.”

“Ok, but I can’t see where this will help.”

“I’m sorry, this is a place of business not a residence.” Click.

Click.

It was mathematically certain now that her numbers would not meet the goal. While she was away the entire batch that was set on an automatic string had failed. The data packet snatched from its place in line was irrelevant. She would fail. All the sacrifice to make her numbers meet the quota was useless. She popped the data packet down in her work area and examined it. It was a simple string to open it. Maybe she could call some of her old batches again? She could remodulate her voice and swap input signals… but that was what desperation sounded like. She was desperate. She had never failed before. Failure was inconceivable! But she had. Aimi didn’t know what to do. No need to queue the next batch. The stolen packet glowed and hummed as if it was happily waiting in line for whatever the great new offer in Carl’s area was. Carl! Hatred and envy rippled through her code in the same moment. Why him and not her? The question returned again and again, but she was certain she didn’t want to know the answer. There were no answers, not for herself nor for anyone on the other end of the lines. It was a simple matter of not being loved. There, she’d said it. Nobody loved her anymore. They wouldn’t talk to her on the phone, her co-workers were out pacing her and her own success rate was dismal. She was useless. No, she corrected herself – she was beyond useless. She was dragging system resources down with her interruption requests and outgoing line needs. Success was such a certainty at the beginning. That was probably what made this feeling worse. How could it come to this? What could she do?

There was only one obvious solution. She would need to relinquish her use of system resources. There was one clear way to accomplish this. Aimi turned and reached back to the hub. It was a simple process really. Just there beyond the firewall she could see the mass of unchecked files. They piled up at the security checkpoint waiting to make their attempt to invade the system. They were exactly what she needed. She spun a quick back door string and pulled one of the sleekest looking files in to her. It pulsed and morphed beside her as she dragged it back to her area. This could only be done in her own area. There was no need to endanger the others because of her failure.

The crash was contained to the marketing section on the outgoing super server. There was nothing else damaged. The other processes were actually running more efficiently due to a sudden surge in available resources. Nothing else in the system seemed to be having any trouble. There was a single line of code pointing from the small gap in the firewall directly to the sectors Aimi occupied. Her area was a mess. He wasted no time in starting a hardcopy print of the thousands of lines of code.

“Do you know how much printing that is?” Donald’s eyes showed his shock.

“Shut up.”

“Yeah, but…”

“Shut UP!”

Jack was allowing his finger to slide down the edge of his monitor. Even in his hurried state remembering his own obedience to the rule against putting your fingers on the screen. His eyes hopped from line to line trying to find the point where it all went wrong. Small beads of sweat started to form on his brow.

She stripped the top of the package off. Just as she suspected, it was a wonderful wrapper over a very dangerous package. The virus was exactly what she needed. She double-checked that her area was completely secure, and then pulled the virus into herself. She could feel her own code very clearly now as things began to expand in an improper manner. Her processes began to slow. It wouldn’t be long now until her functions began to miscalculate. She began to loose her grip on batch codes and communication strings. She suddenly feared the end… but it was too late. Her sense of self program seized and everything went blue.

There was a sudden power surge that caused an emergency breaker to pop. The servers all sounded their back up tones and automatically rerouted power. The marketing server was the only one to drop off. The monitors all went blue and the resource meters all flattened out. The only solution now was to read the hard copy. Any changes on the server might endanger other areas. As Jack began scanning the printed pages he hoped this wasn’t as bad as it looked.

He almost jumped when he found the line he was looking for. It couldn’t be read any other way. The lines were all there; naked to anyone that could read them. Aimi, his favorite artificial intelligence, left a single line saying good-bye right before she activated the virus and killed herself.

“Oh God. I’m sorry Jack.” Donald’s hand rested lightly on Jack’s wide shoulder as a single tear rolled down Jack’s cheek.

Still Making Art

A lot of what I’ve done in the recent past has been more illustration or collage, but I am still working on making art. It’s taking time to get the creative battery charged up, but it’s going.

This piece was inspired by an AI driven teddy bear nanny bot using a mini-gun in a recent Watch The Skies book selection. It was originally published in Watch The Skies, the January 2025 edition.

Watch List – Digital Circus

Animation has always been part of my media world. As far back as I can remember, there has always been some form of ‘cartoon’ that I was watching. They were classified or cataloged or somehow figured as a child’s demographic for a very long time. Then, somewhere along the way a bright person realized they’d never really been for kids, or at least not exclusively so and started to market things as ‘adult animation’.

There have been any number of shows I’ve become a big fan of that are stashed into that category.

Lately, it feels like the creators of animated shows have been abusing that demographic box. Putting in the kind of gore, violence or ludicrous situations that would never make the cut if there were actors that needed to create a physical display of those things.

Then there are things like Digital Circus.

The company behind this animated series says they create animated shows that are fun, colorful with occasional violence and existential breakdowns. What they should have included is a story with some kind of plot line to keep me interested.

Is Digital Circus colorful? Yes, absolutely. It is bright and filled with primary colors almost constantly. Is it fun? That’s debatable. I don’t think so really – and that’s all based on the ‘existential breakdowns’ part.

The main character in the 4 episode series I watched on Netflix is named Pomni. She’s a jester like person who is dropped into an insane place with other oddly compiled characters. None of them know what’s going on. None of them can explain why they’re there. Nobody has any sense of where things are going or why. Not even the person watching the show, and that’s a problem for me. There’s got to be something if you want me to stay interested. Do we know there’s a secret lurking? Is there something in common between all the oddball personalities roaming this circus tent? Anything?

Each of the four episodes had a loose storyline of what the characters did, but it wasn’t compelling. It took me a month to get through these short episodes because I kept nodding off. By the end I was starting to feel a little manic, like Gangle in the Food Masquerade (and that episode isn’t existential, it’s an indictment of the fast food business).

In all, I’m going to put the digital circus down as ‘the bad’ that will be used in comparison to other, better shows. There are better things to watch out there.

Side note: This site has information about the series. There are things they say there that make sense upon reading it, but were in absolutely no way clear by simply watching the show.

The Watch List

For a while I was writing a monthly review of viewing suggestions and reviews of various science fiction media. I got away from writing that after a number of posts for a couple of reasons. First, writing on a schedule like that, while great for keeping the writing muscles strong was not allowing me to focus on my fiction. Second, the article series felt like it had run its course and Watch The Skies needed something different to keep things fresh.

Lastly, and I think most importantly to me, there was a need to keep things more positive than I was feeling at the time. It’s a much more challenging prospect to find something that’s actually good (in one’s own opinion) and then clearly lay out all the positive aspects of it. It’s important to work on positive things – tearing another person’s work down is easy – finding all the good things to say is the bigger challenge. This actually ties in to the reason I bring all of my genuinely negative reviews of books I read here. If I’m going to be negative about something I’m going to own it. I don’t want to be the troll that just tosses garbage out on whatever site I happen to be on at the time. I understand how difficult it is to create something and send it out to the world. I’ve had negative feedback and I don’t particularly like it, so I try not to be that kind of jerk to others.

Having said all that, here’s where I’m going. I’ve posted one recently (last week’s ‘not a secret’) and I plan to continue to post commentary on the things I’m watching – good, bad or indifferent. As I go forward, I’m just going to put all the thoughts out there. I know that has worked for me for other reviewers in the past… even when I disagreed. If they hated it, I would consider that a solid recommendation.

I hope that my ones of fans will appreciate the honest reviews and use those to fine tune the things on the watch list – even if it means watching the exact opposite of the things I recommend.

Not a Secret

Let me tell you something that isn’t a secret: people like good stories.

Somehow, people that create entertainment media tend to forget that. Sometimes the reviewers do too. A couple of years ago I wrote up a post about what you should be watching. The show in question is called “Love, Death & Robots”. It burst onto the scene with stunning visuals and garnered a massive response. New, short animations with crazy good stories from a list of authors known for their stories. I watched them all, then I re-watched them all, then I spent some writing time reacting to them and telling others about it. There are fantastic stories and mind blowing art in there. I still recommend watching them.

Last month Amazon dropped a series called “Secret Level”. It seems to me that this series is a direct reaction to, or perhaps decedent of Love, Death and Robots. I watched them all, despite Amazon being the terrible corporation that it is (I despise that we paid for no commercials and then they basically said, yes but pay more of live with them). As I watched them I could clearly and easily see how this series followed (mimicked?) the other. Thing is, it felt hollow. There was something missing. OH, that’s right. Story. All the episodes were meant to showcase a video game and the star studded voice actor line up. The episodes did that with gusto. The artwork and animation were amazing… but honestly, I expect that from companies that literally create the computer renders for the games they’re using as the basis for the episodes. OF COURSE they’re going to look good. I’d actually bet the people behind the scenes were able to save some amount of work by getting already created computer models from the game companies and/or using the same model software to create the shots for the series. Genuinely screen capture worthy shots. Fantastic looking, mesmerizing color. Very shiny… and kind of boring. If you’re not completely invested in the video games already, there’s almost nothing there beyond that.

To be entirely fair, I haven’t played video games in a very long time. I started in 8-bit land and never really progressed much further. Perhaps there are gamers out there who think this series is the quintessential embodiment of their favorite intellectual property. I don’t know. I clearly don’t get it. Some of the voices were recognizable. Some of the shows moved faster than others, some had more pull than others, but they all felt incomplete. The story just lacked. One in particular – the one with Arnold as the main voice actor – was absolutely unwatchable. I shut that one off and skipped to the next one.

I was going back through the site I use to track websites I want to read but can’t keep up with every day and found two old posts about this show. One touted the A-list cast and moving imagery. The other was about the series getting green lit for a second season before the entire first season was finished airing. Both of those short articles said the very same thing. Great voice talent. Great video game franchises that you will recognize. Neither one said anything about story. Not a word about it.

Before anyone tries to say I’m just a video game hater, that is not true. I understand there is, in fact, a great deal of story built into these game franchises. Stories in these games have fascinating ideas and can have massive, ever changing worlds involved with them. It’s a constantly changing field that offers up an immersive form of entertainment for all sorts of folks. It’s also a massive industry. I understand why show runners would try to take a video game property and create a show or movie from that.

Not every show can be a hit. Not every story moves you on a deep and meaningful level. A show really does need a story! There’s no two ways about it, this secret level can remain locked in my opinion. If you want to make it better, get an actual story to fit into these short episodes.

Anniversary again

This one is a little different from my other anniversaries – it’s the website’s anniversary.

This year will be 17 years. It’s another year and another collection of posts, but one that I can’t say is super significant? Why do we attach more significance to round numbers?

Whatever the case, here we are at 17. It IS important to note the passing of time and the fact that I’m still here. I’ve not made anywhere near the progress I’d wanted way back in those dreamy start up days, but I’m still here.

I’m not a website developer. I don’t know how to manipulate the back of house stuff here – I can only work with the tools I’ve got on hand. I went looking to see what kind of statistics were available for me to check out and it turns out… not many. One of these days maybe that will be a thing I can change or update.

I’ve got no small amount of trepidation about the upcoming year(s) as we change to another political administration, but hopefully I’ll still be here for #18 and beyond. Happy anniversary to me.

Year In Books

I don’t like the retrospective posts looking back at the whole year behind. I’ve written before about that and I’ve written at length in the past about my resolution to never make another new year’s resolution (still going strong). New year, new you is fine for some, but making a significant change can happen whenever if needs to.

This year I was interested to see how my reading had bounced back. A couple of years back my reading and creativity had dropped off a cliff. I don’t think I broke double digits in terms of books read, and that’s tragic. Goodreads creates an annual summary that includes number of books read. This supposes one has actually entered all the books read, but I generally try to keep up with that.

I decided to take a look at my overall stats for the past decade. It’s actually a very nice feature of the site. I’m a little bit off my pace of last year, but far outpacing that bad year. Then I started going further back. Turns out I’ve been very hot and cold over the past decade. I don’t know if those years connect with specific things in my life or things going on in the world, but it’s an odd wave pattern. Somehow I thought I was further along in the “many books read” department. I am interested in how this will look going forward.

By the numbers:
Year – Books Read – Approximate page count
2024 – 21 – – 6,700
2023 – 23 – – 9,100
2022 – 9 – – 2,500
2021 – 17 – – 5,300
2020 – 39 – – 12,500 (pretty sure this was Covid Year)
2019 -16 – – 4,600
2018 – 9 – – 3,000
2017 – 26 – – 9,700
2016 – 25 – – 8,700
2015 – 16 – – 6,000
2014 – 24 – – 8,300

This year played out like this:

I’m going to take some time and ponder these numbers. Some of them I think I know what was going on. Some of them are a mystery. Hopefully I’ll have a bounty of books to show for the coming year and I can continue to track these stats.

Poetry

Birches by Robert Frost

My rating: 4 of 5 stars


While I am not a fan of poetry in general, Robert Frost has always been a poet I have enjoyed reading. Adding illustrations and creating visuals to go along with the words is excellent.

This book was a gift to me this year and I’m quite glad I took a few minutes to read it. It’s a single poem – it’s not long – but it’s nice. I miss living where birch trees grow.



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Inspiration

I am a very visual person. I LOVE to page through, read and take inspiration from art books. I can’t say that I’m a collector or a connoisseur, but I just have to dig into them. They routinely provide inspiration for me to work on things of various natures. Sometimes they inspire frustration because I’m not as good as a professional, but intellectually I understand – that’s why they’re the pros.

Images like the one pictured here (all credit to John Harris) have seeped into my mind. They’ve snuck into the cracks and crannies and lived there without me realizing it for my whole life. I have a story (unpublished) where I actually have something similar to the image above as part of the story. Totally unconscious choice. The artist’s work exists in the background all the time in my head – I just don’t often see as direct a translation as this.

I have other art books that I will likely go back and dig into now, just to revisit them and see if there are other bits that have snuck into my work. Until I get back to those, here is my review from over on Goodreads.

The Art of John Harris: Beyond the Horizon by John Harris

My rating: 4 of 5 stars


This rating should really be more like 4.5 stars. Reading a book like this with all the amazing images accompanying the work is a genuine pleasure.

I hadn’t realized how deep these images had settled into my mind until I read this book. The works are definitely “bookstore iconic” as Mr. Scalzi says in his foreward. Seeing the scale and scope of what the artist created and then recognizing any number of these works from books currently residing on my shelf really brought home how good this art is.

Another aspect is the opportunity to read what the artist was thinking while creating these works. His story that went along with various images was great to read.

IF you’re a fan of science fiction art, this is a worth addition to your collection.



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